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Poetry
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Victor : draft

File consists of two copies of the typescript of the poem Victor by Budge Wilson.

Early manuscript of After Swissair, then known as Sea Change

File contains an early manuscript (with some annotations) of Budge Wilson's book "After Swissair," an extended poem written in the 2000s. The book was originally titled "Broken Circles," before it became "Sea Change," and eventually "After Swissair." The file also contains a commentary script on the Swissair crash by Budge Wilson, which she wrote on September 2, 1999 and taped for the Canadian Broadcasting Corporation on September 26, 1999.

Draft four of After Swissair

File contains the fourth draft of Budge Wilson's book "After Swissair," an extended poem. A note on the original envelope that the draft was stored in indicates that the draft has three new poems and that it is the "Most recent draft before Eileen's [Eileen Richmond] latest [edits?], which, as of March 25, she's still working on. End of last poem very different."

After Swissair draft five and handwritten notes by Budge Wilson

File contains the fifth draft of Budge Wilson's book "After Swissair," an extended poem. The draft was sent to Eileen Richmond at the Heart and Stroke Foundation in Halifax, Nova Scotia. A note at the top of the first page from Budge Wilson to Eileen indicates that it is the "Most final to March 5. Edited and returned to Eileen March 13."

CANSCAIP draft of Budge Wilson's update for Round Up

File contains a handwritten draft of Budge Wilson's news announcement for the Canadian Society of Children's Authors, Illustrators and Performers (CANSCAIP) newsletter, News Roundup. The announcement includes her recently published book "After Swissair"; readings at public libraries, the Hubbards Literary Society, and Word on the Street; interviews on CTV and CBC radio; features in the Chronicle Herald; and the upcoming publication of the fourth new Polish edition of "Before Green Gables."

After Swissair draft six

File contains the sixth draft of Budge Wilson's book "After Swissair," an extended poem. The draft was sent to Eileen Richmond at the Heart and Stroke Foundation in Halifax, Nova Scotia, with annotations by Budge Wilson.

Samuel Ernest Sprott fonds

  • MS-2-660
  • Fonds
  • 1929-2000, predominantely 1958-1978

This fonds consists of records created and accumulated by Dr. Samuel Ernest Sprott. Types of files include correspondence, class lecture notes and materials, reading lists, exams, notes and English department supplements, Library committee meeting minutes and reports and other committee papers Sprott was associated with, manuscripts and published journal articles and books and records from the Faculty of Arts and Science and Graduate Studies, such as events and meetings.

Series include Class Records ; Correspondence ; Dalhousie University Libraries ; Department of English ; Faculty of Arts and Science ; Faculty of Graduate Studies ; McGill University ; Microfilm ; Personal Papers ; Published Work ; and Slides

Sprott, Samuel Ernest

Susan Kerslake fonds

  • MS-2-662
  • Fonds
  • [after 1943] - 1994
Fonds contains records relating to Susan Kerslake's writing and personal life, including manuscripts of published and unpublished work; correspondence, early writing and schoolwork, photographs, awards, articles and books reviews, and materials from events she attended.

Kerslake, Susan

Personal archives of Harry Thurston

  • MS-2-691
  • Fonds
  • 1972-2021
Fonds contains Harry Thurston's book manuscripts, copies of speeches and interviews, correspondence and research materials.

Thurston, Harry, 1950-

Personal archives of Harry Thurston

  • MS-2-691
  • Accession
  • 1976-1981
Accessions consist of materials related to the publication of the poetry periodical Germination. Materials include manuscripts and proofs, editorial drafts, correspondence, sales and business records, and promotional materials.

Thurston, Harry, 1950-

Personal archives of Harry Thurston

  • MS-2-691.2013-065
  • Accession
  • 1977-2012

Accession contains records that largely document Harry Thurston's journalistic and non-fiction writing during the 1980s. Materials include editorial correspondence, research notes and secondary materials, annotated drafts and printer's proofs, and press releases and reviews for articles published in such magazines as Atlantic Insight, Audubon, Equinox, Harrowsmith and National Geographic. There are similar materials documenting Thurston's work on Tidal Life : A Natural History of the Bay of Fundy, as well as correspondence and administrative records documenting his work with the Writers Federation of Nova Scotia and various professional activities such as attending or organizing workshops and conferences.

Accession also contains a small volume of materials from the late 1970s related to Thurston's activities as a poet, including some correspondence and administrative records related to the poetry journal, Germination, as well as his involvement with the Dirge Poets and their Merry Men, a performance group of poets and musicians.

Thurston, Harry, 1950-

Allan Cooper fonds

  • MS-2-692
  • Fonds
  • 1974 - 1993
Fonds consists of correspondence, financial papers, and grant applications for the journal Germination, papers from the Tribune Press (Sackville, New Brunswick) relating to Owl's Head Press, and publications and pamphlets.

Cooper, Allan

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

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