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Archival Description
Halifax Regional Municipality (N.S.) File English
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Carl Heywood

File consists of records relating to the exhibition 'The Venus Suite' of works by J. Carl Heywood. The exhibition was organized by Dalhousie Art Gallery under the direction of the new Director, Ernest Smith. The exhibition was presented in October 1970.

Records consist mainly of correspondence between Smith and Heywood, in addition to a C.V. and resume for Heywood.

Carceri d'Invenzione of Piranesi exhibition

File consists of records related to the 'Carceri d'Invenzione of Piranesi' exhibition loaned from the National Gallery of Canada in February 1960. Records consist of correspondence from Ruth Henderson (Maritime Arts Association), a loan agreement, packing list, exhibition itinerary, and exhibition text.

Canadian watercolours of the 19th century exhibition

File consists of records related to the exhibition 'Canadian Water-Colours of the 19th Century' organized by the National Gallery of Canada and resented at Dalhousie Art Gallery from February 15-March 15, 1971.

Records consist of condition reports, exhibition contract agreements, photocopies of newspaper clippings; some mounted on backing paper, correspondence of Ernest Smith (Director, Dalhousie Art Gallery) regarding the condition of artworks in the exhibition, and descriptive exhibition text provided by the National Gallery.

Canadian Library Association acceptance speech for The Leaving

File contains a copy of Budge Wilson's acceptance speech printed in School Libraries in Canada (Summer 1991) for her Canadian Library Association (CLA) Young Adult Canadian Book Award for "The Leaving," and a copy of her letter to the magazine regarding the omission of the title of her book from the published speech. The speech was originally delivered at the CLA/CACL Book Awards Banquet in Montreal, Quebec. The file also includes an annotated, typescript copy of the speech, possibly used at the awards presentation.

Canadian itinerary for the Sharla Project

File contains Budge Wilson's notes, correspondence, and programs for the Sharla Project, which included appearances in Churchill, Winnipeg, and Mexico City. The Canadian portion of the trip went from October 26 to November 4, 1998.

Canadian Institute of International Affairs

File contains the Canadian Institute of International Affairs monthly reports on Canadian external relations, the Canadian Institute of International Affairs news and views on world affairs notes, the Canadian Institute of International Affairs programme notes, the Canadian Institute of International Affairs annual report for 1968-1969, and other materials related to the subject. Includes John F. Sokol's paper "factors that have conditioned Mexican political patterns", a Netherlands Institute for the Law of the Sea newsletter attached to a note from Prof. Dr. Barbara Kwiatkowska addressed to Ronald St. John Macdonald and a United Nations general assembly resolution of January 2000.

Canadian canvas

File consists of records related to a travelling exhibition of 85 Canadian paintings representing 46 artists from across the country. The exhibition was initiated and sponsored by Time Canada Ltd., and was presented at Dalhousie Art Gallery from November 6 to December 4, 1975.

Records consist of box list, correspondence, condition reports, unpacking and repacking instructions, installation instructions, shipping receipts, catalogue and sales list, contractual documents, magazine and newspaper clippings, interdepartmental memos, and a list of expenses.

Canada Council Art Bank

File consists of records related to the Canada Council Art Bank Exhibition, held at Dalhousie Art Gallery from July 13 to August 10, 1975.

Records consist of list of works, correspondence, press releases, newspaper clippings, and a floor plan.

C. L. Bennet's material relating to fraternities at Dalhousie University

The material includes a proposal to build a Sigma Chi Fraternity House on campus; information about creating a Halifax chapter of the Tau Kappa Epsilon Fraternity; correspondence concerning the Sigma Alpha Mu Fraternity and the code of chapter discipline for the gamma Rho Chapter of Sigma Chi Fraternity.

Byrne, Florida

File contains a handwritten letter created by Florida L. Byrne (of Tacoma, Washington) dated May 15, 1973, and sent to Kenneth Leslie. Letter gauges Leslie's interest in receiving copies of U.S. Farm News (whose publisher, Fred Stover, "spoke very highly of [Leslie] in one of his letters". Letter also expresses appreciation for receipt of a copy of Leslie's self-published poetry anthology "O'Malley and the Reds and other poems. Finally, letter inquires to the interest in Leslie's receipt of a few books from Mrs Byrne's personal collection.

Business correspondence to William McMillan, Lockeport, regarding confirmation to ship goods, and receipt of shipments

File contains business correspondence addressed to (and a couple written by) William McMillan, Lockeport, between October 1917 and April 1918, regarding receipt of shipment of goods to be sold in his general store, or confirmation of goods to be sent overseas.

