Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
File contains candidates' advertising materials including Randall Smith and James Barlow, Chris Thurrott, Robbie Shaw and Liz Campbell, Ed Hearn and Geoff Fulton, Andy Winstanley and Mike Curtis, Robbie Shaw and Liz Campbell, and others.
Fonds consists of Richard Lewis Evans' records regarding Dalhousie Law School's applications for the Emil Gumpert Award of the American College of Trial Lawyers, including the applications submitted for the award, correspondence, newspaper clippings, photographs, and related news releases and periodicals.
File contains a photocopied newspaper clipping titled 'Upstart Theatre beats odds and plans second round,' by Tim Arsenault. File also includes a photocopied review of Summer of the Piping Plover, by Tim Carlson, published in the Halifax Daily News. File also contains a ticket stub for of UpStart production of Summer of the Piping Plover.
File contains a ticket stub for Eastern Front Theatre's production of Miss n Me. The play was presented at the Neptune Theatre Scotiabank Studio March 14 -24, 2019. File also includes clippings of a book, "The Feminine Mystique" by Betty Friedan, with handwritten notes, "Miss N Me production."
Fonds comprises records documenting Marq de Villiers' work as a journalist and writer of non-fiction. Record types include manuscripts and published work—including collaborations with his wife, Sheila Hirtle; correspondence; publicity and reviews; and a small series of personal photographs and photographs taken in the course of his research.
File contains background material related the "The Journalist as Documentarian," a course taught by Sylvia Hamilton at the University of King's College.
Documents include copies of presentation slides, annotated presentation slides, assignment instructions, and newspaper clippings from the New York Times.
Fonds consists of scripts of the puppet plays as well as correspondence, photographs and slides, newspaper clippings of reviews, programs, videocassettes, and some administrative papers.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
This collection contains materials related to the administration and productions of Theatre 1707 as well as the Bit Players society. The records include administrative documents, reports, programs, posters, proposals, newspaper clippings, reviews, and photographs.
Item is a clipping of an article by Patricia Doyle about being a Mi'kmaw woman in the education system. The article appeared on page 7 of the January 1991 issue of "Pandora." An Eye Level Gallery advertisement for the exhibition "I loved the piece with the large type on the grass" and an advertisement for Swaha! Bodywork also appear on the page.
FIle contains 31 photographic slides of an exhibition on abortion at the Centre for Art Tapes' Alexandra Centre location in 1993. The exhibition featured wall-mounted newspaper clippings about abortion.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
Fonds is primarily comprised of artistic programs from musical and theatrical events held predominantly in Nova Scotia, specifically in the Halifax area. Fonds also includes some music school syllabi, event competition forms and regulations, newspaper clippings, and correspondence.
Fonds consists of records created for and as a result of the performance activities of the Halifax Camerata Singers. Records include posters and programs from concerts\ and administrative and financial records from the Board of Directors of the not-for-profit society.
File contains a program for a concert by Symphony Nova Scotia, the Halifax Camerata Singers and the Cantabile Singers of Truro, conducted by Georg Tintner with Jeff Joudrey as the choral director. The file also contains a newspaper clipping of a review of the concert.
File contains a program, flyer, and two posters for a concert by the Halifax Camerata Singers. The file also includes newspaper clippings of reviews of the concert.
File contains a program for a concert by the Halifax Camerata Singers, performed in collaboration with the Cantabile Singers of Truro, members of Symphony Nova Scotia and guest soloists (Lorraine Thompson, Susan MacKay, Nancy Chisling, Douglas Rose, Ray Grant, Sue Doran, Christopher Francis, David Loughead and Gordon Murray). The file also includes a pamphlet for the Saint Cecelia 1992-1993 concert series and a newspaper clipping of a review of the concert.
File contains two programs for two performances of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tinter, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The concerts took place at the DeCoste Entertainment Centre in Pictou, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also contains two newspaper clippings of concert reviews.
File contains a program, two copies of a poster, blank door prize forms, and newspaper clippings of advertisements for a concert by the Halifax Camerata Singers at St. Andrew's United Church in Halifax, Nova Scotia. The concert featured sacred and secular choral music.
File contains two copies of a poster, newspaper clippings, and a program for a concert by the Halifax Camerata Singers as part of the Saint Cecilia concert series. The file also includes a pamphlet for the 1994-1995 concert series and a copy of "Camerata News" (Volume 3, no. 1), the Singers newsletter.
File contains a program for a performance by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The file also contains two newspaper clippings advertising the concert.
File contains a program for a concert by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and the Cantabile Singers of Truro, directed by Jeff Joudrey. The file also includes a newspaper clipping about the concert.
File contains two programs for two concerts by the Halifax Camerata Singers in collaboration with the Maritime Conservatory Faculty Brass Quintet. The concerts took place at St. Andrew's United Church in Halifax, Nova Scotia and in Antigonish, Nova Scotia. The file also includes a newspaper clipping of an advertisement for the concert.
File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.
File contains a program and newspaper clippings from a performance by the Halifax Camerata Singers in collaboration with the Truro Cantabile Singers, performed as part of the Saint Cecilia 1993-1994 concert series.
File contains two programs for two performance of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The concerts took place at the First United Church in Truro, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a newspaper review of the concert.
File contains a program and advertisement for a concert by Symphony Nova Scotia, conducted by Georg Tintner, in collaboration with the First Baptist Church Choir, directed by David MacDonald; Georgian Singers of Halifax, directed by Dr. Walter Kemp; Halifax Camerata Singers, directed by Jeff Joudrey; and Truro Cantabile Singers, directed by Jeff Joudrey. The file also contains a translation for the text of Brahms' German Requiem, Op. 45 and two newspaper reviews of the concert. The concert also included a performance of Peter Lieberson's Viola Concerto No. 1, featuring Steven Dann as the soloist.