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Archival Description
Fredericton (N.B.) File
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Walter Richard Sickert exhibition

File consists of records relating to the 'Walter R. Sickert Exhibition', organized and circulated by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery from October to December 1971.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Beaverbrook Art Gallery. Additional records consist of insurance certificates, exhibition loan agreement forms, correspondence between Henry Hicks (President, Dalhousie University) and Wallace S. Bird (Chairman, Beaverbrook Art Gallery) requesting a loan of the Sickert paintings, shipping receipts, and a condition report.

Ronald St. John Macdonald's correspondence regarding the development of the legal periodic "current law and social problems"

File contains correspondence with different individuals, including A.W.R. Carrothers, Paul A. Crepeau, J.L. Edwards, J.L. Edwards, Gerald G. FitzGerald, Jacob Ziegel, and others. File includes handwritten notes, newspaper clippings, and other materials related to the subject.

Ronald St. John Macdonald's correspondence regarding the Dalhousie University Hearsay magazine

  • MS-2-615, Box 9, Folders 3 and 4; MS-2-615, Box 15, Folders 2 - 6; and MS-2-615, Box 21, Folders 11 and 12
  • File
  • 1976 - 1991

    • Part of Ronald St. John Macdonald fonds

File contains correspondence with different individuals, including Bruce P. Elman, Richard H. Vogel, Patti Allen, John A. Yogis, Jill Shlossberg, Robert G. MacKeigan, Adolf Laufs, Patricia Hyndman, Carol Reardon, Dick Evans, Anita Dubinsky, Bertha Wilson, John Willis, Denne Burchell, Cameron M. Smith, Allan E. Blakeney, Christine Boyle, Betsey Chambers, Lui Gaolong, Brian Derrah, Matthew Garfield, Lorne E. Rozovsky, A.E. Anton, Basil D. Stapleton, Gaylen A. Duncan, and others. File includes a photograph of John J. Copland taken in 1979, a photograph of J.L. Dubinsky possibly taken in the 1980s, newspaper clippings, typescripts, handwritten notes, and other materials related to the subject.

Clippings regarding Fredericton Mayor Brad Woodside's refusal to declare Gay Pride week and Dr. Eugene Hill's response

File contains clippings collected by Ross Boutilier covering Fredericton Mayor Brad Woodside's initial refusal to declare Gay Pride week and subsequent change of heart. File also contains one copy of Dr. Eugene Hill's letter of support to Mayor Woodside, and associated clippings documenting the backlash to Dr. Hill's letter and his subsequent resignation.

Receipts for The Bill Lynch Shows

File contains 28 receipts and one envelope for The Bill Lynch Shows from June - August, 1951. Some of the receipts are for services including "grind shows," "girl shows," and "esquire." The locations include Moncton, Campbellton, Charlottetown, Lunenberg, New Glasgow, Fredericton, Amherst, Woodstock, Halifax, Saint Stephen, and Saint John.

Daily reports from shows and rides at The Bill Lynch Shows

File contains daily reports from The Bill Lynch Shows shows and rides from June to September 1951. The reports are from Halifax, Saint John, Amherst, Chatham, New Glasgow, Saint Stephen, Woodstock, Campbellton, Fredericton, Bridgewater, Charlottetown, Lunenberg, and Sydney. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total.

Correspondence, meeting minutes, and other documents from the President's Advisory Committee for Theatre at St. Thomas University

File contains documents related to Jenny Munday's participation in the President's Advisory Committee for Theatre at St. Thomas University. The documents include correspondence; meeting minutes; proposals; information about events at STU, Black Box Theatre, and other theatre organizations; and other documents.

Programs, contracts, and other documents from performances of "A journey to the centre of the universe"

File contains documents related to performances of a series of monologues or one woman shows called "A Journey to the Centre of the Universe," written and performed by Jenny Munday. The monologues were performed at the 29th Annual Kinsmen and Kinette Clubs of Fredericton Fur Dinner in Fredericton, New Brunswick and Fredericton's First Night Annual Public New Year's Eve Festival. The documents include a program for First Night 1988; a contract between Munday and the Wandlyn Inn Fredericton for a performance of "A Journey to the Centre of the Universe Part Two"; a description of the monologue and a biography of Munday; newspaper articles about First Night; a letter of agreement between Munday and First Night; correspondence between Munday and First Night; a schedule and description of First Night; a program for the Fur Dinner; a contract between Munday and the Kinsmen Club of Fredericton; notes on the monologues; and other documents.

