This folder consists 2 programmes; Finian's Rainbow, February 27-March 1,1958 and Paint your wagon, February 25-28, 1959. This are musical that were performed the the Dalhousie Glee and Dramatic Society.
Item is a 1965-66 season program for the Dalhousie Gell & Dramatics Society's "Li'l Abner," featuring Walter Borden, Ian Chambers, John Chatterton, Ewan Clark, Jamie Craig, D'Arcy Delemere, Doug Dunbar, Norm Hall, Ann Hicks, Cheryl Hirschfield, Zack Jacobson, Sandra Little, Charles Longley, Alexis McSweeny, Dave Moore, John Morrison, Jim Parr, Jim Richards, Peter Roberts, Robin Robertson, Roslyn Rogers, Peter Roy, Stephen Samuels, Velma Smith, and Alastair Watt.
Item is a program (ink-dated February 17, 1966) for a Dalhousie Glee Club performance of Gilbert and Sullivan's "The Mikado," directed by Genevieve Archibald. Cast members include: Dianne Alexander, Walter Borden, Dianne Byers, Henry Endres, Bill Freeland, Rita Leitch, Hammy McClymont, Robert Waind, and Nancy White.
Item is an early draft manuscript of a four-act dramatic play with four characters: the protagonist, Ellen Maria; her husband, an archaeologist named Jens; Ellen Maria's cousin, a theologian named Johannes; and a forester named Steffa.
File contains four manuscript copies of a one-act play by Andrew Merkel titled variously "Harriet Richardson" and "Mrs. Richardson Wins." The latter version contains hand-written edits that appear in the both copies titled "Harriet Richardson." One manuscript lists the author as "Marc Lescarbot" and is two pages longer than the others. The copy typed on legal-sized onion skin paper contains a note that the play was originally presented at the Community Centre, Annapolis Royal, on 5th June 1947. There is also a short note critiquing the play.
Fonds contains considerable material from the Dalhousie Review from 1950–1953, including correspondence, book reviews and articles pending; correspondence relating to Dalhousie University Faculty of Graduate Studies and Senate; examinations and papers of Dalhousie students (primarily 1930s); correspondence, outlines and galley proofs of Canada Books, I to VI, 1933–1951; correspondence and other material relating to the Down Under Club and Anzac Club (1940s); personal papers, including Bennet's course notes and exams from his days as a Harvard undergraduate; copies of acting scripts; photographs of local theatre productions, the School for the Blind, Dalhousie University English Department, and the first Soviet war bride in England (Nora Murray); and copies of Archibald MacMechan's Late Harvest and E. Ritchie's In the Gloaming.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
Fonds contains records created and collected by Wendy Lill, including correspondence, manuscripts, published play scripts, research material, speeches, reports, publicity material, and personal records.
File contains a spiral-bound draft of Shelly Scott's book, which began as a doctoral dissertation at the Graduate Centre for Study of Drama, University of Toronto.
File includes a manuscript copy of "'A Sense of History Here': Mary Vingoe's Holy Ghosters, 1776," an essay written by Richard Paul Knowle for a festschrift in honour of Douglas Lochhead.
File contains a draft of Mary Vingoe and Michael Fuller's first play for Ship’s Company Theatre, which was staged aboard the old and dilapidated ferry vessel.
File includes two manuscript drafts; handwritten notes; a letter from Vingoe to James Roy with a detailed synopsis of her radio adaptation of Sheldon Currie's story; correspondence to Sheldon Currie; and CBC's Dave Carley's notes on the radio script.
File contains correspondence with companies including Alberta Theatre Project; Young People's Theatre; Belfry Theatre; Prairie Theatre Exchange; Great Canadian Theatre Company; North Light Theatre; Canadian Stage Company; Caravan Farm Theatre; and others. There are also readers' comments, memorandums of agreement, and records regarding the play's inclusion in the anthology Adventures for (Big) Girls.
File includes a draft manuscript written after Mary Vingoe's residency at the Playwrights' Colony, PARC's flagship program, as well as four pages of notes from Jenny.
File contains a manuscript draft and handwritten notes written and revised prior to Mary Vingoe's residency at the Playwrights' Colony, PARC's flagship program.
File contains a copy of Charlotte Perkins Gilman's story as published by The Feminist Press, with the individual pages pasted on foolscap and annotated; a handwritten manuscript and notes; and a heavily edited typed manuscript draft.
