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Opera and operas
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David Murray fonds

  • MS-2-181
  • Fonds
  • 1905, [ca. 1940s]
Fonds includes handwritten catalogues of David Murray's record collection, manuscripts of a skit called "Pukka Sahib," and notes on Frederic Chopin.

Murray, David, fl. 1934-1972

Record collection catalogs : [manuscripts]

  • MS-2-181, SF Box 27, Folder 45
  • File
  • [late 1930s, early 1940s?]

    • Part of David Murray fonds

File contains four documents related to David Murray's record collection. All of the record collection items contain Murray's location coding. File contains a handwritten 44-leaf notebook containing, alphabetically, Murray's "Record Library of Opera & Secular Music", a short handwritten addendum of record collection additions from 1936-37, a 49-leaf typescript variant collection list and a similar 49-leaf handwritten collection list with different location codes.
Record library of opera and secular music

Record library of opera and secular music

Item consists of a handwritten catalog of a personal record library of opera and secular music compiled by David Murray in the mid-to-late 1930s. The catalog is arranged in alphabetical order variably by category or musician, with associated records held in the collection listed underneath in a left-hand column (with corresponding storage location in the opposite column). The catalog was compiled in an address book.
Draft typed and handwritten manuscript of a record catalog

Draft typed and handwritten manuscript of a record catalog

Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.

Carmen

Item is an annotated copy of the score for Georges Bizet's opera "Carmen," used and annotated by Pugh in his activities as a researcher and writer of program notes. The annotations are his analysis of various parts from the opera.

Pelléas et Mélisande

Item is a copy of "Pelléas et Mélisande" by Claude Debussy, with analytical annotations by Anthony Pugh.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to operas by Wolfgang Amadeus Mozart, "Le nozze di Figaro" and "Die Zauberflöte," and a program from a concert by the Brunswick String Quartet at the University of New Brunswick.

Research and program notes pertaining to Verdi

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.

Glyndebourne Festival Opera : [program]

  • MS-2-26, Box 5, Folder 8
  • File
  • June 11, 1957 - August 13, 1957

    • Part of Anthony Pugh fonds

File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.

The Ring of Nibelung by Wagner : an essay by Anthony Pugh

File contains typescript drafts of Anthony Pugh's last essay on The Ring Cycle by Richard Wagner. Some of the pages include handwritten annotations by Pugh. The file also includes a note from Mary Pugh about the essay and a printout of an email From Anthony Pugh to Adrian Hoffman relating to the essay and Pugh's book on Proust's manuscripts.

Personal archives of Linda Moore

  • MS-3-41.2013-044
  • Collection
  • 2000-2010
The records in this series comprise rehearsal scripts, research notes, production notebooks, costume and set sketches, performance programs, media reviews, and related correspondence for theatrical productions directed by Linda Moore between 2000-2010.

Moore, Linda

Autograph of Alma Gluck

File contains an autograph by the soprano Alma Gluck (1884-1938) of the Metropolitan Opera Company, signed on stationary from the King Edward Hotel in Toronto. Gluck was part of the Metropolitan Opera Company from 1909 to 1913.

Photographs of Louise Edvina Edwardes

File contains an autographed photograph of the Montreal-born opera singer Louise Edvina Edwardes (nee Martin), known by her stage name "Madame Edvina." File also contains a print of Louise Edvina in costume from the opera "Tosca" by Giacomo Puccini. Logan's notes on the reverse side of the print and at the bottom of the photograph indicate that she was known for her creation of the title role of Louise in an opera by Gustave Charpentier.

Photographs of Esther Ferrobini

File contains two photographs of the operatic soprano Esther Ferrobini of the Montreal Opera Company that John Daniel Logan used for a press release about her performance in the title role of the opera "Zoza."
Fill every glass : from The Beggar's Opera

Fill every glass : from The Beggar's Opera

Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.

Photographs of Christie MacDonald

File contains three photographs of the opera singer Christie MacDonald of the Montreal Opera Company. One of the photographs shows her in costume for "The Spring Maid" by Heinrich Reinhardt, and another in costume as Marguerite for the "Jewel Song" in "Faust" by Charles Gounod for the Montreal Opera Company.

