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File Poetry
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Letters and poems of Molly Beresford sent to Andrew Merkel

File contains 71 handwritten letters sent from poet Molly Beresford to Andrew Merkel between 1922 and 1936; three postcards; one Christmas card; and four poems, including "The Philosophy of a Would-Be Poet," "Moon Shadows," "To a Fair Lady on returning to her a Pair of Rubber Shoes."

Collection of favourite poems of Robert Logan

Folder includes typed copies of the following poems: "If" by R. Kipling; "Outdoors" by unknown author; "Danny Boy" by Fred E. Weatherly; part of "Village Blacksmith" by Henry Wadsworth Longfellow; and "I'm Fine, Thank You" by Constance O’Neon.

John Ditsky : [poetry reading]

File consists of records related to a poetry reading by John Ditsky, a professor in the Department of English at the University of Windsor, held at Dalhousie Art Gallery on October 6, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and John Ditsky. Many letters are handwritten. File also includes invoices and purchase orders, interdepartmental memos, an invitation card, and a blank form of a report to The Canada Council on the Public Reading.

Fred Cogswell : [poetry reading]

File consists of records related to a poetry reading by Fred Cogswell, held at Dalhousie Art Gallery on November 17, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Fred Cogswell. File also includes interdepartmental memos, professional biography of Cogswell, and a copy of report to The Canada Council on the Public Reading.

Leona Gom : [poetry reading]

File consists of records related to a poetry reading by Leona Gom, held at Dalhousie Art Gallery on October 27, 1975.

Records consist mainly of correspondence between Bruce W. Ferguson (Director, Dalhousie Art Gallery) and Leona Gom. File also includes interdepartmental memos, invitation cards, and a copy of a report to The Canada Council on the Public Reading.

The Song Fishermen's Song Sheets

File contains 15 issues of a periodical "issued every so often," edited and published by Andrew Merkel out of his Halifax office of the Canadian Press. In addition to publishing the poems of The Song Fishermen, a Halifax literary group that included Andrew Merkel, Kenneth Leslie, Charles G.D. Roberts, Molly Beresford, Bliss Carman, Charles Bruce, and Robert Norwood, it became a vehicle for members to keep in touch with each other, especially those who lived outside of Halifax. Issue numbers 1-4 and 10 were published as "The Song Fishermens' Song Book"; the possessive apostrophe was corrected in the remaining numbers. Number 12 is missing and number 13 took the form of a short book of poems published by Abenaki Press in tribute to Bliss Carman after this death.

Poetry manuscripts by Molly Beresford

File contains handwritten manuscripts of poems including "Amaranth"; "The Mystery of Love"; "Wot ye What Love is, I Will Not Leave You Comfortless"; "Ballad of Young Jesus and his Father"; "A Wandering Islemen's Song"; "A Good-night"; "Rainbow Haven"; and "A Flint Arrow."

Hausa poem, religion interview questions

File consists of a range of research materials compiled by James Morrison from 1973-1975 in the Jos Plateau, Nigeria. The research materials include an empty envelope addressed to James Morrison at the Department of History at the University of Ibadan. The file contains a photocopied version of a poem written in Hausa, and a series of interview questions about Muslim identity written in blue pen on loose leaf lined paper. The file contains a letter written to James Morrison from Musa Borodo regarding a translation that is attached to the letter. The translation is handwritten on lined loose leaf paper and is followed by the original Hausa in the form of a typed document.

Andrew Merkel's student poetry notebook

File contains a notebook probably dating from Merkel's student years at King's College, which features handwritten poems and illustrations or doodles, as well as three inserts of printed poems. There is also a copy of King's College Record, Vol XXVI, No. 224 (Windsor, NS, February 1905). The first page contains "On Joining the Haliburton Club," October 1905.

Andrew Merkel's poetry notebook

Item is a soft cover student notebook containing poems written by Andrew Merkel between 1909 and 1910, including "The Beatification of Joan of Arc" and "Death of King Edward VII."

