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Archival Description
Dalhousie University Archives Nova Scotia
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Dalhousie Alumni Association fonds

  • UA-32
  • Fonds
  • 1872-1988, bulk 1914-1945
Fonds comprises records documenting the administration, governance and activities of the Dalhousie Alumni Association, including their involvement in events such as the class reunions; the amalgamation of Dalhousie University and the Technical University of Nova Scotia; university campaigns; Dalhousie Centenary celebrations; track and field meets. Record types include correspondence, lists, photographs, press releases, and newspaper clippings.

Dalhousie Alumni Association

Photographs of Middle Musquodoboit buildings

  • PG-2-119
  • Collection
  • [ca. 1900s]
Collection consists of seven reproductions of late-19th/early 20th-century photographs of shops, people and houses in Middle Musquodoboit, Nova Scotia.

McFetridge, Donald Roderick

Backgrounds: ten Nova Scotian women artists

File consists of records relating to an exhibition entitled Backgrounds: Ten Nova Scotian Women Artists, presented at the Dalhousie Art Gallery from October 4 to November 11, 1984. The artists that participated in this exhibition were Frances Bannerman, Marion Bond, Elizabeth Cann, Mabel Killam Day, Elizabeth Nutt, Florence Payzant, Tony Saulnier, Margaret Semple, Edith Smith, Ruth Wainwright, and Marguerite Zwicker.

Records consist mainly of insurance files, correspondence, loan agreement forms, and photographs.

Louis Stokes : alchemy spirals

File consists of records related to the exhibition of works by sculptor Louis Stokes entitled "Alchemy Spirals," presented at the Dalhousie Art Gallery from January 31 to February 24, 1980.

Records are divided into 6 folders:
Folder 9 - administrative files (proposed outline, biography, resume, exhibit agreement, correspondence, packing instruction, and transportation)
Folder 10 - grant application
Folder 11 - report
Folder 12 - publicity and advertising (contains advertising, clippings, reviews, exhibition texts, exhibition pamphlet, and catalogue order)
Folder 13 - financial (insurance, budget, payment, invoices, expenses (business records), and final expense report)
Folder 14 - photograph

The 26th annual Dalhousie student, staff and alumni exhibition

File consists of records related to the twenty-sixth annual student, staff and alumni exhibition, held at Dalhousie Art Gallery from January 10 to January 27, 1980.

Records consist of an exhibition report, clippings, a press release draft, a list of artworks, a blank exhibition entry form, and exhibit photographs.

Batik tapestries by Louis Steyn

File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.

Susan Swannie and Christine Ross Hopper

File consists of records relating to the planning of a joint exhibition of 'Christine Ross Hopper : New Work' and 'Suzanne Swannie : Drawings,' held at the Dalhousie Art Gallery from November 15, 1984, to January 13, 1985.

Records consist of correspondence, insurance files, lists of works in the exhibition, exhibition agreement forms, a floor plan, new release, photographs, and 2 opening invitations.

Dalhousie Art Gallery fonds

  • UA-36
  • Fonds
  • 1953-2014
Fonds consists of records pertaining to Dalhousie Art Gallery publicity, exhibitions, collections, openings and events, and administration. Types of materials include press releases, brochures, tickets, a poster, photographs, course information, programs, calendars, catalogues, reports, financial records, notes, correspondence, newspaper clippings, minutes and agendas, and other materials.

Dalhousie University. Dalhousie Art Gallery

Gerald Ferguson : works 1978-1984

File consists of records relating to an exhibition of works by Halifax artist Gerald Ferguson entitled Gerald Ferguson : works 1978-1984, organized and circulated by the Dalhousie Art Gallery. The exhibition was presented at the Dalhousie Art Gallery from October 4 to November 11, 1984.

Records consist of correspondence with other galleries, floor plan and installation instructions, clippings, publicity material, exhibition agreement, invitation lists, postcard invitations, photographs, and exhibition materials created by Eye Level Gallery.

Exhibition slides

File contains 59 slides of Eyelevel Gallery exhibitions. Slides are not labelled.
Photograph of two images of an unidentified exhibition

Photograph of two images of an unidentified exhibition

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The photograph depicts two juxtaposed images. The upper image is a portrait of a woman and two children posing in formal attire. The lower image depicts an issue of The Toronto Star newspaper with child handprints and other markings drawn onto the newspaper. The image includes a note that reads: "I used to pretend that my real father was Roy Rogers."
Photograph of two images of an unidentified exhibition

Photograph of two images of an unidentified exhibition

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The photograph depicts two juxtaposed images. The upper image is a portrait of a woman and two children posing in formal attire. The lower image depicts an issue of The Toronto Star newspaper with child handprints and other markings drawn onto the newspaper. The image includes a note that reads: "I used to pretend that my real father was Roy Rogers."
Photograph of two artifacts display

Photograph of two artifacts display

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The image shows two artifacts each in black and white on a wall shelf.
Photograph of a miniature medieval soldier on a wall display

Photograph of a miniature medieval soldier on a wall display

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The label reads:
“There was a layer of hardness beneath the skin a wall of steel a sinew of iron will and the glint of danger He looked like a prizefighter or a Roman gladiator prepared to stand his ground to the death but confident of his ability to survive - D. S. Arthur: The Oasis Project”
Photograph of two miniature medieval soldiers on a wall display

Photograph of two miniature medieval soldiers on a wall display

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The label reads: “There was a layer of hardness beneath the skin a wall of steel a sinew of iron will and the glint of danger He looked like a prizefighter or a Roman gladiator prepared to stand his ground to the death but confident of his ability to survive - D. S. Arthur: The Oasis Project” (left)

“Had he realized then that some men found no release in the company of women or even the love of other men but only in those rare moments that war could bestow. – A. Coppel: The Burning Mountain” (right)

Photograph of a miniature medieval soldier on a wall display

Photograph of a miniature medieval soldier on a wall display

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The label reads:
“Had he realized then that some men found no release in the company of women or even the love of other men but only in those rare moments that war could bestow – A. Coppel: The Burning Mountain”
Photograph of three war-related images with texts on display

Photograph of three war-related images with texts on display

Item is an unlabeled photograph of an exhibition presented by Eyelevel Gallery. The photograph depicts three images related to an unidentified war arranged side by side horizontally. The individuals in them are not identified. The text in the middle image reads:
“Dan ran, zigzag, as bullets ricocheted around his swerving body. With a desperate leap he fell into a trench as his fellow soldiers cheered. Suddenly he sprang into view and with a swift, smooth movement flung a grenade into an enemy bunker. There was a blinding flash and a deafening roar followed by a deathly silence, interrupted by more cheering. Grinning, Dan charged into the smoke…..”
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