File includes correspondence with Sound Symposium, St. John's, Newfoundland; Antigonish Performing Arts Series; and the School of Music at Memorial University of Newfoundland.
File consists of records for the 1993-1994 concert season of the Halifax Camerata Singers, including proposed programs, correspondence, newspaper clippings about performances, member lists, the Camerata newsletter, financial statements, reports, and minutes of Board meetings.
File consists of records for the 1992-1993 concert season of the Halifax Camerata Singers, including minutes from Board of Directors' meetings, correspondence, programs, and donor records.
File consists of records for the 1991-1992 concert season of the Halifax Camerata Singers, including correspondence, reports, and minutes of meetings of the Board of Directors.
File consists of records for the 1990-1991 concert season of the Halifax Camerata Singers, including a member list, correspondence, programs, and reports to the Board of Directors.
File contains records relating to the 1988-1989 concert season of the Halifax Camerata Singers, including programs, minutes from Board of Directors' meetings, and correspondence.
File contains records relating to the 1987-1988 concert season of the Halifax Camerata Singers, including financial statements and minutes from meetings of the Board of Directors. The file also includes correspondence and a program for a concert by the choir entitled "20th Century Choral Music of England and France," which took place at the First Baptist Church in Halifax, Nova Scotia on February 21, 1988. The file also includes a copy of their ticket control policy and records of choir fees for each member of the choir.
File consists of records for the 1995-1996 concert season of the Halifax Camerata Singers, including program plans, correspondence, member lists, and minutes from the Annual General Meeting of the Singers.
File consists of records for the 1994-1995 concert season of the Halifax Camerata Singers, including correspondence, reports, and minutes from Board meetings.
File consists of records for the 1994-1995 concert season of the Halifax Camerata Singers, including programs, correspondence, newspaper clippings about performances, and member lists. The file includes records relating to the Camerata Singers CD project and a distribution agreement with Duckworth Distribution Limited/ Atlantica Music and Distribution Limited.
File contains records relating to the 1986-1987 concert season of the Halifax Camerata Singers, including their certificate of incorporation (January 14, 1987) and a letter from Wayne Cahill (organist and choral director of the Bedford United Baptist Church) to the artistic director Jeff Joudrey regarding a supply organist.
File contains three letters of uncertain authors sent to John Daniel Logan. One is from a former Dean and composer at the University of South Dakota (February 24, 1907); another about upcoming performances by J.S. Middlelai(?); and the third from "Ethel" concerning vacation plans.
File contains a letter from John Winthrop of the Winnipeg Theatre concerning John Daniel Logan's book "Twilight Litanies" (1920), requesting an inscription from Logan.
File contains a letter from Frank Squire Welsman. The letter concerns the Toronto Symphony Orchestra, and requests John Daniel Logan's help in promoting and supporting their endeavours.
File contains a letter from the English-born American actress Julia Marlowe Sothern thanking John Daniel Logan for sending her and her husband (E. H. Sothern) some of his poetry and inviting Logan to visit them backstage at one of their performances.
File contains a letter from the singer Hilda Roberts. The letter contains an overview of her performances to date in anticipation of a concert in Halifax. The file also contains a series of testimonials from Manlio Di Veroli, Musical Director of the Opera House in Rome and the London Opera House, who taught Roberts in London.
File contains a letter from R.S. Pigott of the Toronto Conservatory of Music concerning John Daniel Logan's book, presumably "Preludes: sonnets and other verses" (1906).
File contains a letter from Minnie Parlow, the mother of the Canadian violinist Kathleen Parlow. The letter concerns reviews of her daughter's performance in Toronto.
File contains a letter from the Australian operatic soprano Nellie Melba concerning a short poem that John Daniel Logan wrote about her singing. The file includes a copy of the poem as printed in a newspaper. The letter also references a photograph that Melba sent to Logan.
File contains a letter from Marjory MacMurchy, president of The Canadian Women's Press Club, concerning John Daniel Logan's letter in the Canadian Magazine on Canadian women.
File contains a letter from Addie MacKay concerning a hymn that she composed with words by her sister, requesting that John Daniel Logan publish it in the Halifax Herald.
File contains an introductory letter from John Daniel Logan's niece, Muriel Logan. The letter addresses her education in Greek, and her wish for further education at Dalhousie College.
File contains a letter from the artist Louis Keene (1888-1972) thanking John Daniel Logan for a notice that he put in the Montreal Herald advertising his upcoming exhibition.
File contains a letter from the English actor Harry Irvine in response to John Daniel Logan's criticism of his performance in "Othello" at an unidentified theatre in Halifax, Nova Scotia. The letter mentions a future lecture at Dalhousie College on "William Shakespeare: A Human Being."
