Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.
File contains six costume designs for Dalhousie Theatre's 1986 production of Bonjour, la, Bonjour. Five of the designs are watercolour sketches and one is a pencil sketch.
File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.
File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.
File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.
Subseries contains duplicate issues of Wayves Magazine. Wayves was initially published beginning in 1983 as the newsletter for the Gay and Lesbian Association of Nova Scotia, under the name Gaezette. The magazine adopted the name Wayves in 1995 and continued to print content intended to inform and support lesbians, gay men, bisexuals and transgendered people throughout Atlantic Canada until the print edition ended in 2012.
Subseries includes data for and analyses of socioeconomic aspects of Yoruba women's lives (education, migration, social class, health, children, husbands, religion, family, etc.). The 1963 data seems to be part of another study, referred to in several files as "The 1963 study on the role of Yoruba women," that either piggybacked off the Cornell-Aro study or was somehow included as a sub-project.
Subseries contains datasets, computer printouts, notes, and analysis guidelines comparing psychiatric and social statistics from the Nigerian and Stirling County studies.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to an arts building at Dalhousie, which the administration called the Law (Temporarily Arts) Building. It was occupied by arts faculty until 1952, when it did briefly house the law school; in 1967 it became the Faculty Club, which is now known as the University Club. The third building on Studley Campus, it was a part of the original campus plan drawn up by Toronto architect Frank Darling in collaboration with Halifax-based architect Andrew R. Cobb and Dalhousie's governors. The subseries also includes drawings for a later building planned as an Arts Building, which was never constructed.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and layout of the Studley and Carleton Campuses. Records include topographical maps and layouts.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to the Medical Science Building (renamed the Burbidge Building in 1970), designed by Halifax architect Andrew Randall Cobb and built between 1922-and 1924. Cobb's plans allowed for a third floor addition, which was built in 1978.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and architectural revisions to the Technical University of Nova Scotia, later the Sexton Campus.
Subseries contains handouts of events and activities relating to Open House, later renamed Community Day, events at the Dalhousie University Faculty of Agriculture in 2023.
Subseries contains yearbooks of the Dalhousie University School of Education: Spitballs and Chalkdust (1994); and Taking a Bite Out of Time (1995). The yearbook and program both ended in 1995.
Subseries consists of typewritten manuscripts of 1000 word articles by Andrew Merkel largely regarding events in Granville and the Annapolis Basin. Letters to R.J. Rankin at The Herald that accompany several of the manuscripts suggest that these articles were all submitted to (and published by) the Halifax newspaper.
