File contains a preface, written by Elisabeth Mann Borgese, on the Canadian Ocean Assessment, discussing its relation to the Independent World Commission on the Oceans (IWCO). This document was possibly the one she presented at the public hearings for the Canadian Ocean Assessment. File also includes handwritten notes by Borgese, on the back of an agenda for the Ottawa Public Hearings held by the Canadian Ocean Assessment. File also contains duplicate copies, which have not been digitized.
File includes news releases relating top the public hearings hosted by the Canadian Ocean Assessment in Halifax, Ottawa, and Vancouver (Elisabeth Mann Borgese was a speaker at each). The file also includes newspaper clippings (from the Dalhousie News, and the Chronicle Herald), and agendas for the meetings. File contains duplicate copies, which have not been digitized.
File contains original set and light designs for Neptune Theatre's production of "The Search for Signs of Intelligent Life in the Universe," directed by Miles Potter and designed by Warren Carrie, assisted by Ian Rye. The file includes drawings for Neptune Theatre and for The Belfry Theatre (Victoria, British Columbia).
File contains correspondence and agreements between International Ocean Institute (IOI) and the Canadian International Development Agency (CIDA), relating to CIDA's funding of the Independent World Commission on the Oceans (IWCO).
File contains correspondence regarding conference attendance. Correspondents include Leona S. Forman; P. Paolo Fulci; International Sea-bed Authority; Stjepan Keckes.
File contains correspondence between Elisabeth Mann Borgese and Nicole Hegedus, the Acting Coordinator of International Ocean Institute (IOI) Halifax. The correspondence includes a list of members for the Independent World Commission on the Oceans (IWCO).
File contains correspondence with Canadian government officials, including Huguette Labelle (president of the Canadian International Development Fund, or CIDA); and L.S. Parsons of the Ministry of Fisheries and Oceans (outgoing only), and Professor Dale Poel (outgoing only). Correspondence mainly about the funding of the Independent World Commission on the Oceans and its public hearings in Canada. File contains duplicate copies which have not been digitized.
File contains original and annotated copies of set and light designs for Neptune Theatre's studio production of "Entertaining Mr. Sloane," directed by Bryden MacDonald and designed by Nigel Scott.
File contains a background paper written by the International Ocean Institute (IOI). The physical file includes a 3.5 inch diskette with a Word Perfect 5.1 version of the file. Also included is a letter from Krishan Saigal explaining the contents of the disk.
File contains correspondence with Robert Fournier (outgoing only); Lennox Hinds (Canadian International Development Agency), and Ron Jones (outgoing only). Topics of discussion include funding and administrative matters relating to the Independent World Commission on the Oceans, and hearings to be organized on its behalf in Canada.
File contains the original set designs for Neptune Theatre's production of "Narnia," directed by Jennette White and designed by D'Arcy Poultney. The file also includes the light plot design by Philip Cygan.
File contains original and annotated copies of set designs for Neptune Theatre's Studio production of "Gideon's Blues," directed by Richard Donat and designed by Stephen Osler. The file also contains a copy of the light plot design for this production, drawn by Leigh Ann Vardy.
File contains correspondence with contributors to, and readers of, Elisabeth Mann Borgese's book, based on the Pacem in Maribus (PIM) XXI (21) conference. Also includes an advertisment for the book from Dalhousie's Centre for Foreign Policy Studies, and correspondence surrounding the Chinese translation of the book. File Includes copies of the preface and introduction to the book, the table of contents, and copies of two chapters from the book (Chapter 9: "Ocean Governance and the Secretary-General's Agenda for Peace," and the economics chapter).
File contains set designs and original light plot drawings for Neptune Theatre's production of "Safe Haven," directed by Linda Moore and designed by Stephen Osler (set) and Bonnie Beecher (lights).
File contains original and annotated copies of set designs for Neptune Theatre's production of "Charlotte's Web," directed by J. White and designed by D. Poultney. The file include Stage Management's annotated copy and a copy of the light plot design by Brian Pincott.
File contains correspondence with Dr. Umberto Colombo, an Italian scientist and politician. Main topic of discussion was Professor Colombo joining the Independent World Commission on the Oceans (IWCO).
Files contains correspondence with individuals with names beginning from D to F. Correspondents include Maltese politican Guido de Marco (on implementing Part XI of the United Nations Convention on the Law of the Sea (UNCLos)), Annick de Marffy-Mantuano; Al Duda (on deep sea-bed mining), and Professor Tsutomu Fuse (sent with attached recommendations for UNCLoS Part XI by Elisabeth Mann Borgese). All correspondence is outgoing only.
File contains correspondence with Nobuhiro Habuto, the Deputy Director of the Foreign News Department, NHK (on Part XI of the United Nations Convention on the Law of the Sea, and ocean-mining), correspondence with and Guyana Ambassador to the United Nations Samuel R. Insanally (also on Part XI). All correspondence is outgoing only.
File consists of a poster for the world premiere of Scott Macmillan's "The Three that Seek My Heart," performed by the Halifax Camerata Singers as part of the St. Cecilia Concert Series at St. Andrew's United Church in Halifax, Nova Scotia.
File contains correspondence with Japanese Member of Parliament Yuzuru Shimazaki (on the implementation of Part XI of the United Nations Convention of the Law on the Law of the Sea), Keith Suter, Danielle de St. Jorre (on problems with the Secretary-General's Consultations on the Law of the Sea), Margaret Wood of the International Ocean Institute (IOI), and Layachi Yaker (the letter to Yaker is missing a page).
