File contains annotated copies of the set and light designs for Neptune Theatre's studio production of "Whale Riding Weather," directed by Bryden MacDonald and designed by Stephen Osler (set) and Brock Lumsden (lights).
File contains set designs for Neptune Theatre's 1992 production of "A Christmas Carol," directed by Paula Dankert and designed by J. Cameron. The file includes Cameron's original drawings and some annotated copies. *Note: Pages 28 & 29 are not scanned.
File contains annotated copies of the set and light designs for Neptune Theatre's studio production of "Jest in Time Meet Beckett," directed by Linda Moore and designed by Brock Lumsden (set and lights).
File contains light plot design for Neptune Theatre's production of "Puss 'n Boots," directed by Graham Whitehead and designed by Vicki Marsdon and Jim Moore (set) and Brian Pincott (lights).
File contains a copy of a set design for the Young Neptune production of "Land of Trash and Square Eyes," directed by J. White and designed by M. Hoeschen.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
File contains the set and lighting designs for Neptune Theatre's production of "The Real Thing," directed by Linda Moore and designed by Brian Perchaluk (set) and Brian Pincott (lights).
File contains set and light designs for Neptune Theatre's production of "The Mousetrap," directed by Linda Moore and designed by Robert Doyle (set) and Bonnie Beecher (lights). The file includes Doyle's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Sincerely, a Friend," directed by Bryden MacDonald and designed by M. Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains light and set designs for Neptune Theatre's production of "Shirley Valentine," directed by Alan MacInnis and designed by Stephen Osler (set) and Leslie Wilkinson (lights). The file includes the original designs by Osler and Wilkinson and a copy of a second light design by Wilkinson.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
File contains set and light plot designs for Neptune Theatre's production of "Driving Miss. Daisy," directed by Francis Hyland and designed by Shawn Kerwin (set) and Brian Pincott (lights).
File contains set designs for Neptune Theatre's production of "The Stone Angel," directed by James Roy and designed by Brian Perchaluk. The file includes Perchaluk's original drawings, annotated copies of pages 1 and 2, and a copy of the light design plot by John Munro.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
File contains set and light designs for Neptune Theatre's production of David French's "1949," directed by A. MacInnes and designed by M. Eagan (set) and J. Stewart (lights).
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
File contains set and light designs for Neptune Theatre's production of "Brass Rubbings," directed by Tom Kerr and designed by Mark Buntrock. File contains Buntrock's original drawings, an annotated copy of page 5, and a copy of Bonnie Beecher's light design.
File contains set and light designs for Neptune Theatre's production of "Our Country's Good," directed by Joe Dowling and designed by Pat Flood (set) and L. Guinard (lights).
File contains set designs for Neptune Theatre's production of "Jester's Christmas," designed by Andrew Murray. The file includes Murray's original drawings, annotated copies of the originals, and an annotated copy of the light design by P. Reinholdt.
File contains set designs for Neptune Theatre's production of "Anything Goes," directed by Linda Moore and designed by Robert Doyle. The file includes Doyle's original drawings and annotated copies. The file also includes a copy of the lighting design by Jeffrey Stewart.
File contains copies of the set and light design for Neptune Theatre's studio production of "Faith Healer," directed by Linda Moore and designed by Stephen Osler (set) and Brian Pincott (lights).
File contains set designs for Neptune Theatre's lunchtime productions of "Andrew's Tree" and "Two Weeks, Twice a Year," designed by J. Cooke. The file includes some original drawings and copies of the set designs for "Andrew's Tree."
File contains set and light designs for Neptune Theatre's production of "Memories of You," directed by Linda Moore with designs by Stephen Osler (set) and Bonnie Beecher (light).
File contains annotated copies of the set designs for Neptune Theatre's studio production of "Glengarry Glen Ross," directed by R.H. Thomson and designed by S. Osler.
File contains set designs for Neptune Theatre's production of "Man of La Mancha," directed by Tom Kerr and designed by Ted Roberts. File also contains copies of the costume and prop designs for this production.
File contains copies of touring set and light designs for Neptune Theatre's studio production of "La Sagouine," directed by Linda Moore and designed by Kathleen Irwin (set) and John Munro (lights).
File contains set designs for Neptune Theatre's 1989 production of "A Christmas Carol," directed by Graham Whitehead and designed by Ted Roberts. The file also includes a props list.
Item is a watercolour sketch of a set design for Dalhousie Theatre's 1989 production of little Mary Sunshine. The sketch shows the entire stage design, with a teepee, a cabin, several pine trees, and a sign reading "Colorado Inn."
File contains set designs for Neptune Theatre's production of "Take Twelve," directed by Richard O. and designed by Andrew M. The file also contains copies of costume and prop designs for the production.
File contains set designs for Neptune Theatre's production of "Broadway Bound," directed by David Brown and designed by Stephen Osler. The file includes some of Osler's original transparencies and annotated copies of the plans.
Item is a program from an exhibit called "Design is a Six Letter Word: Works of Robert Doyle." The exhibit ran from March 25th 1988 to June 26th 1988 at the Dalhousie Art Gallery. The program features a black and white reproduction of a set design painted by Robert Doyle.
File contains set designs for Neptune Theatre's production of "Shine Boy," directed by Lorne Kennedy and designed by W. Chesney with lighting by Steve Ross.
File contains set designs for Neptune Theatre's production of "Olde Charlie Farquharson's Son," directed by Frank Peppiatt and designed by Mark Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Blood Relations, directed by S. Pollock and designed by P. Clark (set) and S.J. Degenstein (lighting).
File contains set designs for Neptune Theatre's production of "Christmas with Hans Christian Anderson," directed by R. Ouzounian and designed by P. Clark.
File contains annotated copies of set designs for the Neptune North production of "Warm Wind in China," directed by E. Steiner and designed by P. Perina. R. Reinholdt was the lighting designer for this production.
