File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."
File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.
File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).
File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).
Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.
Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.
Item is a copy of the second tale in Medtner's Two Tales, Op. 14, for piano. It was published by P. Jurgenson and distributed in Leipzig by Robert Forberg in 1907 and includes an inscription to Ellen Ballon from Alfred La Liberté.
Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.
Item is a vocal score with the melody and lyrics for "La Paimpolaise" by the French singer-songwriter Théodore Botrel (1868-1925). The score and lyrics were handwritten by L. Coyteux Preouèl(?) in Ottawa on April 29, 1908.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
Item is a photostat copy of Chou Wen-Chung's composition, based on "Yang Kuan," a composition for ch'in attributed to Wang Wei (689-759). The work for solo piano was sent to Ellen Ballon by the New York publishers, C.F. Peters, with an accompanying letter that indicated that the composition was undergoing publication.
Item is a manuscript of "In Flanders Fields" by Edith J. Archibald, which sets the words of the poem of the same name by Colonel John McCrae. The piece is for solo voice and piano in F Major and was written at Archibald's home on Inglis Street in Halifax, Nova Scotia. The piece is 5 pages long with extra blank pages.
Item is a manuscript of the third verse of an untitled song that begins "The town is decked flags today." The song is for solo voice and piano accompaniment in d minor. The first two verse of the song are missing. The author of the text is not indicated, but may have also been written by Archibald.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in C Major entitled "Exiled: A Serbian Lament." A separate author for the lyrics is not indicated, so they are likely also written by Archibald.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in G Major entitled "Going West." The text for the song was written by Rev. Mrs. Ross(?) of Hamilton, Ontario.
Item is the lyrics for a song by Edith J. Archibald entitled "Lover's Meeting," which was written at her house on Inglis Street in Halifax, Nova Scotia. The music is not included. The lyrics are typed with edits added in pen.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
Item is the sheet music for a solo voice and piano composition in C Major by Molly MacDonald of the MacDonald Music Co. in Halifax, Nova Scotia. She published her music under the pseudonym of "Elza Doun."
Item is the sheet music for a solo voice and piano composition in D Major by Molly MacDonald of the MacDonald Music Co. in Halifax, Nova Scotia. She published her music under the pseudonym of "Elza Doun."
Item is the sheet music for a solo piano romance dedicated to Miss Duxie McMillan. The piece is the second in a set of two solo piano compositions, the first of which is a sketch entitled "Though the Fields." The sheet music is autographed by the composer and addressed to Dr. Logan.
Item is the manuscript for a hymn "Rest Christian Calmly," with words by Jessie P. MacKay and music by Addie MacKay. The music is for four-part chorus (soprano, alto, tenor, and bass) and is in F Major with four verses.
Item is the sheet music for a song with music by Wilfrid Sanderson and words by Fred G. Bowles. The piece was given to John Daniel Logan by "The Little Rainbows" of Mount St. Bernards, as indicated on the front cover of the music. The piece is for solo voice and piano accompaniment and is in A-flat Major.
Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in F Major entitled "A Nocturne," including the score and a separate typed sheet with the poem in English and French, also written by Archibald.
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
Item is the score for a composition by Bauer. Bauer divided the instruments into three groups: (1) guitar, oboe, piano, violin; (2) violin, viola, cello, xylophone; and (3) bass clarinet, electric bass, and acoustic bass. The composition alternates between 3/8,4/8, 5/8, 6/8, 7/8, 8/8, 9/8, 10/8, and 12/8 at a tempo of 100 eighth-notes per minute. The score is printed on the back of Bauer's resume.