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Halifax Regional Municipality (N.S.) File
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E.S.P. (John K. Esler and Charles Pachter)

File consists of records related to the exhibition 'ESP', organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in June 1971.

Records consist of exhibition contract agreements, correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the artists, condition reports, a photocopy of a newspaper clipping regarding the exhibition, and a packing list.

French paintings exhibition

File consists of records relating to organization, planning, and preparation for the exhibition 'French Painting 1840-1924' organized and circulated by the National Gallery of Canada and presented at the Dalhousie Art Gallery in February and March of 1971.

Records consist of correspondence, condition reports from Dalhousie Art Gallery and others, accompanying texts for the exhibition including a bibliography, recommended film screenings, readings, and descriptive texts; an exhibition loan agreement, docent agreements, lists of artworks and biographical information, and a newspaper clipping.

Andre Bieler

File consists of records related to the planning of the exhibition 'André Biéler 50 years' organized by the Agnes Etherington Centre and presented at Dalhousie Art Gallery in March and April of 1971.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Agnes Etherington Centre, a newspaper clipping, exhibition loan agreements, list of artworks, artwork condition notes, handwritten condition notes, and a letter from Smith to Biéler regarding the purchase of one of his artworks.

On the water's edge

File consists of records relating to the exhibition 'On the water's edge', consisting of facsimiles of 17th and 18th century Dutch drawings from the collection of the Teylers Museum, Haarlem. The exhibition was presented at the Dalhousie Art Gallery in April 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and staff of the Royal Netherlands Embassy, whom the exhibition was circulated through. One additional record consists of a paper outlining the historical background of the Teylers Museum and the collection of drawings.

The photograph as object

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

Correspondence with William Lovell

File consists of correspondence records between Ernest Smith and William (Bill) Lovell spanning August 1970 to October 1971.

Records consist of letters between Lovell and Smith (Director ,Dalhousie Art Gallery) regarding plans to have a showing of Lovell's prints at the art gallery in 1971.

Phil Sultz exhibition

File consists of records relating to the planning and preparation of an exhibition of artworks by Phillip Sultz in October 1971, organized and presented by the Dalhousie Art Gallery.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Philip Sultz (Professor, painter), a curriculum vitae and two photographs of Sultz, a list of artworks and a newspaper clipping of a revew of Sultz's work. Many letters are handwritten.

Larry Weissmann exhibition

File consists of records related to an exhibition of works by Lawrence (Larry) Weissmann organized and presented by the Dalhousie Art Gallery in October 1971.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Weissmann. Additional records consist of a news release for a show of Weissmann's work at George Eastman House, a C.V. and a biography.

Massey medals 1970

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

Man and his environment

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

Canadian watercolours of the 19th century exhibition

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

March 11, 1971 inaugural exhibition Dalhousie art gallery - arts center

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

Bruno Bobak - 'humanism' exhib[ition]

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

Walter Ostrom (NSCAD) exhibition

File consists of records related to an exhibition of ceramics by Walter Ostrom presented by the Dalhousie Art Gallery in November 1971.

Records consist of an invitation list for the exhibition opening, a biography and C.V. for Ostrom, and correspondence of the Dalhousie Art Gallery.

Judge Peter O'Hearn's correspondence regarding his published works

File contains a contract between O'Hearn and MacMillan Company of Canada Limited and correspondence regarding royalties, articles and book revisions. File also includes letters sent by Gordon B. Isnor and Gertrude Mills to Judge Peter O'Hearn, and from Judge Peter O'Hearn to Denys Pare, Richard Lovekin, Halifax Memorial Library, Professor A. MacKay, and Mrs. Pottier.

Correspondence with Bill Fett - November 1971

File consists of correspondence records between Ernest Smith (Director, Dalhousie Art Gallery) and Bill Fett spanning August 1970 to May 1971.

Records consist of letters, postcards, and newspaper clippings. Content of the letters refers to planning to host Fett's works in the Dalhousie Art Gallery some time in 1972.

Image 6/Federation des centres culturels de la province de Quebec inc. December 1971

File consists of records relating to the presentation of 'Image 6', an exhibition organized by the Still Photography Division of the National Film Board, and circulated through the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report, correspondence between Dalhousie Art Gallery and staff of the National Film Board, a review of the exhibition, French-language documents regarding the reservation of the exhibition, a price list, and French-language descriptive text for the exhibition.

Letter and card to Kenneth Leslie from Rosaleen Dickson

File contains an undated typed letter from his daughter Rosaleen regarding sending a selection of typed copies of poems to Mr. [Patrick] Crean at McClelland and Stewart and also mentions that Sean Haldane, publisher of The Collected Poems of Kenneth Leslie, had not been informed of the efforts to publish an alternate collection of Leslie's works. File also contains a facsimile family photograph of the Dickson children: Jennifer, Elizabeth, Marjorie, Ross, and Charles.

