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Dalhousie University Archives North America Subseries
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Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Mary Stuart

File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.

Promotional materials

Subseries contains records relating to the promotional, fundraising, sponsorship, and marketing activities of the Upstream Music Association. Records include membership advertisements and surveys, correspondence with media outlets, and information brochures about the organization.

Lectures given at Dalhousie

Subseries contains materials related to Brian Hall's lectures given at Dalhousie University and the University of King's College.

Brock University : The Rover

File also contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place Febreuary 14th-16th at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Pharos

Subseries contains yearbooks published by Dalhousie University students between 1927 and 1998. From 1929 onward, the yearbooks were printed under the title Pharos, a reference to the destroyed lighthouse in ancient Alexandria.

Dalhousie Theatre : The Lucky Chance

File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.

Dalhousie Theatre : The Trojan Women

File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.

Women's Health Educational Network

Sub-series consists of materials from the Women's Health Education Network Conference [WHEN] 1989, 1992, 1993, and materials from the WHEN 11th annual conference.

Finished episodes

Sub-Series includes the digital audio files of the finished episodes aired on Rock Meets Bone. Episodes include and introduction and conclusion narrated by Brain Guns, and interviews, performances, or music created by the artist. Sub-Series also includes one digital audio file from CBC's Atlantic Airwaves detailing the story of Rock Meets Bone.

Dalhousie Theatre : The Possibilities

File contains eleven oil pastel sketches of costume and set designs for Dalhousie Theatre's 1991 production of The Possibilities. Each sketch is for a specific scene in the play and shows several figures wearing costumes.

Dalhousie Theatre : The Tempest

File contains 20 pastel and pencil sketches of costume designs for Dalhousie Theatre's 1991 production of The Tempest. Each sketch shows a costume design for one character. The sketches are drawn on dark blue heavyweight paper.
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