Series contains newspaper clippings about Ellen Ballon. Clippings include articles about a variety of subjects, including Ellen Ballon's life in general, concerts, and her hobbies.
Item contains a letter written by Franz Liszt to an unidentified person, addressing the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.
Item is a typed transcription of a letter from Felix Mendelssohn to the Johann Hermann Kufferath, the music director in Utrecht. The letter is translated to English from German.
Item is the second horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the first horn part.
Item is a copy of the first edition of Igor Stravinsky's piano arrangement of his ballet, "The Firebird." The ballet was written for the Ballets Russes in Paris, under the direction of Sergei Diaghilev. The piano arrangement was published shortly after the premiere performance on June 25, 1910 at the Théâtre National de l'Opéra.
Item is a copy of the first separate edition of Marche funèbre from Chopin's Piano Sonata No. 2 in B-flat minor. The separated third movement was played as Chopin's body was conveyed to the mausoleum on October 30, 1849, and was subsequently released as a separate publication, using the original plates (891) by Troupenas. The file includes a folder and brief description of the work from Scribner.
File contains a first edition copy of Chopin's Mazurkas, Op. 63, published by Breitkopf and Hartel. The compositions were dedicated to the Countess Laura Czosnowska.
File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.
File contains a photograph of the English composer Edward Elgar (1857-1934). It is in a matte stamped with the copyright of The Bell Piano & Organ Co., Limited.
Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains research notes and drafts of program notes by Anthony Pugh concerning the music of Johannes Brahms. The file includes a draft of a program for a performance by the University of New Brunswick Resident Musicians (April 3 and 5, 1973). The file includes notes written by Pugh while he was teaching at the University of London King's College and, later, at the University of New Brunswick.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.
File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.
File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.
File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also contains Pugh's analyses of various works, including annotated musical incipits for Haydn's string quartets. The file also includes two programs for concerts presented by the University of New Brunswick and Saint Thomas University Creative Arts society, with program notes by Anthony Pugh, featuring the Brunswick String Quartet and the Saint Laurence String Quartet. A program for a performance of "The Passion," by Haydn, performed by the Pembroke College Musical Society is also included as part of Pugh's research notes.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
Item is the second bassoon part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the second clarinet part.
File includes a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin. File also includes the incipits of three pieces by Ignaz Moscheles (1794-1870), signed at dated October 3, 1844. There are also five letters written by the following composers: Jacques Offenbach (1879), Gustav Mahler (1899), Edvard Grieg (1902), Maurice Ravel (1921), and Ignacy Paderewski (n.d., 1860-1941).
File contains a letter written by Franz Liszt to an unidentified person, accompanied by a typed transcription. The letter addresses the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.
Item contains a typed transcription of a letter written by Franz Liszt to an unidentified person, addressing the publication of some of his songs by Schott, and his cousin, Mlle. Liszt.
Item is a first-edition publication of Chopin's first Impromptu, published by Maurice Schlesinger in Paris, a subsidiary company to A.M. Schlesinger of Berlin. The composition was dedicated to Caroline de Lobau.
File contains two programs from a series of "Popular Concerts" on Saturday afternoons, directed by S. Arthur Chappell. Each of the programs includes musical excerpts and analytical remarks. The concerts featured a variety of performers, all conducted by Mr. Benedict. Performers included M.M. Joachim, L. Ries, Straus, Piatti, Miss. Carola, Arabella Goddard, Annie Edmonds, Henry Blagrove, Zerbini, Paque, Edith Wynne, and Clara Schumann. The programs are from the ninth and twelfth seasons at St. James's Hall in London, England.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
![Thomas Beecham : [autographed photograph]](/uploads/r/dalhousie-university-archives/9/8/e/98ebfa61b3b196f07053f244f96ce6d16d6cc73214e2a49b09440de3b2586209/MS-5-2_9_8_access_142.jpg)
![Lotte Lehmann : [autographed photograph]](/uploads/r/dalhousie-university-archives/4/a/3/4a3f7f949a1dc601735551ef3846c5b3d799c409a934e24f1ed46b007bdeeb90/MS-5-2_8_6_access_142.jpg)
![Concerto no. 5 for piano, opus 82 : [piano part]](/uploads/r/dalhousie-university-archives/f/9/e/f9e3696ec5c660992c92c0cdd92a53605ec75313405c015e75f8f90c0b288c6a/MS-5-2_6_2_1_access_142.jpg)
![Polonaise, Op. 71, no. 2 : [piano score]](/uploads/r/dalhousie-university-archives/2/c/1/2c14ed10ddb3ee8f1d5c5329ec7ac3231b6797a2983e3803fc3fbebfbec3b1e6/MS-5-2_7_12_2_access_142.jpg)
![Polonaise, Op. 71, no. 3 : [piano score]](/uploads/r/dalhousie-university-archives/a/7/9/a79e851b7f87ddea0c5154b77ec36c99f9d5eee51c5abc99211545dd28880337/MS-5-2_7_12_3_access_142.jpg)
![Dimitri Mitropoulos : [autographed photograph]](/uploads/r/dalhousie-university-archives/c/c/f/ccf6253a7e798821dd55e5ccd02bf3fada7a06d0c957f5aa09463140adf8050b/MS-5-2_9_7_access_142.jpg)