File contains an announcement from the Russian pianist, composer, and teacher Edouard Hesselberg sent to John Daniel Logan as the Musical Critic of The Star (in Toronto). The announcement concerns his recent appointment as editor and contributor to the staff of the "International Music and Musicians." The letter was sent in an envelope from The Hambourg Conservatory of Music in Toronto.
File contains a letter from the American actress Percy Haswell thanking John Daniel Logan for his newspaper articles on her. The letter is written on letterhead from the R.M.S. Royal Edward.
File contains a letter from the Russian cellist Boris Hambourg concerning Ernest J. Farmer's "Fantasia for cello," the winner of a Canadian Composers competition. The file also includes a program for a series of five concerts given by Hambourg at The Hambourg Conservatory of Music in Toronto (April 14 to May 12, 1925).
File contains a letter from W.H. Greenwood, the Managing Director of The Toronto World newspaper, informing John Daniel Logan of his appointment to staff as Musical Critic.
File contains four letters from the Canadian composer, teacher, and writer W.O. (Wesley Octavius) Forsyth. Three of the letters (dated from 1921) are written on letterhead from the Canadian Academy of Music in Toronto, where he taught from 1919 to 1924. The letters concern setting texts by John Daniel Logan to music and mentions its possible performance by their mutual friends Lucas and Gena Branscombe.
The file also contains a short biography of W.O. Forsyth from the Star Weekly (Toronto, July 1921); a program for a concert by Jessie McAlpine (a student of Forsyth's) at the Canadian Academy of Music; and a program for a concert by the Russian pianist Arthur Friedheim at Massey Hall.
File contains a letter from the actress Anna Frery, thanking John Daniel Logan for his critique of her performance in Aida by Giuseppe Verdi. The letter is written on letterhead from the Grand Union Hotel Co., Limited.
File contains a letter from Julie Opp Faversham (1871–1921), an American stage actress, thanking John Daniel Logan for a poem and his comments about a production of Julius Caesar that she acted in with her husband, William Faversham.
File contains two letters from Daniel O'Connell, the secretary of the Halifax Musicians' Protective Association (American Federation of Musicians, Local 470). The letters concern Logan's invitation and acceptance into the association.
File contains a letter from John Burgoyne. The letter includes "A Musical Reminiscence" for consideration for inclusion in John Daniel Logan's column in the Evening Echo (a Halifax newspaper). The reminiscence is about a harp owned by the artist A.T. Barrett.
File contains a letter from Edward Broome. His letter includes information about the activities and performances of the Toronto Oratorio Society and was sent to Logan to be published in the Toronto News.
File contains three letters from Gena Branscombe Tenney. Her letters include references to Logan's article on "Canadian Women," her family, and her compositions.
File contains an envelope address to The Bill Lynch Shows from Ethel (no last name specified) dated in Amherst November 18, 1942, and Halifax November 20-30, a blank labor service card with notes on the back, a card requesting name and address on the front of letters and parcels, a letter from Ethel to Bill Lynch dated July 25, 1942 from Amherst, and six photographs of: an unidentified woman in Sydney on July 16 1942, an unidentified woman at Murcer [sic] Lake in Sydney on July 13, 1942, an unidentified man in a parked car, a dog, two unidentified men on a ship plank over the war, three unidentified men in uniform and a dog by a Christmas tree, and three unidentified men, two in uniform and one in a suit, outside. Ethel's letter states she would try to enclose photographs of herself, so she may be the unidentified woman in the photos.
File contains four business letters written to and from the Bill Lynch Shows from August 19, 1942 to July 16, 1947. The first is from the Bill Lynch Shows regarding a wallet lost on August 18, 1942 by Elmer Rogers and subsequently found, and is dated August 19, 1942. The second is from the Rudolph Wurlitzer Company regarding reconditioning a Caliola organ, and is dated October 6, 1942. The third is from the Annapolis County Exhibition Committee signed by Donald White regarding the Bill Lynch Shows returning from September 14-17, 1943, and is dated June 11, 1943. The fourth is from Teasdale and Foot, Limited and signed by Eric Teasdale regarding purchasing a car and multiple trucks for the Bill Lynch Shows, dated July 16, 1947.
File contains notes taken by Barry Edwards of a conversation with Ronald Power, member of the Army, regarding the Bill Lynch Shows. The notes list some of the rides the Lynch Shows had, and often refer to "The Bill Lynch Farm" (described as being in the early 1950s on the corner Robie and Cunard Street, Halifax). The notes are from March 26, 1985, and are 40 pages long.
