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Archival Description
Nova Scotia File
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Maxwell Bates retrospective exhibition

File consists of records related to the travelling Retrospective Exhibition of Maxwell Bates, organized by the Confederation Centre Art Gallery and presented at the Dalhousie Art Gallery in January 1967.

Records consist of an exhibition catalogue including a biography of the artist, a newspaper clipping, correspondence, and a Dalhousie newsletter.

"Masks without masquerades" (African masks) exhibition

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

Mary Pratt : painting and drawings

File consists of records related to an exhibition of works by a Newfoundland painter, Mary Pratt, organized by the Memorial Art Gallery. The exhibition was presented at Dalhousie Art Gallery from December 9, 1975, to January 4, 1976.

Records consist of a condition report, correspondence, a floor plan, a list of exhibition expenses, invoices, interdepartmental memos, newspaper clipping, and an opening invitation.

Marina Stewart exhibition

File consists of records related to the Marina Stewart exhibition, held at Dalhousie Art Gallery in September 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Stewart, a shipping insurance letter, a press release draft, and a newspaper clipping titled 'Marina Stewart - a supernatural quality' by Ernest Smith.

Man at leisure and play

File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.

Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).

Man and his environment

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

"Lockeport Lockout" articles on Lockeport

File contains photocopies of newspaper clippings and a full copy of "The Coast Guard: The Voice of Shelburne County," a local newspaper published on Tuesday, September 16, 1997. The issue has an article on the Lockeport Lockout by Lewis M. Jackson.

Lily Fraser Cameron scrapbook

  • MS-14-39, OVR Box 4, Folder 1
  • File
  • 1940
File contains Lily Fraser Cameron's scrapbook created from her attendance at the Nova Scotia Agricultural College. It contains a combination of: - NSAC commencement booklets from 1 May 1940, 30 April 1941, 29 April 1942, 22 April 1943. - Black and White photographs - Newspaper clippings relating to NSAC academics and sports, as well as WWII - Personal letters, postcards, and greeting cards from family and friends - NSAC "winged" crest (sew/iron-on) - Dried flowers and dance cards - Acceptance letter dated May 29142 from the McDonald College of McGill University (stating her as the first female NSAC graduate to attend the agriculture program at McDonald College).

Cameron, Lily Fraser

Letters to Budge Wilson

File consists of: one note from Carol; and a letter from Armbrae Academy. Includes a newspaper clipping from "The Chester Clipper", May 3, 2005 (page 6).

Lesbian Gay Bisexual Youth Project summer retreats 2000-2001

File contains materials relating to Lesbian Gay Bisexual Youth Project summer retreats from 2000-2001. Materials include registration forms, correspondence, invoices, contracts, travel itineraries, budgets, notes, and news clippings.

Lectures 1967-68

Files consist of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1967-1968 academic period. These relate primary to two lectures, given by Nathan Lyons (Associate Director of Photography, George Eastman House) and Dr. R.H. Hubbard (Chief Curator, National Gallery of Canada).

Records consist of correspondence of Evelyn Holmes regarding the arrangement and planning of guest lecture events, Dalhousie newsletters, lecture summaries, publicity text, curriculum vitae and biographies, newspaper clippings, and lecture itineraries.

Lectures 1966-67

File consists of records related to the scheduling of guest lectures in connection with the Dalhousie Art Gallery for the 1966-1967 academic period.

Records consist mainly of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) regarding organizing, planning, and presenting guest lectures. Additional records consist of a Dalhousie newsletter regarding a lecture presented by Stuart Allen Smith (Director, Beaverbrook Art Gallery), as well as Smith's biography and lecture summaries, lecturer itineraries, newspaper clippings, and publicity materials related to Ladislas Segy (Director, Segy Gallery, NY).

La gloria d'Italia

File contains a program for a concert by the Halifax Camerata Singers and two newspaper clippings of reviews of the concert.

Kim Ondaatje exhibition

File consists of records related to the Kim Ondaatje exhibition held at Dalhousie Art Gallery in November 1973.

Records consist of correspondence requesting exhibition loan from the Confederation of Art Gallery and Museum, handwritten letters from Kim Ondaatje, press release, condition report, and a copy of a paper titled 'Ondaatje's paintings scary' written by Lenore Crawford. Records also include two postcards.

Joseph Svoboda exhibition

File consists of records related to the Joseph Svoboda exhibition, held at Dalhousie Art Gallery from October 4-24, 1974.

Records consist of a list of artworks, press release drafts, newspaper clippings, photographs (photocopies), correspondence between Mern O'Brien (Director, Dalhousie Art Gallery) and Gerry Grace (Archives, National Arts Centre), condition report, invitation cards, and insurance documents.

Joseph Sleep

File consists of records related to the exhibition of paintings by Joseph Sleep, held at Dalhousie Art Gallery from September 16 to October 2, 1975.

Records consist of a loan agreement, a biography, a list of expenses, a price list of artworks, a newspaper clipping, interdepartmental memo, a floor plan, and draft letter-size poster and poster order form.

John Greer "Know your artist"

File consists of records related to the exhibition by John Greer, part of Dalhousie's "Know Your Artist" series, held at Dalhousie Art Gallery from April 17 to May 19, 1974.

Records consist of correspondence between Dalhousie Art Gallery and Greer, newspaper clippings, insurance papers, list and pricelist of artworks, booklet orders, and a handwritten list of awards, solo and group exhibitions between 1964 and 1971, and descriptions of Greer's visual puns. File also contains postcard invitations to exhibition; photo of 'sceptical spectacles' used for a postcard invitation.

Jacob Jordaens

File consists of records related to the exhibition 'Jordaens', a significant exhibition of Jacob Jordaens' paintings organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in October 1969.

Records consist of an invitation, a calendar of events for the National Gallery for the period of November 15, 1968 to January 15, 1969, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) including letters regarding the safety of the Jordaens' artworks during blasting activities on campus, including seismographic data, newspaper clippings regarding the exhibition, including one titled 'Jordaens Canvas Displayed After Shock Test', descriptive exhibition text provided by the National Gallery of Canada, a copy of 'Jordaens and Flemish Opulence' from Flemish Painting Volume 2, and three National Gallery press releases.

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