File contains correspondence regarding Halifax Explosion fallout from the following brokers: Ben's Limited (regarding "having our bakery roof blown off" and "nearly every good bread box smashed to pieces at North Street Station") , Carritte-Paterson Man'f'g Co. (regarding being "pleased to advise that [...] we have again been able to get our Plant in operation"), Consumers Cordage Company (announcing that "while our plant at Dartmouth was severely damaged [...] we were fortunate in having a large and well assorted stock of rope on hand in our warehouses"), R.B. Seeton (regarding a "credit slip for the goods that have apparently been blown to smithereens in the explosion", but reminding that it is "a very small matter compared to what we have had to sustain here"), John Tobin & Co. (regarding the need of the entirety of the "wholesale grocery trade of Halifax are at present feeding the people of Halifax, [which is] urgently needed here")

File contains correspondence from Fuel Control Canada regarding coal usage (from C.A. Magrath, Controller, and C.W. Peterson, Deputy Controller).

File contains both typed and handwritten correspondence and balance orders from the following brokers: Acadia Gas Engines (Bridgewater), Edward Allen (Yarmouth), Amherst Foundry Co. Limited, G.E. Barbour Co. (Saint John), H.S. Berner & Co. (New York), Calder, Fraser & Co. (Dartmouth), Canada Cement Company (Montreal), Canadian Consolidated Rubber Co. (Halifax), David Cohen & Co. (New York), Davis & Lawrence Co. (Montreal), Andrew Doane (Ingomar), Dominion Molasses Company (Halifax), Dominion Oil Cloth Company (Montreal), Thomas A. Edison, Inc. (Orange, NJ), Emerson & Fisher (Saint John), T.H. Estabrooks Co. (Saint John), Frank Fales (Saint John), D.M. Ferry & Co. (Windsor, ON), Arthur Fordham & Co. (Halifax), Gault Brothers Co. (Montreal), S.R. Giffin & Sons (Goldboro), L. Gnaedinger Son & Co. (Montreal), Gourock Ropework Export Co. (Montreal), J.L. Greenwood (North East Harbour), Gunns Limited (Toronto), Gurney-Massey Company (Montreal), Trueman Hagar (Round Bay), Mrs Ida Harlow (Sable River West), Harnett-Smith Company (Boston), L. Higgins & Co. (Moncton), Hutchings Company (Saint John), Imperial Oil Limited (Halifax), J.B. Jones (East Jordan), Kelly's Limited (Halifax), Kilgour Bros. (Toronto), A.H. Lambourn (New York), Leather Label Over-haul Co. (Walkerville, ON), Liverpool Monumental Works, Lockett & Messenger (Bridgetown), Lynola Mfg. Co. (New York), D.M. Lyons (Crowell), T. McAvity & Sons (Saint John), A. & W. MacKinlay (Halifax), McLaughlin Motor Car Company (Yarmouth), J.C. McLeod (Point Tupper), Manchester Robertson Alison (Saint John), Martin-Senour Co. (Montreal and Halifax), C.E. Millard (Liverpool), G.P. Mitchell & Sons (Halifax), Moirs Limited (Halifax), J. & M. Murphy (Halifax), Northern Electric Company (Montreal), Nova Scotia Steel & Coal Company Limited (New Glasgow), Parrish, Phillips & Co, (New York), Payzant & King (Halifax), Peabody Overalls (Walkerville, ON), Perfect-Knit Mills (Listowel, ON), Rhodes, Curry & Co. (Halifax), Royal Print & Litho. (Halifax; regarding the "lack of bindery hands [and] skilled workmen"), Wm. Robertson (Halifax), Robin Hood Mills Limited (Montreal), St. John Milling Company (West Saint John), Saunders & Duffus (Halifax, underwriters slips), I.B. Shaffner (Halifax), Sherer-Gillett Company (Guelph and Chicago; regarding outstanding payments: "You have disappointed us"), Sylvanus Smith & Co. (Gloucester, MA), E.K. Spinney (Yarmouth), Wm. Stairs, Son & Morrow (Halifax), Stanfield's Limited (Truro), John Starr, Son & Co. (Halifax), Supplies Limited (Kentville), Swift Canadian Co. (Toronto), Robert Taylor Co. (Halifax), Telfer Woodworking Company (Bridgewater), Thorbourn Bros (Gunning Cove), W.H. Thorne & Company (Saint John), Walker Bros. (Milton), F.G. Wheaton (Amherst), A.N. Whitman & Son (Canso), Wolverton Milling Co. (Saint John), T.E. Worthen & Son (Crowell's), Yarmouth Cycle & Motor Car Co., Yarmouth Fruit Co., among others.

Budge Wilson's correspondence with other writers

File contains correspondence from other writers sent to Budge Wilson, and some photocopies of her outgoing correspondence to writers. The writers include Julie Johnston, Sheila Dalton, Joan Clarke, Betsy Struthers, Leonie M. Poirier, Katherine Paterson, Claire MacKay, Malcolm Ross, Sylvia McNicoll, Donez Xiques, Janice Kulyk Keefer, Weiner Zimmerman, Bill Percy, Sylvia Gunnery, Pam Donogh, Kit Pearson, Paul Robinson, Yan Martel, Timothy Findley, Joyce Barkhouse, Margaret Hammer, Tim Wynne-Jones, Carol Shields, and Sandra Bridsell.

