Collection contains Nova Scotia Agricultural College archival reference materials including books, calendars, journals, magazines, DVDs, pamphlets, and newspaper clippings published between 1830-2012.
File consists of two programs for the 2007 IWB conference titled "Leadership in an information-rich society and the 2019 IWB conference titled "Information accessibility."
Series contains records regarding associations that Barkhouse was involved with. The types of records included here are correspondence, promotional material, reports, newsletters, and programs.
Series contains records related to Novacon, a science fiction convention that took place in Halifax, Nova Scotia. Record types include programs, pamphlets and registration forms.
Series consists of Janet M. Eaton's material regarding her involvement with the Continuous Learning Association of Nova Scotia. Series includes correspondence, programmes, pamphlets, meeting minutes, reports, and other textual records.
Subseries includes records created or used for Safe Harbour Metropolitan Community Church programming, including workshop materials, sermons, calendars and service programs.
Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.
Series comprises Ronald St. John Macdonald's records regarding his academic activities, including his involvement as a faculty member of York University Osgoode Hall, University of Toronto, Dalhousie University, and other institutions. Series also includes records and research materials regarding the development of Macdonald's publications, unpublished papers, and other materials.
Subseries consists of Ronald St. John Macdonald's records regarding events such as the conference on the Canadian and the United States strategic concerns in the Arctic held at the University of California in 1990. Subseries include pamphlets and typescripts.
Subseries consists of Ronald St. John Macdonald's records regarding awards and honours he received during his career as a jurist, judge, and professor, including his appointment for the Order of Canada. Subseries contains correspondence, photographs, certificates, periodicals, and other materials.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the American Society of International Law. Subseries contains newsletters, reports, programmes, and other materials.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
Series consists of records created and collected by Henry Hicks that document his interests and activities outside of his professional political and university careers, including committee work, social engagements, community involvement and travel. There are also financial records and correspondence relating to his father's business and estate and two notebooks belonging to his wife Gene. Record types include calendars, meeting minutes, invitations, programs, cassette tapes and newspaper clippings.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
File contains records related to a 2017 production of Kingfisher Days by Susan Coyne. Mary Vingoe directed the production, which was presented from July 12-August 26, 2017 by Festival Antigonish. "KINGFISHER DAYS DISC 1 COPY 17-01-17"
Subseries contains 24 costume designs and two posters related to Brock University's 2002 production of The Rover by Aphra Behn. The production took place February 14-16, 2002 at the Sean O'Sullivan Theatre and was presented by the Theatre, Dramatic Literature & Drama in Education program at Brock University.
File contains three costume designs for Dalhousie Theatre's 1981 production of the Birthday Party. The sketches are executed in coloured pencil, pencil, and pastel.
Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.
File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.
File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.
File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.
File contains fifteen costume design for Dalhousie Theatre's 1992 production of The Trojan Women. Twelve of the designs are watercolour sketches and three are pencil sketches.
File contains thirteen watercolour sketches of costume designs for Dalhousie Theatre's 1994 production of the Lucky Chance. Each sketch shows a costume design for one character from the performance. Three of the sketches are covered by a clear plastic sheet which is attached on all four sides with masking tape.
Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.
Series contains programs and fliers from Ellen Ballon's concert performances. Series also includes an exhibition program of some of the Ellen Ballon materials available at the Dalhousie University Archives as well as a short biography written by a Dalhousie staff member.
Series contains records relating to agricultural extension services and campus research project records at the Nova Scotia Agricultural College from 1972-2006. Record types include textual records, photographs, posters, video cassettes, computer media, correspondence, conference programs, maps, books and newspapers. Subseries' include the Columbia project, field trial reports of the Nova Scotia Crop Development Institute, and Nova Scotia Agricultural College Department of Plant Science reports.
Series contains a record related to special events, celebrations, and workshops at Dalhousie University and the Faculty of Agriculture in Bible Hill, Nova Scotia. Records relate to anniversaries, exhibitions, community day, presidential installations, commencements, etc. from 2012 onward.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with Dalhousie University as a professor and dean of Dalhousie University Law School. Subseries include records related to Dalhousie Faculty Association's strike in 1988, records related to Dalhousie University Law School centenary, records related to Dalhousie University Law School fire, records related to Ronald St. John Macdonald's lectures, meeting minutes, reports, correspondence, pamphlets, offprints, periodicals, and other materials.
Series contains materials related to the operations of Safe Harbour Metropolitan Community Church, a Halifax-based church for LGBTQ+ Christians that operated from 1991-2011. Materials in series include meeting minutes, correspondence, workshop materials, church programs, speaking notes, clippings, and promotional materials.
Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.
Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.
File contains six costume designs for Dalhousie Theatre's 1986 production of Bonjour, la, Bonjour. Five of the designs are watercolour sketches and one is a pencil sketch.
File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.
