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Valerie M. Cowan fonds

  • MS-2-677
  • Fonds
  • 1984 - 1985
Fonds consists of records regarding Valerie M. Cowan's activities regarding her involvement in the Dalhousie University Human Resources Planning Pilot Project, including correspondence, meeting minutes and reports.

Cowan, Valerie M.

Robert Grant Dexter fonds

  • MS-2-736
  • Fonds
  • 1963 - 1966
Fonds consists of records regarding Robert Grant Dexter's professional activities in the 1960s, including his involvement with the Neptune Theatre in Halifax, Nova Scotia. Fonds contains correspondence, newspaper clippings and manuscripts.

Dexter, Robert Grant

R. Graham Murray fonds

  • MS-2-693
  • Fonds
  • 1831 - 1988
Fonds includes records related to the Community Planning Association of Canada, Dalhousie Law School, Royal Canadian Air Force, personal correspondence, copies of deeds, legal agreements and wills, and printed materials.

Murray, Robert Graham

Susan Kerslake's unpublished manuscripts

Series contains manuscripts of unpublished novels, including edited drafts. Other materials include letters from third parties with suggested edits, and rejections or comments from publishing agencies.

Creance / Susan Kerslake : [manuscript]

File contains an unpublished manuscript, a rejection letter from The Women's Press , a letter containing criticisms and suggestions from Oberon Press, and a small poem by David Rook.

Correspondence between Susan Kerslake and George Peabody

File contains correspondence with George Peabody. Materials include one handwritten letter to Kerslake requesting permission to reprint "Soft Body Parts" (as well as "Did You Ever ...") from "The Book of Fears," and one blank permission to reprint form.

Susan Kerslake's rejection letters

File contains assorted personal and generic rejection letters from various publishers, including Canadian Fiction Magazine, Room of One's Own and The Long Story.

Published reviews and articles featuring Susan Kerslake's writing

Series contains reviews and articles relating to Kerslake’s work and writing. Materials include newspaper clippings, photocopies of reviews from journals or papers, and papers written as class assignments (including an original interview). Material also includes one review and edits written by Kerslake.

The Bill Lynch Shows correspondence

Series contains correspondence in the form of both business letters and personal letters, as well as notes from conversations had regarding the show by donor Barry Edwards after Bill Lynch’s death.

John Daniel Logan fonds

  • MS-5-1
  • Fonds
  • 1850 - 1932
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).

Logan, John Daniel

Correspondence from Julie Opp Faversham

File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.

Correspondence from W.O. Forsyth

File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.

The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.

Forsyth, W. O. (Wesley Octavius)

Correspondence from Boris Hambourg

File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).

Hambourg, Boris

Correspondence from Edouard Hesselberg

File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.

Hesselberg, Edouard

Correspondence from Harry Irvine

File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."

Correspondence from A.S. Vogt

File contains a letter from A.S. (Augustus Stephen) Vogt, thanking John Daniel Logan for his review of a performance by the Toronto Mendelssohn Choir.

Vogt, Augustus Stephen

Nova Scotia Agricultural College development of a 'Training Program in Sustainable Agriculture' at the Universidad Francisco de Paula Santander (Columbia) project records

Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.
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