The Merry bard

File contains a notebook of poems, which contains some of the poems published in Late Harvest, a selection of poems by Archibald MacMechan published posthumously in 1934.

Nature and agrarian poetry books collected by Peter Sanger

File contains 5 poetry books. The titles include: 1. Earthly pages : the poetry of Don Domanski / selected with an introduction by Brian Bartlett ; and an afterword by Don Domanski. Wilfrid Laurier University Press, 2007. 2. Poetic voices of the Maritimes : a selection of contemporary poetry / selected and edited by Allison Mitcham and Theresia Quigley. Lancelot, 1996. 3. & 4. The essential James Reaney / selected by Brian Bartlett. Porcupine's Quill, 2009 (2 copies) 5. Exterminate my heart / Shane Neilson ; wood engravings by George A. Walker. Victoria, BC : Frog Hollow Press, 2008.

Correspondence from Leonard Young

File contains a letter from Leonard Young, Managing Director of an acting group called the "Originals", thanking John Daniel Logan for a book of poems, that Logan had given the group at one of their performances in Halifax.

Correspondence from John Winthrop

File contains a letter from John Winthrop of the Winnipeg Theatre concerning John Daniel Logan's book "Twilight Litanies" (1920), requesting an inscription from Logan.

Correspondence from Julia Marlowe Sothern

File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.

Correspondence from Alfred Wooler

File contains materials sent to John Daniel Logan by Alfred Wooler, and American composer and music educator, concerning Logan's inquiry into Wooler's "Harmony and Composition Lessons by Mail." The file includes promotional materials for the course and a generic letter to prospective pupils to which Wooler has added comments for Logan.

Correspondence from Marian MacDowell

File contains three letters from Marian MacDowell to John Daniel Logan. The letters concern her husband's death and work (the American composer and pianist Edward MacDowell) and Logan's poetry. The file also includes a compilation of press notices about a series of lectures that Marian MacDowell gave in 1910 on Edward MacDowell's music.

Correspondence from Kathleen Parlow

File contains two letters from the Canadian violinist Kathleen Parlow concerning reviews of her performances by John Daniel Logan and Logan's poetry. One of the letters (dated April 19, 1912), mentions the sinking of the Titanic in passing. One of the letters originally contained two photographs of Parlow, one for the press and one for Logan.

Parlow, Kathleen

Correspondence from R.S. Pigott

File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).

Correspondence from Daniel G. Mason

File contains a letter from Daniel G. Mason of Columbia University concerning a poem that John Daniel Logan submitted for publication in the "New Music Review." The file includes the copy of the poem that Logan submitted, which is on the work of the composer Lowell Mason (1792-1872), Daniel G. Mason's grandfather. The file also includes a manuscript copy of a poem, possibly by Jean Grey, dated June 15, 1913.

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Verses by Paul Cram

File contains manuscript copies of verses: "Road"; "Traction"; "Blood Bondage"; "O Egypt"; "Somewhere Would be Better"; "Anyway"; and "Dry Eyes," which features musical keys under each word.

Prose and poetry manuscripts

File contains typed and handwritten poems and prose, largely written by Don Allison. There are also annotated copies of poems by Dylan Thomas and John Masefield; a small booklet of poems titled "Lighted Windows"; and a story by Roark Bradford called "Green Pastures," torn from a book. A photograph of a young woman standing in front of a pond is tucked into a notebook with "Don Smith" written on the cover.

Letter and card to Kenneth Leslie from Rosaleen Dickson

File contains an undated typed letter from his daughter Rosaleen regarding sending a selection of typed copies of poems to Mr. [Patrick] Crean at McClelland and Stewart and also mentions that Sean Haldane, publisher of The Collected Poems of Kenneth Leslie, had not been informed of the efforts to publish an alternate collection of Leslie's works. File also contains a facsimile family photograph of the Dickson children: Jennifer, Elizabeth, Marjorie, Ross, and Charles.

