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Dalhousie University Archives Canada
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Research and program notes pertaining to Shostakovich

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.

Dalhousie University Convocation Programme, Wednesday, May 20, 1998 and Thursday, May 21, 1998

Item consists of the afternoon of Wednesday, May 20th, 1998, and of all day Thursday, May 21st, 1998 Dalhousie University convocation programme. Includes convocation proceedings for the Health Professions and Education (2:30pm, May 20th), Management (9:30am, May 21st), and Health Professions (cont'd, 2:30pm, May 21st).

Correspondence with the Institute for Early Childhood Education and Developmental Services

  • MS-2-650.1998-086, Box 21, Folder 27
  • File
  • July 21, 1998 - November 11, 1998
  • Part of Budge Wilson fonds

File contains correspondence from, and copies of Budge Wilson's correspondence to, the Institute for Early Childhood Education and Developmental Services (IECEDS) in Truro, Nova Scotia regarding Wilson's guest speech at their convocation. The file also contains a copy of a newspaper clipping with the Fall graduates, a copy of the convocation program, and Brenda Putnam's introductory speech for Wilson.

Pride Guide mock-ups 1996, 1998

File contains oversized mock-ups of the 1996 and 1998 Halifax Pride Guides, including draft text, schedules, and advertisements.

Research and program notes pertaining to Elgar

File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.

Research and program notes for composers T to W

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Ambroise Thomas, Viktor Ullman, Henri Vieuxtemps, Henryk Wieniawski, Peter Warlock, Lubomir Zelezny, Anton Webern, and Alexander von Zemlinsky. The file also includes three programs: "The Emperor of Atlantis," presented by the Terezin Studio Project in Halifax, Wolfville, Fredericton, Charlottetown, and Antigonish;"The Passion" by Raymond Warren at The Queen's University of Belfast; and the Walter Baker Memorial Concert with the Canadian Chamber Ensemble at the Fredericton Playhouse.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1998.

Documents include newspaper clippings, ephemera, and programs related to Africaribanza, Baie-Comeau jazz festival, Atlantic Jazz Festival, Festival by the Sea in Saint John, New Brunswick, the Gospel Music Workshop of American in Philadelphia, Pennsylvania, the African Nova Scotian Music Association awards, and others.

Halifax Pride 1997 committee records

File contains committee records for Halifax Pride 1997. Materials include Pride schedules, clippings featuring stories about the parade and plans for television advertisements during Pride Week, Pride logo mock-ups, notes, correspondence, agendas, contact lists, advertisements, and correspondence.

Reflexions : letters to kids

File contains two drafts of letters written by Budge Wilson to accompany the "RefleXions Un-Program," a language arts program run by Scholastic Canada Ltd. that distributed books to Canadian classrooms.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1997.

Documents include newspaper clippings, magazine clippings, ephemera, and programs related to the East Coast Music Association awards and the Martin Luther King concert with Symphony Nova Scotia.

File also contains a copy of Rising Tide newspaper.

Eastern Canadian District administrative records, conference materials, 1997

File contains administrative records for the Eastern Canadian District of the Universal Fellowship of Metropolitan Community Church, and materials relating to the Eastern Canadian District Conference. Materials include conference agendas, reports to the conference, and conference flyers. File also contains financial records, correspondence, notes, workshop materials, meeting minutes and agendas, and applications for district positions.

Maritime Science Fiction Festival 1997 program books and other material

File contains two copies of a program book from the 1997 Maritime Science Fiction Festival and one copy of the event schedule.

The file also contains a copy of a registration form for the Official International Dave Prowse Fan Club. A feature on Dave Prowse can be found on pages 10 and 11 of the the program book.

The file also contains a pamphlet on the art of puppetry and television production with Terry Angus. Terry Angus presented at the festival and a biography can be found on page 20 of the program book.

The file also contains a newsletter for the 1997 Maritime Science Fiction Festival, dated Autumn 1996.

Costume design for Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Holofernes and Sister Nathaniel

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

The glory of the Renaissance : music for choir and brass

File contains two programs for two concerts by the Halifax Camerata Singers in collaboration with the Maritime Conservatory Faculty Brass Quintet. The concerts took place at St. Andrew's United Church in Halifax, Nova Scotia and in Antigonish, Nova Scotia. The file also includes a newspaper clipping of an advertisement for the concert.

Atlantic Canada sings

File contains a program and poster for a concert presented by the Confederation Centre for the Arts. The program included performances by the Christ Church Cathedral Trebles from Fredricton, New Brunswick, conducted by Jeffrey Campbell, and the Halifax Camerata Singers, conducted by Jeff Joudrey and accompanied by Diana Torbert.

Saint Cecilia concert series : Elijah

File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Documents related to Nova Scotia Mass Choir

File contains documents related to the Nova Scotia Mass Choir in 1996.

Documents include newspaper clippings, programs, and ephemera related to the choir at the East Coast Music Association awards, the release of their record, "He Never Failed Me Yet," "Symphony Explosion" concerts, the Canadian Hockey Awards, the African Heritage Gala, and other events.

File also contains a copy of Rising Tide newspaper.

The company store : [program]

File also contains playbills and a program for Cape Breton University Boardmore Theatre's 42nd season, which included a production of The Company Store, directed by Todd Hiscock.

Eastern Canadian District administrative records, conference materials, 1996

File contains administrative records for the Eastern Canadian District of the Universal Fellowship of Metropolitan Community Church (UMFCC), and materials relating to the Eastern Canadian District Conference, held October 11-13, 1996. Materials include conference schedules, minutes, evaluation forms, reports to the conference, and notes. File also includes general correspondence, financial records, UMFCC pamphlets, meeting agendas and minutes, operating procedures, and by-laws.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Research and program notes pertaining to Bach's organ music

File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file includes programs for performances at Schade's Restaurant (Fredericton, New Brunswick) and Christ Church Cathedral (Fredericton, organ works performed by Jeffrey Campbell). The file also includes Pugh's ticket to a concert by Quartetto Gelato, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas (March 27, 1994).

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Review of Dalhousie's production of "Love's Labour Lost".

File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.

Barnard, Elissa

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