Bruno Bobak - 'humanism' exhib[ition]

File consists of records related to the exhibition 'Bruno Bobak's Humanism : an exhibition of figurative paintings' organized and circulated by The Owens Art Gallery, Mount Allison University for the Atlantic Provinces Art Circuit schedule 1970-1971. The exhibition was presented at the Dalhousie Art Gallery from April 1-5, 1971.

Records consist of correspondence of Ernest Smith (Director, Dalhousie Art Gallery), including letters between he and Bruno Bobak, a price list and insurance certificate, two condition reports, and an photocopied excerpt from 'Harper: Early Painters and Engravers'

Bruce Parsons exhibition

File consists of records related to the Bruce Parsons exhibition, held at Dalhousie Art Gallery from February 23 - March 14, 1976.

Records consist of correspondence, invoices, insurance documents, a newspaper clipping, a photocopy of invitation card, handwritten draft for a list of works, footnotes, and photo credits, memos, and other administrative records.

Black Artists 1972

File consists of records related to the North American Black Artists exhibition organized by Dalhousie Art Gallery. The exhibition was shown at Dalhousie in November 1972.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and directors at Brockman Gallery, lists of slides, and letters to the artists requesting samples of artworks in slide form. Records also include four slides of artworks from Manuel Hughes (Professor Art Department, Florissant Valley Community College) and four from Benny Andrews.

Bird Cage : [Use of copyrighted material - translation]

File contains a letter from Catherine Banks to William Toye (Literary Executor) in 2004 asking permission to use a poem titled "Bird Cage" in the stage presentations of Catherine Banks' play, "Bone Cage" and a follow-up letter regarding the contract with Playwrights Canada Press for an April 2008 release. File also includes handwritten notes regarding "Bird Cage."

Bilainkin, George

File contains two pieces of correspondence written on Royal Commonwealth Society letterhead by George [Bilainkin] in 1972 and 1973 and sent to Kenneth Leslie. The first letter, handwritten and dated September 26, 1972, derides a £220,000 football transfer fee while "pilots are to get £10,3000 a year, [...] railmen are criticized for demanding [a raise of] £20 a week, [and the] chief gets £2500 rise on his lunatic salary of £20,000". The second letter, typed and dated May 19, 1973, derides the "US gangsters" for spreading "inconceivable evil [...] so widely round innocent, harmless creatures, in India and Pakistan, Cyprus and Cuba", the "hoodlum fraud" of the US courts re: Cambodia, the murders which "our BBC and press do not even mention", with the mournful refrain that "this country smells as fearfully as yours -- and none of the citizenry suspects!" Bilainkin was a foreign correspondent and biographer.

Bernard Chaudron

File consists of records related to the exhibition 'objets d'art' by Bernard Chaudron, presented at the Dalhousie Art Gallery in October 1969 as part of the Atlantic Provinces Art Circuit.

Records consist of a list of artworks and prices, a list of purchased works including a note about a stolen piece, a condition report, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Ghislain Clermont (Curator, Art Gallery of the University of Moncton), and a handwritten transcription of Chaudron's biographical notes.

Bell, Jim

File contains a piece of handwritten correspondence sent by Jim K. Bell (Halifax), dated December 28, 1972, to Kenneth Lesile. File acknowledges enclosure of a cheque covering the cost of four copies of Leslie's self-published poetry anthology "O'Malley and the Reds and other poems", as well as a new subscription to The New Man. File also praises Leslie's "determination to resist and fight the fascist bastards" through his continued social-minded publications.

B.C. paintings 1966

File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.

Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.

Batik tapestries by Louis Steyn

File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.

Bass, Harold

File contains the typed draft of a letter written by Harold J. Bass (of Tacoma, WA), post-marked November 18, 1972, and submitted to Kenneth Leslie for consideration for inclusion in the publication The New Man. The piece, entitled "Whose mistake?", addresses the horrors and "tragedy of Vietnam", suggesting that George McGovern was barely listened to on the campaign trail "because he declared openly that we have done wrong and we ought to acknowledge and correct that wrong", while Nixon appears to merely want to "cover the wrong and make it seem like a right" with his "peace with honor" promises.

Baker lake drawings

File consists of records related to the exhibition 'Baker Lake drawings', organized and circulated by the Winnipeg Art Gallery and presented at Dalhousie Art Gallery from October 2nd to October 30th, 1972.