Letter and card to Kenneth Leslie from Nanette Bowditch

File consists of a letter (dated February 1, 1973, from Success, Saskatchewan) and an undated Christmas card [ca. early-1970s] written by Nanette Bowditch, daughter of Kenneth Leslie's brother Eric. The letter discusses the activities of her children, George and Emily, the recent publication of his book of poetry, and Kenneth's relationship with his sisters, Marjorie and Emily. The Christmas card contains a brief letter and is signed by Nanette, her husband Walter, and their two children.

Correspondence of Nora Leslie

File contains correspondence sent to Nora Leslie (née Nora Steenerson Smith, Nora Totten), fourth wife of Kenneth Leslie, from the 1950s to the 1970s. File includes letters and cards sent by Emilie Laraway, Mary Lewis, Helene Mullins, and Elizabeth and John Robertson. File also includes an undated note written by Nora Leslie after Kenneth Leslie's death, regarding a disagreement with Kenneth's daughter Rosaleen. File also includes a photocopy of a clipping of Nora's obituary.

Aslaug Vaa translations : [manuscripts]

File contains several handwritten drafts of translations of two poems originally written by Aslaug Vaa and translated by Nora Steenerson Smith (later Nora Leslie), fourth wife of Kenneth Leslie. There are six handwritten drafts of a translation of Duva og dropen (with minor variations and corrections), and seven drafts of a translation of the Skinnvengbrev (with minor variations and corrections).

New-Man records

File contains textual records pertaining to Kenneth Leslie's religio-political publication New-Man.

The social aspect of the idea of truth and reality : [manuscript]

File contains an undated typed manuscript entitled "The social aspect of the idea of truth and reality", presumably written in 1915, by Kenneth Leslie, when he was a student at Harvard University. File addresses Leslie's notions of perception, conception, and interpretation.

Radio interview fragments : [manuscripts]

File contains two fragments of radio interviews (one dated March 14, 1940, the other undated) involving Kenneth Leslie. The first, titled "Radio Script : Leslie-Merchant" -- discusses Leslie's involvement in the Protestant Digest, and Protestantism in general. The second untitled and undated fragment discusses science and mathematics.

The problem of the bridge : [manuscript]

File contains an undated (presumably 1913 or 1914, while a student at the University of Nebraska) typed manuscript entitled "The problem of the bridge", written by Kenneth Leslie, and submitted to his professor as part of a course in philosophy. The "bridge" of which Leslie writes is discussing the "problem of metaphysical knowledge". File discusses the Eleatics, Aristotle, Descartes, Spinoza, Locke, Berkeley, Hume and Kant in relation to metaphysical knowledge.

Open publicity is the weapon of democracy : confused liberals get unconfused, now let them get going : [manuscript]

File contains a draft typed manuscript, undated (but probably from 1943) written by Kenneth Leslie. File consists of a letter to American liberals and those who wish "the world had joined together against Fascism", rallying them to join the Protestant's Textbook Commission to Eliminate Anti-Semitic Statements in American Textbooks.

Brief biographical notes : [manuscripts]

File contains undated fragments of biographical notes written by Kenneth Leslie. File contains a ~100-word piece entitled "Short biography of Edward Bellamy, translated from the Dutch", written presumable in the spring of 1950, based off of articles which appeared in the March 22 1950 (volume 17, number 6) of "Bellamy: Officieel sociaal-economisch orgaan van de Internationale Verniging Bellamy"; with the verso containing a note about a request for an article for the Liverpool Advocate newspaper. File also contains ~130 words about Jean-Jacques Rousseau and humanism, as well as basic genealogical information about Alexander Leslie and Walter L.[eslie].

