Item consists of a handwritten catalog of a personal record library of opera and secular music compiled by David Murray in the mid-to-late 1930s. The catalog is arranged in alphabetical order variably by category or musician, with associated records held in the collection listed underneath in a left-hand column (with corresponding storage location in the opposite column). The catalog was compiled in an address book.
Item consists of a handwritten 41-entry list of short musical pieces compiled by David Murray, with the composer of each piece noted in the right-hand margin. The first 23 entries on the list are under the heading 1936-37, the following 18 entries are under the heading 1937-38, while the final unnumbered entry is under the heading Halifax--Jan. 39. One page of item contains 20 examples of humorous quotations written by Murray, possibly for use in future sketches. While unrelated to the musical list, the pages appear to have been removed sequentially from a notebook.
Item consists of a five-page, 479-word handwritten manuscript written by David Murray. Item consists of an introductory piece about the career and influences of Frédéric Chopin, written for a radio broadcast introducing the playing of Chopin's Nocturne No. 13 (about "the march of fate crushing a life") and its "direct opposite", Waltz Op. 70, No. 1, "the very essence of gaity [sic] and sprightfulness."
Item consists of a two copies of an untitled 49-leaf (98 leaves in total) double-sided record collection catalog compiled by David Murray in the early- to mid-1940s. The first copy is a typescript, while the second copy is a handwritten version of the catalog. Each catalog is arranged alphabetically by performer, with an abbreviation of their operatic role or primary instrument. Murray also made additions in pencil to the typescript version of the catalog (vital statistics of the performer, the latest date being 1946), and additions to the catalog in ink. Each entry in the catalog contains a corresponding filing code.
Item is a transcription to English of the twenty-eighth paragraph in a letter that Richard Wagner wrote to his publisher in 1872. This transcription was presumably sent by William Somerset Maugham to Ellen Ballon with a letter.
Item is an autographed manuscript of the piano part for Heitor Villa Lobos's first piano concerto. File also contains a copy of the autographed manuscript.
Item is one of two copies of the first and second French horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second French horn players.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the fourth French horn players.
Item is the celesta part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The part was copied by Fran Averede. The instrumentation has been crossed out in pencil and re-labelled "harpa" (harp).
Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the first flautists. The parts were copied by Fran Averede.
Item is one of two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second clarinets.
File contains one of two copies of the first and second trumpet parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trumpet players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trombone players.
Item is one of two copies of the first and second clarinet parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first clarinets.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the third French horn players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trombone players.
Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the second flautists. The parts were copied by Fran Averede.
![Concerto para piano e orquestra : [autograph manuscript]](/uploads/r/dalhousie-university-archives/0/c/9/0c981dead27b37c2301c0f1b4dc2b74e90f642bd9bf175de9628394db7365c56/MS-5-2_6_1_access_142.jpg)
