Sub-Series includes the digital audio files of the finished episodes aired on Rock Meets Bone. Episodes include and introduction and conclusion narrated by Brain Guns, and interviews, performances, or music created by the artist. Sub-Series also includes one digital audio file from CBC's Atlantic Airwaves detailing the story of Rock Meets Bone.
File contains eleven oil pastel sketches of costume and set designs for Dalhousie Theatre's 1991 production of The Possibilities. Each sketch is for a specific scene in the play and shows several figures wearing costumes.
File contains 20 pastel and pencil sketches of costume designs for Dalhousie Theatre's 1991 production of The Tempest. Each sketch shows a costume design for one character. The sketches are drawn on dark blue heavyweight paper.
File contains 26 costume designs from Dalhousie Theatre's 1990 production of Shakespeare's Women. Six of them are watercolour sketches and the rest are pencil sketches. The file also contains two photocopies of one of the sketches and three pages of notes about the sketches. The first 18 sketches were drawn on the same pad of paper and are stored between the covers of that pad of paper. There are some drawings on the cover of the pad of paper. Some of the sketches have fabric swatches attached.
File contains 21 costume designs for Dalhousie Theatre's 1990 production of St. Carman of the Main. The title of the play may actually be spelled "St. Carmen of the Main." Ten of the sketches are cut out and mounted on corrugated cardboard, with collages of newspaper articles in the background. The other eleven sketches are pencil and coloured pencil sketches on heavyweight paper.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the International Law Association. Subseries contains reports, correspondence, and other materials.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the World Academy of Art and Science. Subseries contains printed materials, news releases, administrative records, and other materials.
File contains 17 costume designs for Dalhousie Theatre's 1989 production of Happy End. The sketches have all been torn into irregular shapes, mounted on corrugated cardboard, and spray painted with a brick pattern.
Subseries contains records created and collected by Gil Winham during his service as Chairman of the Nova Scotia Adjustment Advisory Council, which was established by Premier Buchanan to examine the province's capacity to adjust to the Canada-US Free Trade Agreement. Record types include correspondence; meeting agendas and minutes; research materials; background reports; media releases and newspaper clippings; manuscript drafts; and the final report.
Subseries contains records created and collected by Gil Winham during his service on the Macdonald Royal Commission, which resulted in a recommendation that Canada enter into a free trade agreement with the United States. Record types include symposium and meeting agendas, minutes and notes; discussion papers; correspondence and memoranda; media releases and bulletins. Of note is a study on Canada-US sectoral trade written by Gil Winham, along with related records.
File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.
File contains 14 costume designs for Dalhousie Theatre's 1989 production of Cloud Nine. The designs are pencil sketches on heavyweight paper. The sketches have been torn from a spiral bound sketchbook and some of the torn edges have not been cut off. The file also contains nine black and white photocopies of some of the sketches.
Subseries consists of Ronald St. John Macdonald's records regarding his unpublished papers, including a draft of an article developed in conjunction with Elisabeth Mann Borgese.
File contains six costume designs for Dalhousie Theatre's 1986 production of Bonjour, la, Bonjour. Five of the designs are watercolour sketches and one is a pencil sketch.
Files contains six set designs and 27 costume designs for Dalhousie Theatre's 1984 production of Grease. Photocopies of several of the costume designs are included and three of the costume designs are only present in photocopy form. Some of the costume designs have fabric swatches attached. Four envelopes of fabric swatches are also included.
Subseries consists of summary reports of the different livestock breeds and a history of the Holstein Friesian herd at the Nova Scotia Agricultural College farm created in 1965 and 1984.
File contains photocopies of eleven costume designs from Dalhousie Theatre's 1983 production of The Sea. One of the costume designs has fabric swatches attached to it.
File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1982 production of The Rivals. All sketches are mounted with a plastic cover in a dark red mat.
Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Gulf of Maine case. Subseries contains correspondence, a memorandum of agreement, newspaper clippings, reports, and other materials.
File contains three costume designs for Dalhousie Theatre's 1981 production of the Birthday Party. The sketches are executed in coloured pencil, pencil, and pastel.
File contains 25 costume designs for Dalhousie Theatre's 1981 production of The Government Inspector. Most of the sketches have fabric swatches pinned to them.
