File contains three programs collected in the United States by Mary Jones. File include programs from 1968 productions by Boston Ballet, Boston Pops, and Pocket Theatre.
The collection contains a variety of theatre and music programs from across Canada, with a special emphasis on events held in and around Halifax, Nova Scotia. There are also programs from England, United States, France and Russia. Programs date from 1937 to 1986 with a gap between 1941 and 1950.
File contains a program for a production of "Tip Top: A New Musical Extravaganza in Two Acts" by Anne Caldwell and R.H. Burnside, featuring Fred Stone.
File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.
File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.
Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.
Series contains programs from concerts and theatre productions that John Daniel Logan attended. Most of the programs are from Halifax groups, but others include operatic and orchestral performances in Montreal, Ottawa, Toronto, London, New York, and Boston. Series also includes pamphlets about various performers.
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.
This fonds consists of correspondence from Arthur Winters of the Anglican Young People’s Association to Almon, and a Theatre Arts Guild rehearsal schedule. Some local theatre programs were also donated with the fonds which have been relocated to the MS 3 Reference materials.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
This fonds consists of records regarding the administration, membership, and productions of the Upstart Theatre Company. Types of records include press releases, press clippings, and other promotional materials, photographs, financial material, meeting minutes, reports, scripts, among others.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
File contains documents related to Jenny Munday's participation in the President's Advisory Committee for Theatre at St. Thomas University. The documents include correspondence; meeting minutes; proposals; information about events at STU, Black Box Theatre, and other theatre organizations; and other documents.
Accession consists of miscellaneous records relating to David Renton's acting and directing career, and includes publicity and performance photographs, correspondence, contracts, appointment calendars and diaries. There are also publicity photographs of Karine Renton's father announcing the CHNS radio program Now it Can Be Told.
Subseries contains programs from concerts that John Daniel Logan attended in Nova Scotia, predominantly at venues in Halifax. Many of the programs include annotations by Logan.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costume is for a character named Basho as a court judge. The sketch shows a figure wearing the costume as well as a detail of the figure's profile.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costumes are for the ferryman and his wife. The sketch shows two figures wearing the costumes.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costumes are for a character (or characters) named Basho. The sketch shows two figures wearing the costumes.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costume is for a character named To-Si and the sketch shows a figure wearing he costume.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costume is for a character named Kung-Tu. The sketch shows a male figure wearing the costume as well as a detail of the character's profile.
Item is a watercolour sketch of a costume design for Red Deer College's production of Edward Bond's The Bundle. The costume is for a character named Tor Quo and the sketch shows a figure wearing the costume.
Item is a watercolour sketch of a costume design for Brock University's production of The Rover. The costume is for a character named Belville who is a soldier.
Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.
The records in this series comprise rehearsal scripts, research notes, production notebooks, costume and set sketches, performance programs, media reviews, and related correspondence for theatrical productions directed by Linda Moore between 2000-2010.
Series contains documents related to Jenny Munday's time as Crake Fellow in Drama at Mount Allison University. The series includes correspondence, applications, contracts, and other records from the fellowship. The series also includes records from theatre courses taught by Munday at Mount Allison during her fellowship.
Subseries contains programs from concerts that John Daniel Logan outside of Canada, predominantly at venues in the United States and the United Kingdom. Many of the programs include annotations by Logan.
Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
File also includes a single-page program for Nightwood Theatre's production, written by Jan Kudelka and Mary Vingoe from an idea by Irene Pauzer and script development by the company.
File also contains playbills and a program for Cape Breton University Boardmore Theatre's 42nd season, which included a production of The Company Store, directed by Todd Hiscock.
File also contains Mary Vingoe's email correspondence with Patrick Young, Artistic Director of Theatre Erindale, and a ticket from the the March 20, 2015 production at the Mississauga theatre.
File contains an annotated first draft (112 pages) of the play The Putmore Island Tempest by Mary Vingoe. File also contains seven pages of handwritten notes about the play, two pages that list names of characters in each scene of the play, and a cast list for the 2015 Playwrights Colony organized by the Playwrights Atlantic Resource Centre (PARC) in Sackville, New Brunswick. The folder also includes a program for "An Evening of Readings" presented by PARC on May 20, 20215.
File contains 2 copies of Nightwood's season brochure for 1987/88; a program for a Nightwood Theatre - B.A.A.N.N Theatre Centre Satellite presentation of Mass/Age at Toronto's Harbourfront; a program for Glazed Tempura, by Nightwood Theatre; a program for Staller's Farm, by The Local Theatre Group; and a poster for the Nightwood Theatre and Buddies in Bad Times Theatre Rhubarb Fesitval.
File contains programming brochures for the first, third, fourth and tenth annual festival presented by Nightwood Theatre, which showcased original workshop productions in various stages of development.
