- MS-13-66
- Fonds
- 1866-1973
Pothier, Hector
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Pothier, Hector
Dalhousie Song : [sheet music]
Part of Frank Parker Day fonds
Ballon, Ellen
Bachianas Brasileiras no. 3 para piano e orquestra : redução para dois pianos
Part of Ellen Ballon fonds
Villa-Lobos, Heitor
Concerto no. 5 for piano, opus 82 : [piano part]
Part of Ellen Ballon fonds
Concerto no. 5 for piano, opus 82 : flauto
Part of Ellen Ballon fonds
Concerto no. 5 for piano, opus 82 : corno secondo
Part of Ellen Ballon fonds
L'oiseau de feu : contre dansé en 2 tableaux : [piano arrangement]
Part of Ellen Ballon fonds
Stravinsky, Igor
Ronde pour orchestre : reduction pour piano
Part of Ellen Ballon fonds
Lyadov, Anatoly
Concerto para piano e orquestra : parte de piano
Part of Ellen Ballon fonds
Concerto para piano e orquestra : primiero e segundo oboes
Part of Ellen Ballon fonds
Ronald St. John Macdonald’s memorabilia
Part of Ronald St. John Macdonald fonds
Ev'ry time I feel the spirit : [score]
Part of R. Graham Murray fonds
How blest are shepherds : [score]
Part of R. Graham Murray fonds
Part of R. Graham Murray fonds
The town is decked flags today : [manuscript vocal score]
Part of John Daniel Logan fonds
Archibald, Edith Jessie
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass
Part of Upstream Music Association fonds
Guy, Barry
6 of one : performance instructions
Part of Upstream Music Association fonds
Adams, Norman
Part of Upstream Music Association fonds
Bauer, Bob
Part of Upstream Music Association fonds
Bauer, Bob
Campin out : concert pitch score
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Neither fire nor place : [score]
Part of Upstream Music Association fonds
Frith, Fred
Part of Upstream Music Association fonds
Moore, Sandy
Part of Upstream Music Association fonds
Moore, Sandy
Part of Upstream Music Association fonds
Naylor, Steve
Riffs a la rondo : [for piano]
Part of Upstream Music Association fonds
Palmer, Chris
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Reilly, Jeff
Part of Upstream Music Association fonds
Reilly, Jeff
Mediterranean eyes : version for small orchestra : [score]
Part of Upstream Music Association fonds
Tittle, Steve
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Fill every glass : from The Beggar's Opera
Part of John Daniel Logan fonds
Rest Christian calmly : [choral score]
Part of John Daniel Logan fonds
Requiem for solo voices and chorus
Part of John Daniel Logan fonds
Verdi, Giuseppe
Anthony Pugh's annotated scores and sheet music
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Sir Roger de Coverley for string quartet
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
Part of Anthony Pugh fonds
The holy boy : a carol of the nativity
Part of Anthony Pugh fonds