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Panoramic photograph of the Nova Scotia Agricultural College campus taken in 1921

File contains a panoramic photographic print of the Nova Scotia Agricultural College from 1921. Printed on the back : "Mrs. Mathew [sic Matthew] Frizzell". Removed a piece of a receipt taped to the back of the photograph during processing; it may have been used to indicate cropping when an enlargement was made to hang behind the circulation desk of the MacRae Library. The receipt and description card are attached to the accession form in the case file. The blown up panoramic shot still hangs in the staff work area on Level 1 of the MacRae Library as of April 2020.

Nova Scotia Agricultural College graduating class of 2012 time capsule

File is a time capsule created by the Class of 2012, the last class of the Nova Scotia Agricultural College before its merger with Dalhousie University. The capsule contains approximately 50 articles deposited by graduating students, including pictures, a bottle of wine made at the college, frosh beanies, written memories, a synopsis of NSAC and banquet programs. The project was initiated by Matthew Lawless, co-chair of the graduating class, Jonathan Waugh and Jessica Dowe, and the capsule was built by NSAC engineering technician Chris Nelson.

Augustus John exhibition - Edmonton Gallery

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."

Phil Sultz exhibition

File consists of records relating to the planning and preparation of an exhibition of artworks by Phillip Sultz in October 1971, organized and presented by the Dalhousie Art Gallery.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Philip Sultz (Professor, painter), a curriculum vitae and two photographs of Sultz, a list of artworks and a newspaper clipping of a revew of Sultz's work. Many letters are handwritten.

Black Artists 1972

File consists of records related to the North American Black Artists exhibition organized by Dalhousie Art Gallery. The exhibition was shown at Dalhousie in November 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and directors at Brockman Gallery, lists of slides, and letters to the artists requesting samples of artworks in slide form. Records also include four slides of artworks from Manuel Hughes (Professor Art Department, Florissant Valley Community College) and four from Benny Andrews.

William Townsend September 1972

File consists of records relating to the Exhibition of William Townsend Paintings 1964-1968 organized by Dalhousie Art Gallery for circulating through A. P. A. C. 1972-1973.

Records consist mainly of correspondence of Ernest Smith (Director, Dalhousie Art Gallery) and handwritten letters from William Townsend and Charlotte Townsend (the daughter of William Townsend). Additional records include shipping receipts, insurance certificates, newspaper clippings, a photograph of the painting 'Cascade VIII' and condition reports.

Lectures 1968-69-70

File consists of records related to the planning and presenting of guest lectures, presentations, readings, and talks organized through the Dalhousie Art Gallery for the period of 1968-1970. Records primarily relate to the planning of a lecture by Andrew Hudson.

Records consist primarily of correspondence of Evelyn Holmes (Acting curator, Dalhousie Art Gallery). Additional records consist of a photograph of guest lecturer Russel Harper (Professor, author), an itinerary for Mr. Andrew Hudson, a newspaper clipping regarding Hudson's visit, three lecture outlines, and biographies and curricula vitae for Andrew Hudson, Joan M. Vastokas, and Russell Harper.

Batik tapestries by Louis Steyn

File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.

James Shirley prints

File consists of records related to the James Shirley Exhibition "Winter Visions," held at Dalhousie Art Gallery from August 15 to September 1, 1975.

Records consist of interdepartmental memos, invoices, cheques, list of expenses, a floor plan, correspondence, a photograph of Jim Shirley with four individuals at the opening night reception, and a list of works and prices. File also includes untitled photographs and an invitation card.

Stephen Cruise

File consists of records related to an exhibition of artwork by Stephen Cruise titled 'Bitsandpieces,' organized by and presented at the Dalhousie Art Gallery from April 27 to May 22, 1976, and later at the Vancouver Art Gallery in 1980.

Records consist mainly of correspondence, financial statements, floor plans, and clippings. Also includes three photographs of Cruise's artworks, two postcards from Stephen Cruise to Bruce Ferguson (Director, Dalhousie Art Gallery), eight photographic slides, and an opening invitation.

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