Find archival material at the Dalhousie University Libraries
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Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.
Fonds contains records created and collected by Christopher Heide in the course of his career as a writer, including his work with arts and cultural associations such as ACTRA and the Dramatists' Co-op of Nova Scotia. Record types include scripts for stage, radio and screen; notes; correspondence; reports; meeting minutes; and photographs.
This collection primarily consists of theatre and film scripts read during the "ScripTease" dramatic reading series or "Playwright's Corner." The fonds also contains some correspondence and administrative records and two catalogues of plays.
Fonds comprises records created and collected by Don Allison that document his work as an actor in Neptune Theatre's 1967 production of The Wooden Ship, as well as his own poetry and prose writings. There is also a small number of letters from someone named Anna.
Fonds includes minutes of meetings, correspondence, financial records, printed scripts, manuscripts of plays, materials pertaining to workshops, newsletters, and publicity records.
This fonds consists of records related to theatre history in Nova Scotia which were collected by Best while researching his M.A. thesis. The fonds includes photographs and negatives of local theatres (including Neptune, the Orpheus, and the Capitol) and various programs, advertisements, and articles related to them. The fonds also includes photocopies of a series of articles Best wrote for the Halifax Mail Star on the history of theatre in Nova Scotia, as well as some other miscellaneous research notes. Photographic materials include 41 negatives and 62 printed photographs.
Fonds contains records pertaining to Jenny Munday's career as a playwright, actor, director, dramaturge and arts administrator. Materials include manuscript drafts; professional contracts; production reviews; grant applications; and correspondence. The fonds also contains records related to Munday's time as a Crake Fellow in Drama at Mount Allison University.
The fonds includes Linda Moore's papers and files relating to her work as director of Neptune Theatre in Halifax. The fonds includes designs and annotated construction plans and photos of the theatre; annotated scripts, photos, and production notes from Neptune shows; correspondence and interview texts; video and audio footage of productions and auditions. There is also a substantial volume of material relating to the world premier production of Dracula: a Chamber Musical.
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
The fonds includes administrative records including correspondence and reports, scripts, publications, and scrapbooks. It also includes a rich collection of records pertaining to NSDL-affiliated associations and events. Among the many regional and national associations and festivals represented are the Canadian Child and Youth Drama Association, Dalhousie University cultural activities, Neptune Theatre, Nova Scotia Cultural Federations, Pier One, Portus Productions, Theatre Arts Guild, Atlantic Drama Festival, Dominion Drama Festival, Joseph Howe Festival, and One Act Play Festival.
Accession consists of miscellaneous records relating to David Renton's acting and directing career, and includes publicity and performance photographs, correspondence, contracts, appointment calendars and diaries. There are also publicity photographs of Karine Renton's father announcing the CHNS radio program Now it Can Be Told.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
The records in this series comprise rehearsal scripts, research notes, production notebooks, costume and set sketches, performance programs, media reviews, and related correspondence for theatrical productions directed by Linda Moore between 2000-2010.
Item is a group photograph of Mrs. Harriette Richardson (translator); Lieutenant Governor Tory; Mrs. Tory, Mrs. Taylor; standing; Mr. L.M. Fortier; Mr. Richardson; Chief Justice Harris; and Colonel Almon.
Fonds contains correspondence, production records, scripts, flyers, posters, programs, promotional materials, press reviews, financial records, organizational management, documents regarding the theatre building and property, workshop programming, as well as touring production records. There is extensive correspondence regarding script acquisition and production; some correspondents included Canadian and Haligonian playwrights. Many scripts contain annotations by directors and actors. Set drawings, lighting cues, props lists and theatre renovation plans are also part of this fonds.
Unprocessed materials from the fonds not included here amount to approximately 94 cm. Please consult the Archives staff for access.
This accession consists primarily of meeting minutes and agendas from the Symphony's Board of Directors and its Executive. There are also concert programs, rehearsal schedules, programming records for special events, annual reports and grant applications.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.
This fonds consists of records regarding the administration, membership, and productions of the Upstart Theatre Company. Types of records include press releases, press clippings, and other promotional materials, photographs, financial material, meeting minutes, reports, scripts, among others.
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.