Correspondence from Anna Frery

File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.

Correspondence from Henry L. Gillespie

File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.

Correspondence from Christie MacDonald

File contains one letter and a Christmas card from Christie MacDonald. The letter apologizes for missing John Daniel Logan and his wife when she was in Toronto.

McDonald, Christie

Correspondence from Nellie Melba

File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.

Correspondence from Hilda Roberts

File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.

Autograph of Marie Rôze Mapleson

File contains the autograph of the French operatic soprano Marie Rôze Mapleson (1846-1926). The autograph is accompanied by two short lines of monophonic music. John Daniel Logan purchased the autograph for $100.

Programs from the Academy of Music

File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).

Program from Massey Hall

File contains programs from concerts given at Massey Hall in Toronto, Ontario: Columbian Conservatory Orchestra, conducted by Alfred Bruce with E.H. Painty on piano; the Mendelssohn Choir, conducted by A.S. Vogt; the Mendelssohn Choir, directed by H.A. Fricker; Toronto Symphony Orchestra, conducted by Frank S. Welsman with Margaret Huston (soprano); Toronto Symphony Orchestra with Louise Homer (contralto); Toronto Symphony Orchestra with Mischa Elman (violin); John McCormack (tenor) with Edwin Schneider (piano); and the Oratorio Society of Toronto, conducted by Edward Broome, with the Cleveland Symphony Orchestra, conducted by Nikolai Sokoloff.

File also contains a compilation of all of the programs from the Toronto Symphony Orchestra's 1911-1912 season, inscribed to John Daniel Logan. File also contains some newspaper clippings of concert reviews by "A.E.S.S."

Program from the Royal Alexandra Theatre

File contains two programs for theatrical performances at the Royal Alexandra Theatre, including "Julius Caesar" by William Shakespeare and "Kindling" by Charles Kenyon. File also contains a program for two weeks of performances by the Montreal Opera Company and a program for their performance of "Thais" by Jules Massenet. File also contains a prospectus for a series of benefit concerts for the Hospital for Sick Children and the Toronto Free Hospital for Consumptives.

Text of songs

File contains two copies of a booklet containing the texts (in English) of various songs, likely from a concert. The songs include arias, lieder, and popular songs by Giuseppe Verdi, Jules Massenet, Franz Schubert, Robert Schumann, Michael Arne, Wolfgang Amadeus Mozart, Georges Bizet, J. Rogers, Frank La Forge, Arthur Foote, Arthur Rubenstein, Walter Scott, Johann Strauss, and Edward W. Bryant.

Souvenir program from the Arlington Theatre

File contains a program from a production of the comic opera "Robin Hood" by Harry B. Smith and Reginald de Koven, presented by the Boston Opera Company at the Arlington Theatre in Boston, Massachusetts.
Philip Glass : From New York to Nova Scotia

Philip Glass : From New York to Nova Scotia

File contains one digital recording of the raw source audio used to create the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989.
Episode 9, Philip Glass

Episode 9, Philip Glass

File contains one digital recording of the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989.

Philip Glass : From New York to Nova Scotia

File contains documents regarding the creation of the Rock Meets Bone episode titled "From New York to Nova Scotia" with Philip Glass, which aired on November 17, 1989. The episode features an interview and music from Glass in Cape Breton. Materials include handwritten production and interview notes, an introduction, praise and awards, a discography, and newspaper articles about Glass.
Postcard featuring Pietro Mascagni and signed by various musicians

Postcard featuring Pietro Mascagni and signed by various musicians

Item is a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin.

Mascagni, Pietro

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Bits and pieces (side A)

Bits and pieces (side A)

Item is an audio recording found on side A of an audio cassette created by Sheila Piercey. The recording includes excerpts of Sheila Piercey singing in Spanish, a recording of the one-act opera "The Old Maid and the Thief" by Gian Carlo Menotti, and a recording of Piercey and her mother discussing the secret of arias written for the role of Susanna in Mozart’s opera Le nozze di Figaro (Marriage of Figaro).
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