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Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

The glory of the Renaissance : music for choir and brass

File contains two programs for two concerts by the Halifax Camerata Singers in collaboration with the Maritime Conservatory Faculty Brass Quintet. The concerts took place at St. Andrew's United Church in Halifax, Nova Scotia and in Antigonish, Nova Scotia. The file also includes a newspaper clipping of an advertisement for the concert.

Atlantic Canada sings

File contains a program and poster for a concert presented by the Confederation Centre for the Arts. The program included performances by the Christ Church Cathedral Trebles from Fredricton, New Brunswick, conducted by Jeffrey Campbell, and the Halifax Camerata Singers, conducted by Jeff Joudrey and accompanied by Diana Torbert.

Saint Cecilia concert series : Elijah

File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1996.

Documents include newspaper clippings, programs, and ephemera related to the choir at the East Coast Music Association awards, the release of their record, "He Never Failed Me Yet," "Symphony Explosion" concerts, the Canadian Hockey Awards, the African Heritage Gala, and other events.

File also contains a copy of Rising Tide newspaper.

The company store : [program]

File also contains playbills and a program for Cape Breton University Boardmore Theatre's 42nd season, which included a production of The Company Store, directed by Todd Hiscock.

Eastern Canadian District administrative records, conference materials, 1996

File contains administrative records for the Eastern Canadian District of the Universal Fellowship of Metropolitan Community Church (UMFCC), and materials relating to the Eastern Canadian District Conference, held October 11-13, 1996. Materials include conference schedules, minutes, evaluation forms, reports to the conference, and notes. File also includes general correspondence, financial records, UMFCC pamphlets, meeting agendas and minutes, operating procedures, and by-laws.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Review of Dalhousie's production of "Love's Labour Lost".

File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.

Barnard, Elissa

Pride Guide mock-ups 1996, 1998

File contains oversized mock-ups of the 1996 and 1998 Halifax Pride Guides, including draft text, schedules, and advertisements.

Maritime Science Fiction Festival 1997 program books and other material

File contains two copies of a program book from the 1997 Maritime Science Fiction Festival and one copy of the event schedule.

The file also contains a copy of a registration form for the Official International Dave Prowse Fan Club. A feature on Dave Prowse can be found on pages 10 and 11 of the the program book.

The file also contains a pamphlet on the art of puppetry and television production with Terry Angus. Terry Angus presented at the festival and a biography can be found on page 20 of the program book.

The file also contains a newsletter for the 1997 Maritime Science Fiction Festival, dated Autumn 1996.

Documents relating to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1996.

Documents include newspaper clippings, programs, performance schedules, and ephemera related to the choir's television program, "Hallelujah," the eightieth anniversary celebration of the No.2 Construction Battalion, postcards from Prince Edward Island, the United Church of Canada's Berwick camp, and the AIDS benefit concert, "Ribbon of Dreams."

Costume design for Bonville and Madame Bonville

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for two characters named Bonville and Madame Bonville. The sketch shows one male figure and one female figure wearing the costumes.

Costume design for Evaline

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Evaline. The sketch shows one female figure wearing the costume.

Costume design for Henry, Sabine, and Mother Metz

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three characters named Henry, Sabine, and Mother Metz. The sketch shows Henry and Mother Metz leaning on a cart full of corpses while Sabine sits on top of it.

Costume design for Le Grue

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.

Costume design for Sonnerie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.

Costume design for Father Toulon and Archbishop Monselet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

The Messiah

File contains a program for a concert by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and the Cantabile Singers of Truro, directed by Jeff Joudrey. The file also includes a newspaper clipping about the concert.

Programs for awards ceremonies

File contains programs from awards ceremonies from awards that Budge Wilson was nominated for and/or won, including the City of Dartmouth Book Ward (for Cordelia Clark, 1995); the Ann Connor Brimer Award (for Sharla, 1998); and the Children's Book Week Gala (at which Wilson gave the Ann Connor Brimer Keynote Address in 1999).

Camerata by candlelight

File contains a program and outline of the event for a performance by the Halifax Camerata Singers in the Great Hall of the University Club at Dalhousie University. The file also contains a memorandum from Bertrum MacDonald to Jeff Joudrey with details about the venue.

Costume design for Bigod

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for the Pope Clement VI

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.

Costume design for Scarron and Druce

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.

Records from the Eastern Canadian District conference,1995

File contains administrative records for the Eastern Canadian District of the Universal Fellowship of Metropolitan Community Church, and materials relating to the Eastern Canadian District Conference, held September 22-24, 1995. Materials include a conference program, proposed and confirmed conference agendas, correspondence, promotional materials, reports to the district conference, conference minutes, financial records, proposed by-law revisions, and applications for conference positions.
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