Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
File includes a program for Ellen Ballon's concert with the Montreal Symphony Orchestra, conducted by Ernest Ansermet. The file also includes a catalogue Londoof London Records, including Ballon's recording of Heitor Villa-Lobos' Piano Concerto No. 1 with Ansermet.
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.
File also contains correspondence, newspapers clippings, and a program for the Silver Anniversary Graduation Bridgetown Regional High School closing exercises, held June 21, 1976.
File contains research notes, newspaper clippings, and drafts of program notes by Anthony Pugh concerning the music of Benjamin Britten. The file includes programs collected by Pugh for his research and programs that he contributed to. The file also includes the libretto from "Saint Nicholas: A Cantata."
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.
Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.
File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also includes a booklet of musical examples, handwritten by Pugh, with thematic extracts from works by Haydn; Pugh's research and analytical notes; and a program (with program notes by Pugh) for a concert by the Saint John String Quartet in Fredericton and Saint John New Brunswick.
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also contains Pugh's analyses of various works, including annotated musical incipits for Haydn's string quartets. The file also includes two programs for concerts presented by the University of New Brunswick and Saint Thomas University Creative Arts society, with program notes by Anthony Pugh, featuring the Brunswick String Quartet and the Saint Laurence String Quartet. A program for a performance of "The Passion," by Haydn, performed by the Pembroke College Musical Society is also included as part of Pugh's research notes.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.
Item consists of a program for public worship at J. Wesley Smith Memorial Church, corner of Robie and Charles Street, Halifax, Nova Scotia, dated April 15, 1956, and collected by Florence Jessie Murray.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.
File contains the programme book from the 1957 Glyndebourne Festival Opera season, which Anthony Pugh attended. He likely kept the program for future reference and research.
Fonds consists of records created and collected by the Jamaica Agricultural Society. Records include publications, program outlines, meeting descriptions, serials, and booklets. Materials are related to JAS operations, bylaws, finances, proceedings of seminars, the history of agriculture in Jamaica, and development of better agricultural practices.
Series contains textual records related to the sheep industry created by the Sheep Producer's Association of Nova Scotia between 1958-2002. There are 21 subseries: General Correspondence and Papers, Director's Meeting Minutes, Membership Meeting Minutes, Membership Lists, Sheep Fairs, Specific Correspondence, Lamb Marketing, Promotions, and Various Subjects/Topics.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.
This folder consists 2 programmes; Finian's Rainbow, February 27-March 1,1958 and Paint your wagon, February 25-28, 1959. This are musical that were performed the the Dalhousie Glee and Dramatic Society.
