Subseries consists of datasets, research notes, and statistical analyses comparing psychiatric data from the Cornell-Aro Nigerian study to that from Stirling County and the Inuit communities of St. Lawrence Island in Alaska.
Subseries contains datasets, computer printouts, notes, and analysis guidelines comparing psychiatric and social statistics from the Nigerian and Stirling County studies.
Subseries consists of various statistical analyses done of data from the Yoruba studies, particularly in relation to education and male respondents. Memos, reports, publications, dataset printouts, and analysis manuals present.
Subseries consists of revised analysis and evaluation materials for the 1961 and 1963 studies. Also includes correspondence on the projects and field notes with great detail on respondents' interviews and evaluations.
Subseries consists of affiliated studies by other authors that used the data from the 1961 Cornell-Aro and 1963 role of women studies. Contains some articles written by staff members of the 1961 and 1963 studies.
Subseries includes data for and analyses of socioeconomic aspects of Yoruba women's lives (education, migration, social class, health, children, husbands, religion, family, etc.). The 1963 data seems to be part of another study, referred to in several files as "The 1963 study on the role of Yoruba women," that either piggybacked off the Cornell-Aro study or was somehow included as a sub-project.
Subseries consists of joint mental and physical health evaluations for male and female study respondents. Also contains a complete respondent master list with code and case number information.
Subseries includes Jane Murphy's fieldnotes and personal journals from June to September, 1963. Also includes compilations of respondents' answers to open-ended questions about education and the role of women in their communities.
Subseries contains files of information for each village in the study. Includes social and historical research notes and population medical survey results. Also contains hand-drawn maps and lists of respondents' names.
Subseries consists of draft scripts for Backbenchers : One woman's journey through the snake pit of Canadian politics, a radio drama series by Wendy Lill presented by CBC Radio. Dave Carley was script Editor for the series and also wrote scripts for several episodes. The show was produced in CBC Halifax by Recording Engineer Pat Martin, Associate Producer Maggie Rahr, Producer Peggy Hemsworth, and Executive Producer Tom Anniko. Series also includes audio recordings of Season One.
Subseries consists of six audio cassettes recorded by James Morrison as a part of his oral history field research. The recordings depict songs and conversations by several Indigenous groups of the Jos Plateau.
Subseries consists of eleven diaries handwritten by James Morrison from the years 1967 to 1976. These diaries span his time moving from Nova Scotia to Nigeria, and detail his personal and professional life.
Subseries contains catalogue cards used by James Morrison during the creation of his thesis on the Jos Plateau. The catalogue cards are used as indexes, bibliography of references, and contact information.
Subseries contains five notebooks and textual records of field work that James H. Morrison completed on behalf of a colleague researching the Assakio village in Nigeria in 1976.
Sub-series contains twenty-one audio cassettes with interviews of miners or miners relatives who worked at the coalfield in Joggins, Nova Scotia. Sub-series also contains copies of typescript notes from each interview.
Subseries consists of drafts of Wendy Lill's screenplay developed for the four-part dramatic film series from the National Film Board of Canada, formerly known as "The Hat-wearers" and "QUAYO."
Subseries consists of typed drafts of Wendy Lill's ply "Corker," originally titled "Taking care of Corker," which was first produced by Neptune Theatre in 1998.
Subseries contains drafts of Wendy Lill's play, Messenger, which was inspired by Henrik Ibsen’s An Enemy of the People. Set in Canada in 1990 and 2015, this "memory play" addresses issues of climate change and politics. Lill developed the concept during her three weeks as the resident playwright at the National Arts Centre Company's retreat, The Ark, on Fogo Island, Newfoundland.
