Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.
File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Erich Wolfgang Korngold, which were featured in the New Brunswick Summer Music Festival of August 20-26, 1995. The file includes the program for the festival, Pugh's program notes, and correspondence between Robert Kortgaard from the Centre for Musical Arts, University of New Brunswick and the Erich Wolfgang Korngold Society, and Kortgaard and Cambria Master Recordings and Publishing. Kortgaard was the Director of the Music Festival.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
File contains an autographed letter from John Philip Sousa, written on his letterhead from the Marine Band and Orchestra, Washington, D.C. The letter is stored in a folder and includes a copy of a photograph of Sousa from 1895 .
File contains an autographed program for a concert by the Italian coloratura soprano Amelita Galli-Curci. In addition to her signature, there are several annotations in pencil for each piece on the program by J.D. Logan.
File contains an autographed program by the soprano Frieda Hempel. The program is for a concert that she gave with the Harvard Glee Club, conducted by Dr. Archibald T. Davison. The program includes pencil annotations by J.D. Logan. File also contains Logan's ticket stub from the concert.
File contains an autographed program by the violinist Fritz Kreisler. The program is from a concert he gave at the Pabst Theatre in Milwaukee, Wisconsin, sponsored by the Marion Andrews Concert Bureau. He was accompanied by Carl Lamson. The file also includes J.D. Logan's ticket stub from the concert.
File contains an autographed program by the tenor John McCormack. The program is from a recital McCormack gave at the Milwaukee Auditorium, accompanied by Lauri Kennedy (cello) and Edwin Schneider (piano). The program is annotated in pencil by J.D. Logan. The file also includes Logan's ticket stub from the concert.
File contains an autographed program by Frederick Stock, the conductor of the Chicago Symphony Orchestra. The program is for a concert given by the Chicago Symphony Orchestra at the Pabst Theatre in Milwaukee, Wisconsin, presented by the Milwaukee Orchestral Association. The program contains annotations in pencil by J.D. Logan.
File contains an autographed program by Leopold Stokowski, the conductor of the Philadelphia Orchestra. The program is for a concert given by the Philadelphia Orchestra at the Milwaukee Auditorium. File also contains J.D. Logan's ticket stub from the concert.
File contains an autographed photograph of the Montreal-born opera singer Louise Edvina Edwardes (nee Martin), known by her stage name "Madame Edvina." File also contains a print of Louise Edvina in costume from the opera "Tosca" by Giacomo Puccini. Logan's notes on the reverse side of the print and at the bottom of the photograph indicate that she was known for her creation of the title role of Louise in an opera by Gustave Charpentier.
File contains two postcards of churches, one of Trinity Church and Wall Street in New York, and the other of Hensley Memorial Chapel and Convocation Hall, King's College, Windsor, Nova Scotia. The file also includes miscellaneous prints removed from magazines of organs, opera singer Annie Beaumont, pianist Franklin Taylor, and a drawing "Leur Fils" by P. Eschbach.
File contains a letter from Edna F. Anderson to John Daniel Logan about booking concerts in Nova Scotia venues and includes proposed programs for two Halifax concerts featuring the Boston Symphony Ensemble. The folder includes biographical information about the ensemble and its conductor, Augusto Vannini, and several concert programs for the Boston Symphony Ensemble.
Item is a program for a concert with soprano May Peterson, Metropolitan Opera Company, accompanied by Stuart Ross and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a concert program featuring Francesca Peralta, soprano; Julius Theodorowicz , violin; Georges Miquelle, violincello; Theodore Cella, harp; and Alfred De Voto, pianoforte, under the direction of Augusto Vannini.
Item is a program for a concert featuring soprano Rosa Raisa, sponsored by the Dramatic Soprano Chicago Opera Association, accompanied by S. Smallens and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a Concord Teachers' Association concert featuring baritone Walter H. Kidder with the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a concert with soprano Anna Case, Metropolitan Opera Company, accompanied by Claude Gotthelf and the Boston Symphony Ensemble under the direction of Augusto Vannini.
Item is a program for a concert for young people by the Boston Symphony Ensemble given under the auspices of the Director of Music, Alexander F. Cleary, and the Chelsea Teachers' Club.
File contains three letters from Gena Branscombe Tenney. Her letters include references to Logan's article on "Canadian Women," her family, and her compositions.
File contains a letter from Henry L. Gillespie of Werba and Luescher Attractions at the New York Theatre Building. The letter was written on behalf of his wife, Christie MacDonald, to inform Logan of her upcoming performance in a new opera "Sweethearts" by Victor Herbert, Harry B. Smith, and Robert B. Smith. The letter also mentions a photograph of MacDonald that Werba and Luescher would send to Logan.
File contains five letters from the Canadian composer Clarence Lucas of the Musical Courier Company concerning his and John Daniel Logan's respective writing, music, and research on Canadian music. Two of the letters thank Logan for sending Lucas poems, and one letter mentions their mutual acquaintance W.O. Forsyth.
File contains one letter and a Christmas card from Christie MacDonald. The letter apologizes for missing John Daniel Logan and his wife when she was in Toronto.
File contains three letters from Marian MacDowell to John Daniel Logan. The letters concern her husband's death and work (the American composer and pianist Edward MacDowell) and Logan's poetry. The file also includes a compilation of press notices about a series of lectures that Marian MacDowell gave in 1910 on Edward MacDowell's music.
File contains a letter from Daniel G. Mason of Columbia University concerning a poem that John Daniel Logan submitted for publication in the "New Music Review." The file includes the copy of the poem that Logan submitted, which is on the work of the composer Lowell Mason (1792-1872), Daniel G. Mason's grandfather. The file also includes a manuscript copy of a poem, possibly by Jean Grey, dated June 15, 1913.
File contains two letters from the Canadian violinist Kathleen Parlow concerning reviews of her performances by John Daniel Logan and Logan's poetry. One of the letters (dated April 19, 1912), mentions the sinking of the Titanic in passing. One of the letters originally contained two photographs of Parlow, one for the press and one for Logan.
File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.
File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
File contains an autograph of the American composer and pianist Louis Moreau Gottschalk, addressed to Mr. L.J. List(?). Included on the page are three measures of monophonic music in G minor. This autograph would have been purchased or given to John Daniel Logan as a gift.
File contains two autographed photographs of Joseph F. Sheehan, an American tenor with the Boston English Opera Company, both addressed to Dr. J.D. Logan.
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