File contains background materials used at mettings of the International Ocean Institute (IOI) with the Department of Political Science at Dalhousie University, and with the UN (United Nations) University for Peace on the development of a Virtual University for the Ocean. The package includes a "Proposal for the Establishment of the IOI Virtual University" by Elisabeth Mann Borgese, along with letters of support for the venture, syllabi, and other reports and summaries.
File contains correspondence with Jan Matthews concerning a special feature on Canadian women to be distributed with "Time" magazine, includes a brief biography of Elisabeth Mann Borgese.
File contains correspondence with Rideau Hall, concerning the Order of Canada, and the Commemorative Medal for the 125th Anniversary of the Confederation of Canada. Includes correspondence with Rideau Hall staff and Governor General Jeanne Sauvé (informing Mann Borgese of the Order of Canada award), letters of congratulations from Tom Hockin, Alan R. Abraham, Fred Crickard, and Innis Christie, letters of support for other Order of Canada nominees, and correspondence concerning the 125th Anniversary Medal. The file also includes a programme from the November 8, 1988 investiture of the Order of Canada (Elisabeth Mann Borgese was a recipient), a booklet listing Order of Canada members, and a certificate received by Borgese on receipt of the Commemorative Medal for the 125th Anniversary of the Confederation of Canada in 1992.
File contains correspondence with Thomas "Tom" Harris, Gunter Görner, Renate Platzöder, and Tim Shaw, on the occasion of Elisabeth Mann Borgese's 75th birthday. Also includes a series of faxed invitations to a party hosted by Mann Borgese.
File contains correspondence with Pilkington Bros. Ltd., Princeton University Press, Alessandro Olschki, Claire McDonald, Sheila Martin, Boston Museum of Fine Arts, N. B. Marshall, Tom Mahnken, The Metropolitan Museum, Harry N. Abrams, Cyril Glasse, Judith Munns, Brian J. Rothschild, Donna D. Schwartz, A. M. Kennedy, Kjel Sandved, Srpoka Knizevna Zadruga, Flip Schulke, Professor Vigneaux, John Sylvester, Jack Drafahl, Deirdre Silberstein. Most of the correspondence relates to clearing pictures for inclusion in Elisabeth Mann Borgese's "The Drama of the Oceans."
File contains correspondence with the University of Rhode Island, a USSR publishing house (regarding the Russian version of "The Drama of the Oceans"), and Henry Usborne. Also includes the introduction to "The Drama of the Oceans" for the Russian translation.
File contains correspondence from Brian Flemming, Association International Futuribles (regarding an introduction Mann Borgese was to write for a collection), "Frankfurter Allgemeinen Zeitung" (FAZ), and the Ford Foundation. File also includes lists of names.
File includes correspondence with Alexandera Post, T.V.R. Pillay (Food and Agricultre Organization of the United Nations), Princeton University Press, O.S. Plue, Prentice-Hall of Canada Ltd, Les Presse de la Cité, Elaine Partnow, Praeger Publishers Inc., M. Piovene, and PHP Institute Inc. Also includes "The Implications of Change in Mining Finance and Participation" by Alexandra Post, excerpts from "Ocean mining" by Alexandra Post, a proposal on deepsea mining by Alexandra Post and a report from the Food and Agriculture Organization (FAO) of the United Nations, "Progress of Aquaculture" by T.V.R. Pillay.
File contains correspondence with Armelli de Kerros, P. Korrinsp (?), Lee Kimball, Susan Kaeser, Don and Marion Kelley, Robert L. Kanter, and Lars-Ake Kvarning. Topics of discussion include "The Drama of the Oceans," and an upcoming book on self-management by Elisabeth Mann Borgese.
File contains correspondence with Stephen Salter (of the University of Edinburgh), Jürgen Sünder [?] Obren Stankovic, and A.D. Buzzalini of the Skelly Oil company.
File includes correspondence with David Luke of Dalhousie University, Lev Ljubmov, Betty Lussier (Consultants in Development), Dennis Livingston, Lawrence Livermore Laboratory, Edward Landstrom (United States Department of State), Heldegard Lamfrom, The Law of the Sea Institute, and Jonathan Lu.
FIle contains correspondence with International Court Judge Shigeru Oda, discussing "The Common Heritage" by Arvid Pado, and publishing a new edition. Also discusses several Pacem in Maribus (PIM) conferences.
File contains correspondence with Berudt Richter, Jacques Rougeru (of the Centre d'Architecture de la Mer et de l'Espace), Don Reed, Ruder and Finn, and Ruth Ross. Topics of discussion include Borgese's "The Drama of the Oceans," the International Ocean Institute (IOI), and a speech Borgese gave at the Henry Salvator Center (which includes a transcript, with handwritten annotations and corrections by Borgese).
File contains correspondence with "Aquaculture" magazine, American Bibliographic Center (ABC) - Clio Press. Also includes a royalty report from ABC - Clio Press.