A journey to the centre of the universe : [drafts]

File contains drafts of a series of monologues or one woman shows called "A Journey to the Centre of the Universe," written and performed by Jenny Munday. The drafts include two drafts of "A Journey to the Centre of the Universe" by Jenny Munday, completed in November 1986 in Fredericton, New Brunswick and performed for the 40th Anniversary of Credit Union; "A Journey to the Centre of the Universe - Part Two" by Jenny Munday, completed on December 31, 1987 and originally performed as part of First Night Celebrations in Fredericton, New Brunswick; a draft and photocopy of "A Journey to the Centre of the Universe Part II" by Jenny Munday, performed for the York Sunbury Queens Medical Society on February 12, 1988; "A Journey to the Centre of the University Part 3" or "I'm a Victim of Fashion and Accessories" by Jenny Munday, performed at the Annual Fur Dinner on February 8, 1988 in Fredericton, New Brunswick; "A Journey to the Centre of the Universe - Part 5?" by Jenny Munday, performed on December 31, 1989 at First Night in Fredericton, New Brunswick; "A Journey to the Centre of the Universe" by Jenny Munday, completed in February 1987; and an unidentified monologue about life in the Maritimes.

Notes, newspaper articles, and other documents from performances of "A journey to the centre of the universe"

File contains documents related to performances of a series of monologues or one woman shows called "A Journey to the Centre of the Universe," written and performed by Jenny Munday. The monologues were performed at the 29th Annual Kinsmen and Kinette Clubs of Fredericton Fur Dinner in Fredericton, New Brunswick and Fredericton's First Night Annual Public New Year's Eve Festival. The documents include newspaper articles about the two events; a schedule for First Night; descriptions of the monologues; biographies of Munday; a letter to Munday from Fredericton First Night Inc.; cue cards for speeches; notes on the monologues; a letter of agreement between Munday and First Night; and an entertainment questionnaire from First Night.

Press kits, posters, and flyers from public readings and performances of "Battle Fatigue"

File contains press kits, posters, and flyers from Mulgrave Road Co-op Theatre's 1989 production of "Battle Fatigue" by Jenny Munday. The press kits contain programs, tour dates, press releases, photocopies of newspaper articles, information about Mulgrave Road, and other information about the production and tour. The file also includes posters from public readings of "Battle Fatigue" (formerly titled "A Woman's War") at Gallery Connexion in Fredericton, New Brunswick and at the Mulgrave Road Co-op Theatre building.

Correspondence and other documents related to a workshop of "Battle fatigue" at Gallery Connexion

File contains documents related to a workshop of "Battle Fatigue" (previously known as "A Woman's War" and "Mother What Do I Do Now?") by Jenny Munday at Gallery Connexion in Fredericton, New Brunswick. The documents include a poster for the workshop; correspondence between Munday and Edward Leger of Tourism, Recreation, & Heritage New Brunswick; applications for workshop funding; expense reports for the production; notes on the script; related addresses; other correspondence.

Research and program notes for composers T to W

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Ambroise Thomas, Viktor Ullman, Henri Vieuxtemps, Henryk Wieniawski, Peter Warlock, Lubomir Zelezny, Anton Webern, and Alexander von Zemlinsky. The file also includes three programs: "The Emperor of Atlantis," presented by the Terezin Studio Project in Halifax, Wolfville, Fredericton, Charlottetown, and Antigonish;"The Passion" by Raymond Warren at The Queen's University of Belfast; and the Walter Baker Memorial Concert with the Canadian Chamber Ensemble at the Fredericton Playhouse.

Research and program notes pertaining to Canadian composers

File contains drafts of program notes by Anthony Pugh and research material pertaining works by the following composers: Violet Archer, Wolfgang Bottenberg, Derek Healey, Francis Chaplin, Irving Glick, Jacques Hetu, Bruce Mather, Rodolphe Mathieu, Roger Matton, Pierre Mercure, Michael Miller, Francois Morel, Oskar Morawetz, Clermont Pepin, Andre Prevost, Godfrey Ridout, R. Murray Schafer, Robert Turner, Richard Gibson, Ann Southam, Healey Willan, F.R.C. Clarke, Alasdair MacLean, and Janis Kalnins. The file also includes programs from concerts at the University of New Brunswick (UNB) and Christ Church Cathedral in Fredericton, and correspondence sent to the board members for the Summer Chamber Music Festival at UNB.

Research and program notes pertaining to Shostakovich

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.

Research and program notes for composers S

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.

Research and program notes pertaining to Schubert

File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Schubert, and programs that Pugh either contributed to or used in his research. Complete programs included in the file are from the Royal Festival Hall, London, England, and the University of New Brunswick and Saint Thomas University Creative Arts committee.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.

Research and program notes pertaining to Ravel

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file also contains a letter from Stanley Sadie to Pugh regarding the entry for Mozart in the New Grove Dictionary of Music and Musicians, and three programs for concerts at the University of New Brunswick, Fredericton.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Wolfgang Amadeus Mozart, and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to operas by Wolfgang Amadeus Mozart, "Le nozze di Figaro" and "Die Zauberflöte," and a program from a concert by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Research and program notes pertaining to Mozart

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes pertaining to Janáček

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Leoš Janáček. The file includes four programs used by Pugh in his research and a copy of an excerpt from a score for Janáček's String Quartet No. 2 "Intimate Letters".
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