Sermon delivered at Abyssinian Baptist Church, Harlem, New York : [manuscript]

File contains an undated, untitled fragment (lacking the first of seven pages) of a sermon delivered by Kenneth Leslie at Abyssinian Baptist Church, Harlem, New York. The sermon was likely given October 24th, 1943, entitled "God -- Empty Church", a later version of which appeared in the December 1943 issue of The Protestant. File addresses the threat posed by both the Papacy and Martin Luther to the Baptists, stating that Luther was not "for the people" and that "Baptists ... were massacred with the people by both Luther and the Pope". File expresses the notion that since the success of the Russian Revolution and communism, "the opportunity for free religion is here, [...as] religion has not, nor can be free under capitalism". File also addresses the role in Leslie's 'The Protestant' (The pastor of Abyssinian Baptist Church, Adam Clayton Powell, Jr., was serving on the editorial board of 'The Protestant' at this time) in ensuring the opportunity for free religion in a American capitalist socioeconomic system that prevents it.

God and the intellectuals : [manuscript]

File contains a typed draft manuscript (with a few inked corrections) of a sermon delivered by Kenneth Leslie, likely in the early 1940s, entitled "God and the Intellectual". File addresses the role of colleges in teaching metaphysics, before moving on to the threat posed by "the sickness of America [and the] whole modern world. [...] Call it transcendentalism. Call it idealism" during the Second World War, wherein the motto "transcendentalism : greed' was the antiphonal change for the burying of [early] New England", much as it has been in the run-up to war, and the efforts to prevent the acceptance of "absolute ideas as substitutes for organic thinking", as in fascism, which demands "all or nothing" answers.

Such a din! : poems

File contains Kenneth Leslie's personal copy of his collection of poems, 'Such a din!', published in 1936. Leslie used this copy as a working copy when compiling his anthology of poems, 'O'Malley to the Reds and other poems" in 1972. File contains inked corrections, additions, and excisions in Leslie's hand (addition of dedications -- largely to Robert Norwood -- for a few poems, as well as a few title and spelling changes, with poems not be included in the anthology crossed out).

Promotional materials for poetry readings

File contains two undated promotional leaflets (likely from the late 1930s or early 1940s, promoting Kenneth Leslie poetry readings and discussions. The earliest of the two leaflets, on off-white paper, is entitled "Kenneth Leslie / Poetry Readings -- Discussions / Mr. Leslie / Reads His Own Poetry / Discusses Contemporary Poetry / Helps you Develop Your Poetry" and contains a small portrait of a youthful Leslie wearing a fedora. It contains testimonials from Charles G.D. Roberts, Robert Norwood, and Lawrence H. Conrad on the verso. The second leaflet, printed on yellow paper, also undated, but after 1938, is entitled "Kenneth Leslie : Singer-Composer / Poet", contains a portrait of Leslie to the upper left corner, with a short bibliography (ending in "By Stubborn Stars". The front contains words promoting Leslie's talent from 'Voices', 'London Times', Sir Charles Roberts, 'N.Y. Herald Tribune', 'Halifax Chronicle', Reverend Sister Maura, 'Charlottetown Guardian', and Shaemas O'Sheel, while the verso has further testimonials under the heading "What they say of Kenneth Leslie's poetry...." with the sub-headings "In London, England", "In Toronto", "In New York", and "In Charlottetown".

Kenneth Leslie's sketchbook

File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.

Notes, articles and clippings related to fluoridation

File contains research notes and articles collected by Kenneth Leslie in the mid-1960s related to fluoridation. File contains correspondence written by Miss Jean M. Ross submitted to The Rt. Hon. L[ester] B. Pearson and The Hon. Judy LaMarch, as well as Dr. G.D.W. Cameron [Deputy Minister of National Health], a copy of Miss Ross's 12-page publication 'The fluoridation fraud', as well as pamphlets and articles from the the Fraser Burgh Herald, the New York Times, Pure Water Association of Santa Clara County, and the Greater Milwaukee Committee Against Fluoridation.

My love she walks not with me : [manuscript]

File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.
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