File consists of legal documents, correspondence and a title search report regarding property purchased from Charles Duncan Johnson and Jeanette Louise Johnson.
File consists of legal document and correspondence between Ella Young Oland and George W. C. Oland and John and Rebecca White regarding property in Sackville, Nova Scotia.
File consists of legal documents and correspondence regarding the right of way agreement between Culverwell Holdings Limited and F. H. Brison & Sons Limited.
File consists of Indentures between Sidney C. Oland and Herbert Wambolt and Pauline F. Wambolt; Miles Olsten and John Wambolt; Neil Olsten and Effie Olsten and correspondence.
File consists of Indentures between Sidney C. Oland and Edmund N. Thomas; Sidney C. Oland and Edmund N. Thomas and Violet G. Thomas; Florence Balcom, Ida M. Thomas, Edna F. Wilson and Edmund N. Thomas; Guy W. Thomas, Minnie L. Thomas and Edmund N. Thomas and correspondence.
File consists of a legal description of lands owned by L. Leroy Maxwell prepared by Paul Wendt, consulting engineer; the indenture between Lewis Leroy Maxwell, Anna Mabel Maxwell and Culverwell Holdings Limited; statutory declaration; a memo referring to the transfer of property and correspondence.
File consists of correspondence and legal documents concerning the property purchased from Merville L Parker on Connolly Road in Sackville, Nova Scotia.
File consists of various correspondence and legal documents concerning the property purchased from Thomas Kelsie and Arthur Kelsie in Sackville, Nova Scotia.
File consists of correspondence, legal documents and an market appraisal for the value of the land purchased from H. Graham Hefler by Culverwell Holdings Limited.
File consists of correspondence; a list of abstract of titles; an indenture between Eleanor Hankey and Gilbert Hankey and an indenture between Gilbert T. Hankey and Nola Hankey and Sidney C. Oland for property in Sackville, Nova Scotia.
Item consists of the collateral bond between George W. C. Oland, 1933 and Canada Permanent Mortgage Corporation securing the sum of twenty four thousand dollars for George W. C. Oland and twelve thousand dollars for Sidney C. Oland and Linda DeB. Oland.
Fonds contains agreements and contracts, miscellaneous correspondence and vessels papers 1912-1943; minute book of Kendall Converters Limited 1925-1926
File contains a seven page handwritten memoranda from a deed of settlement of the Bank of British North America (May 28, 1836). The deed of settlement was negotiated for the purpose of establishing banks in the British colonies of North America. File also contains four blank forms for transferring shares.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
Item consists of records related to proposals, agreements, and press releases for the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery in September 1989.
Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
Fonds comprises records created and collected by Don Allison that document his work as an actor in Neptune Theatre's 1967 production of The Wooden Ship, as well as his own poetry and prose writings. There is also a small number of letters from someone named Anna.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
Item is a land deed registering the 1831 sale of property in Granville, Nova Scotia from Ann Hughes to Abel Sands. The document was registered in Annapolis in 1833.
Fonds comprises records that illustrate Jill Grant's work as a planning educator and scholar, including her teaching, research, publishing and professional activities. Types of records include lecture notes, presentations and images, teaching evaluations, research notes and data, publishing contracts, editorial correspondence and reviews, manuscripts, drafts and presentation copies of talks and published papers. There is also a series containing Jill Grant's records from the Joint Review Panel established to review a proposal from Bilcon of Nova Scotia Corporation for a basalt quarry at Whites Point, Digby County.
File contains outlines, treatments and multiple drafts of "Testing the Waters," a half-hour television drama for Border Films. File also includes research notes, editorial notes, a contract and expense claims.
File contains outlines for five stories ("Brenton Street Stories") for Brenton Films; a treatment for one of the stories, "An Act of Charity"; notes and manuscript drafts of the screenplay; a contract and correspondence regarding the remittance; and two newspaper clippings.
File contains multiple drafts of a teleplay adapted by Chris Heide from the short story published in Canadian Fiction Magazine, as well as correspondence, a contract, and a chronology of events beginning with the submission to CBC Television Drama and ending with a cancelled contract with National Film Board.
File contains multiple drafts of a teleplay written by Chris Heide for CBC Television. File also includes correspondence, a contract, a production schedule and a chronology of events leading to the teleplay's creation and production.
File contains an original manuscript draft of The One Hundred Year Old man, first produced for radio by CBC Halifax. File also contains a contract, correspondence and a chronology outlining the evolution of the script including various submissions, rejections, acceptances and prizes.
File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.
File includes correspondence between Christopher Heide, Michel Fahey and Ed McKenna of the Mulgrave Road Co-op. There is also a letter written from Heide to Larry Lillo, at Tamahnous Theatre, Vancouver, as well as a chronology of events between September 1970 and March 1983 regarding the script's creation and possible remounting.
File contains several letters, a playwright's agreement between Christopher Heide and Mulgrave Road Co-Op Theatre Company, and a chronology of events leading up to the play's run.
File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."
