Item is a catalogue for an exhibition of artwork by Robert Kirschbaum, organized and presented at Dalhousie Art Gallery from July 10 to August 10, 1977.
Catalogue contains an essay by John Adkins Richardson ( Professor, Art and Design, Southern Illinois University), chronological resume of the artist, and b&w plates of artworks,
The photographs show Zinka Milanov, a Croatian-born soprano singer who had a major career at the New York Metropolitan Opera. In one photograph, she is posing with a group of nine unidentified men. In the second photograph, an unidentified man is holding her an arrangement of flowers.
Item consists of a typescript copy of Carleton Stanley's address at the New York Alumni Banquet, March 26, 1932, discussing such topics as the rapid expansion of civilization, the problems inherent in defining economic history, changing education, and reversing the decline of certain faculties.
Item consists of a typescript copy of an address delivered by Carleton Stanley before Dalhousie University alumni at an event in New York, May 4, 1934, discussing the financial situation at Dalhousie during a period of worldwide economic tumult. Speech was initially prepared May 2, 1934.
Item is a medallion awarded to Alexander Leighton for his film Porpoise Oil's selection for screening at the First International Photographic Exhibition held at Grand Central Palace in New York, April 18-24, 1938.
Item is a catalogue for an exhibition of artwork by Eric Fischl (Assistant Professor, Nova Scotia College of Art and Design), organized at and presented by Dalhousie Art Gallery from October 2-29, 1975.
Catalogue contains text written by Fischl, including poetry and prose, images of Fischl's work, and a list of artworks in the exhibition.
Item is a catalogue for an exhibition of paintings by Mira Schor, organized by and presented at Dalhousie Art Gallery from December 9,1975-January 4, 1976.
Catalogue contains a resume, images of Schor's paintings, an essay by Schor, and a list of artworks.
Items are catalogues for an exhibition of monographs by James (Jim) Shirley, organized and presented by Dalhousie Art Gallery in August and September 1975.
Catalogue contains an essay by Shirley, discussing his life, work, and experiences as a Black artist in South Bronx and rural Nova Scotia, a list of artworks, and images of select prints.
Item is a photograph of the S.S. Trebia loading in New York enroute to Australia. The writing on the back states that the ship (2343 tons) was built in Port Glasgow, Scotland, in 1902 by Russell and Co.
Item consists of handwritten correspondence written by Gilbert Sutherland Stairs to the MacMechans, dated April 19, 1904 in Brooklyn, New York, thanking both for their educational support, as well as providing updates of life at Harvard.
Item is a charter party between T. S. Drisko and Charles T. White. The charter details the terms of a shipment of cargo from Apple River, Nova Scotia to New York, New York. The charter was brokered by James L. Sullivan.
Item consists of an illustrated broadside produced by The Protestant (edited by Kenneth Leslie), as it appeared in the Sunday, April 7, 1946 edition of The New York Times, containing a lengthy letter written by Leslie in response to anti-Soviet and pro-Franco Spanish statements from the Missouri Knights of Columbus Catholic fraternal society.
Item consists of a broadside produced by the Ministerial Action Committee of The Protestant (chaired by Kenneth Leslie and Chester Hodgson), as appeared in print on Wednesday, April 2, 1947, stating that "we cannot permit the Cross of Christ to be used as a bludgeon in the hands of those who would use the Jews, or any other religious or racial group, as scapegoats in their thrust for Fascist power over America".
Item consists of a broadside produced by The Protestant (chaired by Kenneth Leslie), likely in early 1945, titled "1600 Protestant Ministers Defend Separation of Church and State". Item includes facsimiles of articles from the New York Herald Tribune and New York Times (from February 1945), as well as a letter from Kenneth Leslie to Archbishop Francis J. Spellman, demanding opposition to "any attempt under whatever formula to involve the free democratic states in any deal in which the Vatican State or its representatives, or the representatives of any Protestant or Jewish establishment of religion, has part or place, either as principal or mediator" and other "disservice[s] to the country".
Item consists of a broadside produced by The Protestant (edited by Kenneth Leslie), as it appeared in the February 13, 1945 edition of the New York Post, containing a declaration from Leslie and the editorship directed to Franklin Roosevelt, Winston Churchill, and Joseph Stalin, urging resistance against what Leslie deems the anti-Semitic influence of a "overtly political" Papacy.
Item consists of a broadside produced by The Protestant (chaired by Kenneth Leslie) sometime in the mid-1940s, with the header "Good Friday Message" "Shall we take our turn at murder?" Item relates to anti-Semitic language and fascist activities affecting American (and Church) policy and opinion as it relates to efforts to establish a Jewish territory in Palestine.
Item is an audio cassette with a recording of the concert work "Fortress America" composed by Paul Cram and performed by the Manhattan New Music Project at the Great Hall, Cooper Union in New York, New York,
Item is a two-page typed letter written by Kenneth Leslie on December 17, 1942. The letter addresses the threat posed by the fascist movement and antisemitism in the United States, both at present during the war, as well as the threats posed "after the war is over", where "this Fascistic movement will let loose with its first barrage, to consist of a wave of terror against the Jew". The letter, which an accompanying index card suggests should be sent "first to Presidents of colleges and then to professors of education, philosophy, psychology, historical and sociological sciences", urges educators join the "Protestant Digest"-supported Textbook Commission to eliminate anti-Semitic statements in American textbooks as a means of warding off fascism and antisemitism "not in the name of any church but in the name of democracy".
Item is an office diary kept by Kenneth Leslie's secretaries at the New York office of The Protestant Digest in 1943. It contains a day-by-day breakdown of Leslie's meetings and correspondence sent, preparations for several issues of the magazine, progress with the development of the Textbook Commission, and accounts of the general comings and goings in the office.
Item is one handwritten letter (1882) from Henry, Carey, Baird and Company, publishers and booksellers, advising Munro of recent titles in political philosophy.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
Item is a photostat copy of Chou Wen-Chung's composition, based on "Yang Kuan," a composition for ch'in attributed to Wang Wei (689-759). The work for solo piano was sent to Ellen Ballon by the New York publishers, C.F. Peters, with an accompanying letter that indicated that the composition was undergoing publication.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.
Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.
Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first bassoonists.