File contains correspondence between Elisabeth Mann Borgese and Alfredo Boucher, A. Bos, Nancy Barron, Robert Ballard, and Jeffrey Barton ("San Diego Law Review").
File contains correspondence with American Bibliographical Center (ABC) - Clio Press, George Abi Saab, and A.A. Archer. Topics of discussion includes edits to a paper written by Elisabeth Mann Borgese, and royalty reports. File also includes royalty statements.
File contains correspondence with Jeremy Rifkin (Peoples Business Commission), Dale Riehli (on the television adaption of "The Drama of the Oceans"), and W. Riphagen.
File contains correspondence with Frederick Grassli (Woods Hole Oceanographic Institution), Maria Eduarda Gonçalves, Henrietta Gilpin, Global Education Associates, John F Godfrey (of the University of King's College), Anil Gayan, and GEO magazine.
File includes correspondence between Elisabeth Mann Borgese and the following individuals: D.C. Krause (UNESCO), A.G. Koroma (Permanent Mission of the Republic of Sierra Leone to the UN), A.N. Kholodilin (UNESCO), the International Institute for Integrative Technology (IIT), and V. Kopal (Academy of Science, Prague).
File contains correspondence with Carmen Artigas, a lawyer working in the Secretariat of the Third United Nations Conference on the Law of the Sea. Discussed is her attendance at the Pacem in Maribus (PIM) XI conference.
File contains correspondence with the publishing firm. Topics of discussion include Mann Borgese's "The Mines of Neptune," and the publication of Erika Mann's diaries.
File contains correspondence with Jon Von Dyke, Zoran Vidaković, and J.H. Vandermeulin (of the Ministry of Fisheries and Oceans, Canada). Topics of discussion include a Third World training program, a publication of a book on the work of Jovan Djordjević, for which Elisabeth Mann Borgese contributed an essay, and a conference at the East-West Center. Also contains a list of contacts beginning with "V." See also MS-2-744, Box 285, Folder 10 for additional correspondence with Jon Van Dyke.
File contains correspondence with Patricia Halo (Cinema Arts Associates, Incorporated), Tom Haydn, Holt, Rinehart and Winston. The latter refers to the transfer of copyright for Mann Borgese's "The Language Barrier," back to her.
File contains a letter from Joseph Howe to D.O.C. Madden of Arichat, Nova Scotia, written on 10 August 1849. The letter discusses a petition from Peter Furrier, Master of the Brig Superb, to have his vessel released from quarantine.
Item is a legal document between Sir John Wentworth and Matthew Richardson. The document involves land originally secured by William Dawes Quarrell for Maroons that the British sent to Nova Scotia from Trelawny Town, Jamaica in 1790s.
File contains set and light designs for Neptune Theatre's production of "Dracula," directed by Linda Moore and designed by Brian Perchaluk. The set designs are drawn to the scale of 1/2" = 1'. For this production, Scott Miller was the technical director and Alan Brodie did the lighting design.
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File includes the set designs for Neptune Theatre's production of "How the Other Half Loves," directed by Leslie Yeo with designs by Arthur Penson. The file includes an original drawing of the rigging plot by "T.P." and annotated copies of the set plans by Penson.
File contains set designs for the Neptune Theatre production of "Butterflies are Free," directed by A. McKim with designs by Robert Doyle. The file includes Doyle's original pencil drawings as well as annotated copies.
File contains the original set designs for Neptune Theatre's production of "Much Ado about Nothing," directed by Denise Coffey with set designs by Robert Doyle.
File contains set designs for Neptune Theatre's production of "The Four Poster," directed by John Neville with designs by Arturo Penson. File also contains templates for the construction of a cupboard and bureau as part of the set.
File contains the set designs for Neptune Theatre's production of "Night of the Iguana," directed by John Neville with drawings by Phillip Silver and S. LePage.
File contains the set designs for Neptune Theatre's production of "Step Dance" by Tom Gallant, directed by John Neville, with set designs by Lesley Preston.
File contains the set designs for Neptune Theatre's production of "Absurd Person Singular," directed by L. Yeo with designs by Fallen. The play opened on November 13, 1981. File includes the original pencil-drawn set designs and annotated copies.
File contains set designs for Neptune Theatre's production of "Guys and Dolls," directed by B. Ainslie and John Neville with set designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains set designs for the Neptune Theatre production of "Endgame" by Samuel Beckett, directed by Peter Froehlich and designed by Roy Robitschek. File includes Robitschek's original drawings and annotated copies of the originals.
File contains set designs for Neptune Theatre's production of "Ever Loving," directed by Tom Kerr with set designs by Ted Roberts. File includes Roberts's original drawings and annotated copies. File also contains copies of wartime posters that were used in the production.
![Lunch with Tenesee Williams [Annotated Prompt Script]](/uploads/r/dalhousie-university-archives/9/3/c/93c0a72c2fa5a144487bf9672b6392355889316a7b6c4fb444251f3b0805523d/MS-3-1_282_4_access_142.jpg)