File contains original set designs and a copy of the light plot design for Neptune Theatre's studio production of "Young Triffie's Been Made Away With," directed by Mary Walsh and designed by Stephen Osler (set) and Michael Fuller (lights).
File contains correspondence with Elizabeth Dowdeswell, the Executive Director of UNEP (United Nations Environment Programme). Topics of discussion include an invitation to join the Independent World Commission on the Oceans (IWCO), which Dowdeswell declined.
File contains correspondence with the following: Judge Abdul Koroma (on the boat paper, and attachments: A speech on that paper, the "Anderson Paper," a "Draft Resolution for Adoption by the General Assembly," an "Agreement Relating to the Implementation of Part XI of the 1982 United Nations Convention on the Law of the Sea"); Ambassador Ramtane Lamamara (outgoing only, on the need to rally Group 77 countries on ratifying the United Nations Convention on the Law of the Sea); Patricia Lewis; and Dr. Luis Preval (on Part XI of the United Nations Convention on the Law of the Sea).
File contains set designs for Neptune Theatre's production of "The Winslow Boy," directed by Linda Moore and designed by Nigel Scott. The file includes Scott's original drawings and a copy of the lighting plot, also by Scott.
File contains correspondence with Bhagwat Singh; Krista Singleton-Cambage; Neroni Slade; Gillian Sorensen; Fergus Watt; and Michael Zammit Cutajar. File also includes brochure for the "International Year of the Ocean Asia-Pacific Conference," held in Brisbane Australia on September 26, 1998, and an NGO/DPI ballot.
File contains three copies of a poster for the Halifax Camerata Singers' performance of Mass in B Minor by Johann Sebastian Bach, with the Truro Cantabile Singers and the Breton Chamber Choir. The concert was part of the St. Cecilia Concert Series at St. Andrew's United Church in Halifax, Nova Scotia.
File also contains a brochure for the 1991 Women's Health Education Network (WHEN) conference and an information sheet for the ninth annual Wild Womyn's Weekend (1991).
File contains set designs for Neptune Theatre's production of "Dancing at Loughnasa," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and copies of the lighting plot by Bonnie Beecher. The file also contains an annotated copy of the first page of Perchaluk's set design.
File contains set and light designs for Neptune Theatre's production of "Alice" (i.e., "Alice in Wonderland," by Lewis Carroll), directed by P. Dankert and designed by B. Lumsden.
File contains set designs for Neptune Theatre's production of "The Little Shop of Horrors," directed by Alan MacGuinnes and designed by Patrick Clark. The file includes Clark's original drawings, a coloured annotated copy of the ground plan and an annotated copy of the Masking Elevators.
File contains set designs for Neptune Theatre's production of "Fire," directed by Bryden MacDonald and designed by Stephen Osler (set) and Brian Pincott (lights). The file includes original drawings and annotated copies.
File contains a copy of Brian Pincott's light design for the Neptune Theatre studio production of "Caveman Rainbow and House," which opened October 19, 1993 at the Sir James Dunn Theatre.
File contains set designs for Neptune Theatre's production of "Les Miserables," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and annotated copies of the first page of the set designs. The file also includes a copy of the lighting plot, drawn by Harry Frehner.
File contains set and light rigging designs for Neptune Theatre's production of "Fiddler on the Roof," directed by Linda Moore and designed by J. Cameron.
File contains set designs for Neptune Theatre's production of "Lend me a Tenor," designed by B. Lumsden. File includes a second, annotated copy of the Groundplan.
File contains correspondence. Correspondents include the Permanent Ambassador of Jamaica to the United Nations Lucille Mair (attached is a copy of the G-77 Draft Paper); Ambassador Don Mills; Claude Morel (Ministry of the Environment, Economic Planning and External Relations for Seychelles) ; Satya Nandan (attached is a statement by Elisabeth Mann Borgese to the United Nation's Commission for Sustainable Development), Professor Kaldone Nweihed (sent with a list of countries that have ratified the United Nations Convention on the Law of the Sea); Chinese Premier Li Peng; M.C.W. (Chris) Pinto; Steve Polansky; Senator Claiborne Pell (sent with the non-paper: "Agreement on the Implementation of Part XI and Annexes III and IV of the United Nations Convention on the Law of the Sea"); and Jan Pronk.
File contains correspondence. Correspondents include Lithuanian Deputy Minister A. Kisonas, and Presidential Adviser Saulius Kolyta, on a possible visit of Elisabeth Mann Borgese to Lithuania to disucss ratification of the United Nations Convention on the Law of the Sea; University of Zagreb law professor Budislav Vukas; and Judge Abdul Koroma (attached is a copy of the G-77 Draft Paper, on an interim regime for seabed mining). File contains a duplicate copy of a letter, which has not been digitized.
File contains set designs for Neptune Theatre's production of "Cat on a Hot Tin Roof, directed by Brydon MacDonald and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and copies of Bonnie Beecher's lighting plot for the play. The file also contains an annotated copies of pages 1 and 2 of Perchaluk's set design.
File contains correspondence. Correspondents include Valerie Facey; Carl-August Fleischhauer, Legal Counsel to the United Nations Secretariat (and address Part XI of the Convention,); Patrik Garnier (attached is an editorial Elisabeth Mann Borgese wrote for the "New York Times" on the Convention); Mate Granić (Croatian Minister of Foreign Affairs), which deal with the reasons for Croatia to ratify the Convention; Tom Harris; Bohdan Hawrylyshyn; Louis Henkin; and Charles Higginson of the Council on Ocean Law. See MS-2-744, Box 274, Folder 3 and MS-2-744, Box 279, Folder 8 for additional correspondence with the Council on Ocean Law.