File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1982 production of The Rivals. All sketches are mounted with a plastic cover in a dark red mat.
Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.
File contains photocopies of eleven costume designs from Dalhousie Theatre's 1983 production of The Sea. One of the costume designs has fabric swatches attached to it.
Subseries contains handwritten notes, annotated typescripts, correspondence, pamphlets, booklets, a copy of the agreement between Peking University International Law Institute and University Rotterdam GLODIS Institute of the Faculty of Law regarding a research and teaching program, a copy of the Canadian-Chinese programme in international and comparative law between Dalhousie University Faculty of Law and Peking University College of Law, a preliminary proposal for a joint research and education project on international law and human rights between Peking University International Law Institute and the University of Ottawa Human Rights Research and Education Centre, and other materials.
Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the World Academy of Art and Science. Subseries contains printed materials, news releases, administrative records, and other materials.
Series contains administrative records of AIDS Nova Scotia, established in 1984 as the Metro Area Committee on AIDS [MACAIDS] and changing its name to AIDS Nova Scotia [ANS] in 1991. ANS was a non-profit advocacy organization for persons living with HIV/AIDS, incorporated in 1986. AIDS Nova Scotia merged with the Nova Scotia Persons With AIDS Coalition in 1995 to form the AIDS Coalition of Nova Scotia. Materials in series include meeting notices, minutes, and agendas; memos, correspondence, and press releases; strategic planning materials; budgets and financial statements; internal and external reports; policies, guidelines, and bylaws; and notes, among others.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and architectural revisions to the Technical University of Nova Scotia, later the Sexton Campus.
Subseries contains duplicate issues of Gaezette, a publication which was originally published as the newsletter for the Gay Alliance for Equality. It was published by a non-profit collective between 1984-1995, when it changed its name to Wayves. It existed to inform lesbians, gay men, bisexuals and transgender people across Atlantic Canada of activities in their communities, and to promote those activities and support their aims and objectives.
File contains six costume designs for Dalhousie Theatre's 1986 production of Bonjour, la, Bonjour. Five of the designs are watercolour sketches and one is a pencil sketch.
Sub-series contains clippings from Nova Scotia newspapers dated 1999 regarding AIDS transmission, treatment, and prevention; the government's response to the AIDS crisis; and AIDS-related social issues in Nova Scotia.
Subseries contains documents relating to the operation of Morton House, a residence and hospice in Halifax operated by CARAS for persons living with HIV/AIDS. Morton House was established in 1988 and closed in the early 2000s.
Subseries contains records created and collected by Gil Winham during his service as Chairman of the Nova Scotia Adjustment Advisory Council, which was established by Premier Buchanan to examine the province's capacity to adjust to the Canada-US Free Trade Agreement. Record types include correspondence; meeting agendas and minutes; research materials; background reports; media releases and newspaper clippings; manuscript drafts; and the final report.
Subseries contains records created and collected by Gil Winham during his membership on dispute settlement panels under the Free Trade Agreement. The bulk of the records are related to a countervailing duty case launched by the US Department of Commerce against alleged subsidies given by the Canadian and Nova Scotia governments to Sysco Steel Corps. Records include questionnaires sent by the Department of Commerce to the Canadian governments and industry to gather information in connection with this case, which led the US to impose an additional duty of 113% on steel rails coming from Sysco.
File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.
Sub-series consists of materials from the Women's Health Education Network Conference [WHEN] 1989, 1992, 1993, and materials from the WHEN 11th annual conference.
Sub-Series includes the digital audio files of the finished episodes aired on Rock Meets Bone. Episodes include and introduction and conclusion narrated by Brain Guns, and interviews, performances, or music created by the artist. Sub-Series also includes one digital audio file from CBC's Atlantic Airwaves detailing the story of Rock Meets Bone.
File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.
File contains 14 costume designs for Dalhousie Theatre's 1989 production of Cloud Nine. The designs are pencil sketches on heavyweight paper. The sketches have been torn from a spiral bound sketchbook and some of the torn edges have not been cut off. The file also contains nine black and white photocopies of some of the sketches.
Series contains administrative and operational records from the Nova Scotia Persons With AIDS Coalition [NSPWAC], an HIV/AIDS advocacy organization based in Halifax. NSPWAC formed in the mid-1980s and merged with AIDS Nova Scotia in 1995 to establish the AIDS Coalition of Nova Scotia. Materials include meeting notices, agendas, and minutes; memos, correspondence, and press releases; workshop materials; internal and external reports; and issues of their newsletter News and Views.
File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.
File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.
Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.