Records consist of correspondence between Doris Mitchell (Winnipeg Art Gallery, Extension Service) and Mark B. Holton (Assistant Curator, Dalhousie Art Gallery). Additional records have a shipping contract and a condition report.

Background research material

File contains background research material for the development of the course, "The Journalist as Documentarian," taught by Sylvia Hamilton at the University of King's College. Documents include email correspondence and handwritten research notes.

Background material

File contains textual records related to the course, "The Journalist as Documentarian," taught by Sylvia Hamilton at the University of King's College.

Documents include a list of documentary resources. a calendar of events, and correspondence.

Augustus John November 1972 - National Gallery of Canada

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist mainly of correspondence between Caspar John, son of Augustus John and Ernest Smith (Director, Dalhousie Art Gallery) and between Ernest Smith and Ann Chudleigh (Assistant Director, National Gallery of Canada Extension Service). In addition, records include exhibition loan agreement letters and forms from the National Gallery of Canada, draft letters from Ernest Smith to Danielle Corbeil (Director of National Gallery of Canada Extension Services), lists of proposed works, and xerox copies of John's drawings.

Augustus John exhibition - Edmonton Gallery

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."

Augustus John exhibition

File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.

Records consist of exhibition loan agreement letters and forms from the loaners of John's portraits and drawings for the exhibition and correspondence between Karen Wilkin (Curator, Edmonton Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery). In addition, records include a photocopy of a paper titled 'Artists and eccentrics' from the book called 'Times thievish progress: Autobiography III' by Rothenstein, John (1970).

Atlantic graphics exhibition

File consists of records relating to the 'Atlantic Graphics' exhibition organized by the University of New Brunswick Art Center for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery from January 6-24, 1969.

Records consist of correspondence regarding the purchase of an artwork in the exhibition by Brigid Toole, a list of artworks, two condition reports and attached correspondence regarding artwork damage due to poor quality crates.,

Atlantic Geoscience Society correspondence regarding its activities

File contains correspondence between the Atlantic Geoscience Society members and various persons, including Paul Copper, Norman Lyttle, Chris Beaumont, H.G. Miller, Sandra M. Barr, Aubrey Frickers, Laing Ferguson, Nancy A. Van Wagoner, Francis R. Cook, R.C. Draper, Howard V. Donohoe Jr., G.R. Peatfield, Donald W. Hattie, J. Waldron, and others.

Atlantic award exhibition

File consists of records relating to the juried Second Atlantic Award Exhibition presented by Dalhousie Art Gallery in November 1967.

Records consist of application forms, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and artists, an invitation and programme schedule, two exhibition pamphlets, list of artworks, crate lists, photocopies of newspaper clippings, Dalhousie newsletters, and an exhibition review by Luke Rombout,

Assenat, John

File contains a piece of handwritten correspondence written by John Assenat (of N. Charleroi, PA), on January 29, [1973], and sent to Kenneth Leslie. File acknowledges submitting payment for the December 1972 and January 1973 issues of The New Man, the recent publication of a book by New Man contributor Hugh Hester, as well as wishing Mr Leslie well after his "sick spell".

Ashworth, Joseph

File contains handwritten correspondence sent by Joseph Ashworth (of Calgary, Alberta) to Kenneth Leslie, dated September 5, 1972. File acknowledges a $5.00 payment for the purchase of one of Leslie's publications, as well as confirming a new mailing address.

Ashley, Ruth

File contains handwritten correspondence written by Mrs. Ruth H. Ashley (of Wabash, Indiana), dated January 25, 1963, and sent to Kenneth Leslie. File mentioned Ashley's appreciation of Leslie's contributions to Protestant scholarship in his periodical publications The Protestant and The New Christian, and discusses her discovery of related publications and musings on the "close relationship between the philosophy of Jesus and the economic program of Marxism" as well as contemporary Chinese/Soviet relations.

Arts for the home exhibition

File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.

Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.

Artistes de Montréal exhibition

File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.

Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.

Article for Canadian Theatre Review

File contains a draft submission to Canadian Theatre Review and correspondence between Mary Vingoe and Deborah Cottreau, guest editor. The publication solicited a 1,500 word article on the Eastern Front Theatre's recent and past work in the areas of dramaturgy in the Maritimes. Vingoe wrote an article that describes her personal approach to dramaturgy. File also includes a b&w promotional photograph of Mary Vingoe.

Artario exhibition

File consists of records related to the 'Artario 72' exhibition, organized by Ontario Arts Council and presented at Dalhousie Art Gallery in October 1972.

Records consist letters from William Poole (Co-ordinator, Ontario Arts Council), Frank Michael (Acting Press Officer, Ontario Art Council), Peeter Sepp (Visual Art Officer, Ontario Art Council) to E.W. Smith (Dalhousie Art Gallery), newspaper clippings, invitations, a pamphlet, and instructions for the assembly of the Artario exhibition.

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