Fonds consists of Richard Lewis Evans' records regarding Dalhousie Law School's applications for the Emil Gumpert Award of the American College of Trial Lawyers, including the applications submitted for the award, correspondence, newspaper clippings, photographs, and related news releases and periodicals.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
File contains correspondence and a program for the conference, which took place at the Millennium in St. John's, Newfoundland (October 19-21, 2000). Budge Wilson participated in the conference.
Fonds consists primarily of meeting minutes, membership and attendance lists, programmes, a copy of the club’s sixty-fifth anniversary cookbook, correspondence, and miscellaneous papers which include photos and records related to the club’s anniversary events.
File contains the invitation, certificate and accompanying letter, and two copies of the program for the Queen Elizabeth II Diamond Jubilee Medal Investiture held at Government House, Halifax, Nova Scotia on June 11, 2012. Budge Wilson was awarded a Queen Elizabeth II Diamond Jubilee Medal.
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.
File contains certificates awarded by the Cultural Federations of Nova Scotia, the Maritime branch of the Alliance of Canadian Cinema, Television and Radio Artists, and the Dora Mavor Moore Awards.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
File contains documents related to Jenny Munday's participation in the President's Advisory Committee for Theatre at St. Thomas University. The documents include correspondence; meeting minutes; proposals; information about events at STU, Black Box Theatre, and other theatre organizations; and other documents.
File contains the Mail Star's review of the Dalhousie production of "Love's Labour Lost." The review was written by Elissa Barnard. The article is torn from the newspaper and features a black and white photograph of Andre Davey ad King Navarre and Ben Stone as Berowne. The article mentions Robert Doyle's costume design.
Item is a coloured pencil sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Parasite. The sketch shows a male figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's production of The Insect Comedy. The costume is for a character called the Fly. The sketch shows a male figure wearing the costume.
File contains two programs for theatrical performances at the Royal Alexandra Theatre, including "Julius Caesar" by William Shakespeare and "Kindling" by Charles Kenyon. File also contains a program for two weeks of performances by the Montreal Opera Company and a program for their performance of "Thais" by Jules Massenet. File also contains a prospectus for a series of benefit concerts for the Hospital for Sick Children and the Toronto Free Hospital for Consumptives.
File contains the program and texts from the songs of "The Flower Queen" or "The Coronation of the Rose: A Cantata in Two Acts" by George F. Root, which was presented at Orpheus Hall on September 13 and 14, 1887. The performances featured Miss. B. Lownds, Mr. King Pooley, Mr. C.J. Ross, Mr. J.R. Forbes, Miss. Taylor, Miss. E. Pickford, Miss. H. Gossip, Miss. E. Wier, Miss. B. Salter, Miss. M. Partridge, Miss. Forbes, Miss. G. Taylor, Miss. Ward, Miss. G. Smithers, and Miss. A. Nichols.
File contains a program for the 1962-1963 season of the Canadian Opera Company. Alan Lund was the choreographer for the company's production of Rigoletto by Giuseppe Verdi, October 15-26, 1962.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1982 production of The Rivals. The costume is for a character named Thomas, a coachman in Act I. The sketch shows one male figure wearing the costume.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1989 production of Happy End. The costume is for a character named Major Stone and the sketch shows one female figure wearing the costume. The sketch is torn into an irregular shape, mounted on corrugated cardboard, and spray painted with a brick pattern.
Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1986 production of Thieves' Carnival. The costume is an evening gown for a character named Eve. The sketch shows a female figure wearing the costume with balloons in the background. The sketch is cut out and mounted on a dark red matboard.
Item is a photograph of the 1914 Dalhousie Dramatic Club. The photograph shows the principals in the cast of "The College Widow". The portrait incudes C. R. Hawkins (as Tommy Parsons); R. St. C. Jones (as President Witherspoon); Jack MacDonald (as Billy Bolton); G. R. Smith (as Jimmie Hooper); D. A. Guildford (as Frank McAllister); T. A. Lebetter (as Copernicus Talbot); Harry Britton (as Silent Murphy); W. B. Coulter (as Hon. Elam Hicks); D. L. Dwyer (as Bub Hicks); J. S. Fraser (as Hiram Bolton); W. R. Auld (as Jack Larrabee); M. M. Currie (as Mrs. Primley Dalzelle); Hattie Boak (as Bessie Tanner); J. F. O'Connell (Director); Gladys Billman (as Jane Witherspoon); Emma Gillies (as Flora Cameron); R. D. Graham (as Stubby Talmadge); C. K. Fuller (as Matty MacGowan); M. Fraser (as L. Chubbs); Georgene Faulkner (as Flora Wiggins); Louise Power (as Bertha Lyson); and Mary Ross (as Josephine Borkley). The cast members are sitting or standing in four rows and wearing their costumes.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Hanna Kennedy and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.
File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Anne and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.
Item is a pencil sketch of a costume design for Dalhousie Theatre's production of Mary Stuart. The costume is for Mary Queen of Scots and the sketch shows one female figure wearing the costume. The sketch has been torn from a spiral bound notebook.
Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.
File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.
Item is a collection of handwritten notes about the costumes for Dalhousie Theatre's production of Moliere. The notes contains some sketches of costume construction and one fabric swatch. Some pages are blank. The notes are contained in a folder made from two pieces of Robert Doyle Designs' letterhead taped together.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a man in the ensemble. The sketch shows a male figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a man in the ensemble. The sketch shows a male figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a woman in the ensemble. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a courtier in a red suit. The sketch shows a male figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for an unidentified woman with a black mask, dress, and veil. The sketch shows a female figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is for a member of the Order of the Holy Writ. The sketch shows a figure wearing the costume.
Item is a watercolour and gouache sketch of a costume design for Dalhousie Theatre's production of Moliere. The costume is the second costume for Louis XIV. The sketch shows a male figure wearing the costume.
