Neptune Theatre : West Side Story
- Subseries
- 1983
Part of Robert Doyle fonds
Neptune Theatre : West Side Story
Part of Robert Doyle fonds
Neptune Theatre : The Torch-Bearers
Part of Robert Doyle fonds
Neptune Theatre : The Taming of the Shrew 1980
Part of Robert Doyle fonds
Neptune Theatre : The Taming of the Shrew 1967
Part of Robert Doyle fonds
Neptune Theatre : The Sea Gull
Part of Robert Doyle fonds
Neptune Theatre : The Mousetrap
Part of Robert Doyle fonds
Neptune Theatre : The Black Bonspiel of Wullie McCrimmon
Part of Robert Doyle fonds
Neptune Theatre : Servant of Two Masters
Part of Robert Doyle fonds
Neptune Theatre : Romeo and Juliet
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Party of the Century
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Much Ado About Nothing
Part of Robert Doyle fonds
Neptune Theatre : Lend Me a Tenor
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Guys and Dolls
Part of Robert Doyle fonds
Neptune Theatre : Debut/Encore
Part of Robert Doyle fonds
Neptune Theatre : Colour the Flesh the Colour of Dust
Part of Robert Doyle fonds
Neptune Theatre : Arms and the Man
Part of Robert Doyle fonds
Neptune Theatre : Anything Goes
Part of Robert Doyle fonds
Neptune Theatre : Angels in America
Part of Robert Doyle fonds
Neptune Theatre : A Doll's House
Part of Robert Doyle fonds
National Arts Centre : The Torch-Bearers
Part of Robert Doyle fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Mr. Atlantic Canada Leather [MACLeather] sponsorships
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] programs and ephemera
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] posters and promotional material
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] financial records and meeting minutes
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] bylaws, membership, and history
Part of Nathaniel Smith fonds
Morton House property deeds and operating documents
Part of Larry Baxter fonds
Melville Cumming's unpublished articles
Part of Melville Cumming fonds
Melville Cumming's course related records
Part of Melville Cumming fonds
Maritime Marionettes : Molly and the Oak Island Treasure
Part of Robert Doyle fonds
Margaret Jane (Mackenzie) Maclellan's records
Maps and photographs of the proposed quarry site in Digby, Nova Scotia
Part of Jill Grant fonds
Manuscripts of newspaper articles written by Andrew Merkel
Part of Andrew Merkel fonds
Manitoba Theatre Company : Dames at Sea
Part of Robert Doyle fonds
MacRae Library Agricola exhibition - "An apple a day" from the Fred Sears fonds
Macdonald Royal Commission on the Economic Union and Development Prospects for Canada
Part of Gilbert R. Winham fonds
Part of Facilities Management
Part of Brian Hall fonds
L.D. Dexter's collection of family records
Part of Lucius Dill Dexter fonds
Part of Ronald St. John Macdonald fonds
Part of Larry Baxter fonds
Helen Stewart (Mackay) Maclellan's records
Halifax Rainbow Health Project
Part of Bob Fougere fonds
Part of Ronald St. John Macdonald fonds
Grand Theatre London : The Wizard of Oz
Part of Robert Doyle fonds
Grand Theatre London : Anne of Green Gables
Part of Robert Doyle fonds