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Beckett : [program]

File contains a program and two playbills for a pair of Samuel Beckett plays performed at Toronto's The Theatre Centre as part of a nuclear disarmament benefit. Happy Days was directed by Mary Vingoe.

Monologues from "Battle Fatigue"

File contains selected monologues taken from three different drafts of "Battle Fatigue" (formerly titled "A Woman's War" and "Mother What Will I Do Now?") by Jenny Munday. Some of the monologues include sheet music.

Scripts for "November" and "History Lessons"

File contains scripts for monologues called "November" and "History Lessons" by Jenny Munday. The file also contains a letter from Munday to Katherine about the monologues. The monologues were part of Mulgrave Road Co-op Theatre's 20th anniversary show.

Letter from William Schwenck Gilbert

File contains an autographed letter from the English dramatist William Schwenck Gilbert, addressed to the actress Mrs. Bernard Beere (Fanny Mary Whitehead). In 1897, she appeared as Lisa in Gilbert's play "Gretchen".

Gilbert, W. S. (William Schwenck)

Photograph of the cast of 'The President's Daughter'

File contains a photograph of the cast of the Dalhousie Drama Club's production of "The President's Daughter" in 1908-1909. The photograph shows Jack Reid; Archie Sutherland; Helen Crichton; Grace Tupper; Marguerite H. L. Silver; Dorothy Constance Gorham; W. C. Ross; Frank Archibald; Jamie MacLeod; Stewart Mavor; Evan MacKenzie Forbes; and J. P. MacIntosh sitting or standing in several rows.

Gauvin & Gentzel

Correspondence from Julie Opp Faversham

File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.

Correspondence from Percy Haswell

File contains a letter from the American actress Percy Haswell thanking John Daniel Logan for his newspaper articles on her. The letter is written on letterhead from the R.M.S. Royal Edward.

Correspondence from Charles F. Towle

File contains an advertisement and pamphlet on the plays presented by the Stratford-upon-Avon Players at the Princess Theatre in Toronto as part of their first American Tour. Charles F. Towle was the business director of the tour.

Correspondence from Julia Marlowe Sothern

File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.

Prints of Johnston Forbes-Robertson

File contains a series of prints of paintings and photographs of the English actor Johnston Forbes-Robertson (1853-1937) in and out of costume. One of the prints is autographed by the actor.

Souvenir program from the Arlington Theatre

File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.

Majestic Theatre Programs

Theater programs from the Majestic Theatre in Halifax, dated 1920. Programs are as follows: Majestic Theater Program: Week June 7th, 1920 - Boston English Opera Co. presents: Rigoletto / Mikado; Majestic Theatre Program: June 14th, 1920 - Boston English Opera Co. presents: The Pirates of Penzance / Il Trovatore - Bohemian Girl.

International music and theatre programs

Subseries contains programs from concerts that John Daniel Logan outside of Canada, predominantly at venues in the United States and the United Kingdom. Many of the programs include annotations by Logan.

Correspondence from Harry Irvine

File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."

Correspondence from Florence Glossop-Harris

File contains three letters from the British actress Florence Glossop-Harris as well as a short resume of her career. One of the letters and the resume are transcribed and typeset. The letters were all written in response to correspondence from Logan on her performance in various plays. Three of the letters are written on letterhead from The Florence Glossop-Harris Company. The file also includes four postcards feature Glossop-Harris, which were sent to Logan.

Glossop-Harris, Florence

Programs from the Majestic Theatre

File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.

Programs from theatre productions

File contains four programs from theatre productions that took place in Halifax. The shows include "The First Year" by the Dalhousie University Players; "Four Short Plays" by the Dalhousie University class in modern drama; "A Midsummer Night's Dream" by the Glossop-Harris English Repertory Company; and "That Girl Patsy"by the F. James Carroll Players.

Photographs

Subseries contains photographs of famous musicians, composers, and actors, many of which are autographed. The photographs were obtained by John Daniel Logan in his capacity as a concert reviewer and for his personal collection. Many of the photographs were sent by the musicians and actors at his request, as evidenced by his correspondence with them.

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Music and theatre programs

Series contains programs from concerts and theatre productions that John Daniel Logan attended. Most of the programs are from Halifax groups, but others include operatic and orchestral performances in Montreal, Ottawa, Toronto, London, New York, and Boston. Series also includes pamphlets about various performers.

Autographs and photographs of musicians and actors

Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.

Richard Ward fonds

  • MS-5-7
  • Fonds
  • 1927-1928, 1932-1933, 1937
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.

Ward, Richard, (fl.1888-1977)

William Bruce Almon fonds

  • MS-3-15
  • Collection
  • [1935?]-1940
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.

Almon, William, Bruce, Lt. Col.

Pukka Sahib. Copy #1

Item consists of a working copy typescript manuscript of the humorous skit Pukka Sahib, written for three characters, sometime in the 1940s by David Murray. This copy was used by the character "Reciter", with all Reciter parts underlined in pencil.

Later draft manuscript of Pukka Sahib

Item consists of a later draft manuscript of the humorous skit "Pukka Sahib" written by David Murray sometime in the 1940s. This version of the script corrects earlier spelling mistakes, and slightly alters stage directions and text of the skit from previous versions. Also includes a carbon-copied version of the same script.
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