Ashworth, Joseph

File contains handwritten correspondence sent by Joseph Ashworth (of Calgary, Alberta) to Kenneth Leslie, dated September 5, 1972. File acknowledges a $5.00 payment for the purchase of one of Leslie's publications, as well as confirming a new mailing address.

Sackley, Ralph

File contains a typed letter dated May 20th, 1972, and written by Ralph Sackley (of Evanston, IL), sent to Kenneth Leslie. File addresses current reading habits and belief in McGovern in the forthcoming election, before discussing his "oxypheric" nature after Leslie had suffered "lots of strokes" and Sackley's opinions of the mind, deep breathing, and getting "away from self".

Williams, Claude

File contains typed correspondence dated April 20, 1972, written by Claude Williams (Alabaster, AL) and sent to Kenneth Leslie. File expresses thanks for Leslie's handwritten note and for receipt of issues of New Man, and "Glory be! for David Lord coming to the rescue and getting out an issue of New Man" when Leslie was ill the previous year. File states Leslie is "as great a prophet today as Jeremiah was in his day", while expressing opinions about Marxist-Christian dialogue. Williams previously served on the editorial board of The Protestant.

John Pearson exhibition

File consists of records related to the planning and presentation of an exhibition of works by John Pearson, organized and presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between the Dalhousie Art Gallery and John Pearson, as well as a biography of Pearson, an artist statement, C.V., and a draft press release.

William Kohn exhibition

File consists of records related to the planning of an exhibition of works by William Kohn, organized by the Dalhousie art Gallery through Kohn's gallery representative, The Graphics Gallery, san Francisco. The exhibition was presented by the Dalhousie Art Gallery in December 1971.

Records consist primarily of correspondence between The Dalhousie Art Gallery, Kohn, and The Graphics Gallery. Additional records consist of a new release from the Oakland Museum, press about the Graphics Gallery, a loan agreement form, a C.V., biography, and list of artworks for Kohn, a photocopy of a newspaper article titled 'Austere Forms at the Graphics' about Kohn's artwork, and a copy of a review of Kohn's work by Lucian Krukowski.

Stonedgloves - photographs poems Roy Kiyooka

File consists of records related to an exhibition of work by Roy K. Kiyooka (Head of Painting Division, NSCAD University), titled 'StoneDGloves - Photographs, poems by Roy Kiyooka' circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from January 1-31, 1972. Kiyooka presented a reading event on February 1, 1972 at the Dalhousie Art Gallery as a part of the exhibition.

Records consist of invitations to the February 1st reading event, an exhibition loan agreement, correspondence of the Dalhousie Art Gallery, an artist statement, and invoices.

Rodin and his contemporaries exhibition

File consists of records related to the exhibition 'Rodin and His Contemporaries', sponsored by Rothmans of Pall Mall Canada. The exhibition was presented at Dalhousie Art Gallery from March 15 to April 9, 1972.

Records consist of handwritten condition notes, a condition report, a biographical essay of Rodin, biographies of artists working during the same time period as Rodin, correspondence of the Dalhousie Art Gallery, documents related to the opening event (March 14) and two photographs of Henry D. Hicks (President, Dalhousie University) and unidentified colleagues.

Artario exhibition

File consists of records related to the 'Artario 72' exhibition, organized by Ontario Arts Council and presented at Dalhousie Art Gallery in October 1972.

Records consist letters from William Poole (Co-ordinator, Ontario Arts Council), Frank Michael (Acting Press Officer, Ontario Art Council), Peeter Sepp (Visual Art Officer, Ontario Art Council) to E.W. Smith (Dalhousie Art Gallery), newspaper clippings, invitations, a pamphlet, and instructions for the assembly of the Artario exhibition.

Baker lake drawings

File consists of records related to the exhibition 'Baker Lake drawings', organized and circulated by the Winnipeg Art Gallery and presented at Dalhousie Art Gallery from October 2nd to October 30th, 1972.

Records consist of correspondence between Doris Mitchell (Winnipeg Art Gallery, Extension Service) and Mark B. Holton (Assistant Curator, Dalhousie Art Gallery). Additional records have a shipping contract and a condition report.

Augustus John November 1972 - National Gallery of Canada

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Caspar John, son of Augustus John and Ernest Smith (Director, Dalhousie Art Gallery) and between Ernest Smith and Ann Chudleigh (Assistant Director, National Gallery of Canada Extension Service). In addition, records include exhibition loan agreement letters and forms from the National Gallery of Canada, draft letters from Ernest Smith to Danielle Corbeil (Director of National Gallery of Canada Extension Services), lists of proposed works, and xerox copies of John's drawings.

Augustus John exhibition - Edmonton Gallery

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."

Bell, Jim

File contains a piece of handwritten correspondence sent by Jim K. Bell (Halifax), dated December 28, 1972, to Kenneth Lesile. File acknowledges enclosure of a cheque covering the cost of four copies of Leslie's self-published poetry anthology "O'Malley and the Reds and other poems", as well as a new subscription to The New Man. File also praises Leslie's "determination to resist and fight the fascist bastards" through his continued social-minded publications.

Chapman, G. C.

File contains typed correspondence written by G.C. Chapman (from New Westminster, BC), dated May 11, 1972, and sent to Kenneth Leslie. File acknowledges enclosure of a cheque to ensure renewal of a subscription to Leslie's periodical The New Man.

Lischeron, J. N.

File contains an undated (presumably late 1972) handwritten letter, written by J.N. Lischeron (of Windsor, ON) and addressed to Kenneth Leslie. File acknowledges Mr Lischeron's receipt of a copy of Leslie's poetry anthology "O'Malley to the Reds", and mentions the author's "deepest respect [and] great admiration [for Leslie's] forthrightness and courage to maintain the truthfullness [sic]" he upheld whilst publishing The Protestant and The New Man.

MacLean, M.

File contains a handwritten letter, written by M. MacLean (of Sydney, NS), dated April 14, 1972, and addressed to Kenneth Leslie. File expresses "very great appreciation" of receipt of a copy of 'O'Malley to the Reds', drawing connections to "the powerful image of Dr [Moses] Coady", and happy to discover that he is "still going strong [with] hopes you shall continue your creative works."

Pomeroy, Marine

File contains a handwritten letter postmarked December 7, 1972, written by Marine Pomeroy of The Ladysmith Press, sent to Kenneth Leslie. The file addresses his concerns about Bill Cole republishing two of Leslie's poems in a forthcoming anthology, but reassures Leslie that Cole is "not alienating any rights", and that "we keep all rights" and that the poems are being used "one time only".

Sedgley, Adelaide

File contains a handwritten letter dated January 8th, 1972 and written by Adelaide Sedgley, sent to Kenneth and Nora Leslie. The file expresses Adelaide's appreciation for having such wonderful friends as the Leslies at the age of 91, and expressing gratitude at receiving Leslie's volume of poems, and the "joy [...it] gave to this ancient admirer!"

Stone, Lloyd

File contains an undated Christmas card (presumably 1972) sent by Lloyd, Jessie, and Dale Stone, to Kenneth Leslie. The card expresses gratitude at receipt of a copy of "you book of lovely poems", as well as intentions to renew New Man subscriptions.

Tunnicliffe, John

File contains handwritten correspondence dated March 19th, 1972, written by John Tunnicliffe (Warwickshire, England) and sent to Kenneth Leslie. File expresses appreciation of the recent receipt of an issue of New Man, as well as remarking on his church work, having been ordained in 1910, and efforts at working on a memoir. He also remarks that one of his sons "is [now] vicar of a large new (pagan) parish not far from here" as well as relating a humorous anecdote about his son getting jam on his nose, and how he couldn't lick it off, while an elder brother suggested that "there's a chap at our school who can lick jam off his nose but he is a Roman Catholic."

Exhibition - Douglas Duncan bequest

File consists of records related to the exhibition 'Duncan: Gift from the Douglas M. Duncan Collection and the Milne-Duncan Bequest', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from August 1-31, 1971.

Records consist of artwork lists, a condition report, exhibition agreement contracts, insurance records, correspondence of the Dalhousie Art Gallery, descriptive exhibition text, and a newspaper clipping,

Owen Fitzgerald photographs

File consists of records related to the exhibition of Owen Fitzgerald's photographs organized and presented by Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Owen Fitzgerald and Mark Holton (Assistant Curator, Dalhousie Art Gallery), a list and pricelist of 25 photographs, and handwritten notes from Owen Fitzgerald. Records also include insurance files and a newspaper clipping.

Lawren P. Harris exhibition

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

Bass, Harold

File contains the typed draft of a letter written by Harold J. Bass (of Tacoma, WA), post-marked November 18, 1972, and submitted to Kenneth Leslie for consideration for inclusion in the publication The New Man. The piece, entitled "Whose mistake?", addresses the horrors and "tragedy of Vietnam", suggesting that George McGovern was barely listened to on the campaign trail "because he declared openly that we have done wrong and we ought to acknowledge and correct that wrong", while Nixon appears to merely want to "cover the wrong and make it seem like a right" with his "peace with honor" promises.

Duncan, Pam, Dr.

File contains a typed letter written by Dr. P. [Pam] Duncan of University of Victoria and Dr. J. [Joan] Coldwell of McMaster University, sent to Kenneth Leslie on September 25, 1972. File expresses the authors' interest in including any of "material published or unpublished" that Leslie would be willing to offer to the publication of a literary anthology of psychology courses, featuring works "which illustrate clearly defined psychological states such as depression, euphoria or anxiety" or featuring characters "who might be mentally retarded, paranoid, schizophrenic or addicted to drugs."
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