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Photograph of Norwegian artist Hans Dahl standing between whale jawbones in Balestrand, Norway pr...

Photograph of Norwegian artist Hans Dahl standing between whale jawbones in Balestrand, Norway printed on a postcard

Item, a postcard, has an inscription addressed to Mr. Donald Bellew from the artist, Hans Dahl. A further inscription presents the postcard to Thomas Head Raddall from Captain Bellew, V.C. The whale jawbones that Dahl is standing under were given to him by Dr. Nansen the Explorer, who was a Viking descendant.
Print of the barque "Daylight"

Print of the barque "Daylight"

Item is a print of a drawing of the barque Daylight. The writing on the back states that the ship was built in Port Glasgow, Scotland, in 1902 by Russell and Co. Imprinted on the front mount is "Wishing you a Merry Christmas and a happy New Year."
Photograph of the "S.S. Trebia"

Photograph of the "S.S. Trebia"

Item is a photograph of the S.S. Trebia loading in New York enroute to Australia. The writing on the back states that the ship (2343 tons) was built in Port Glasgow, Scotland, in 1902 by Russell and Co.
Correspondence

Correspondence

File contains seven pieces of typed correspondence addressing S.R. Balcom, regarding events at the Bramshott Camp, Hants., the No. 9 Canadian Stationary Hospital, and the No. 12 Canadian Stationary Hospital, during and shortly after the First World War. Correspondence sent from Major S.G. Chown, Colonel H.M. Robertson, and Lt.-Col. H.E. Randall.

Don Allison fonds

  • MS-3-28
  • Fonds
  • 1967 - 1972
Fonds comprises records created and collected by Don Allison that document his work as an actor in Neptune Theatre's 1967 production of The Wooden Ship, as well as his own poetry and prose writings. There is also a small number of letters from someone named Anna.

Allison, Don

Postcard featuring Pietro Mascagni and signed by various musicians

Postcard featuring Pietro Mascagni and signed by various musicians

Item is a postcard with a black and white photograph of Pietro Mascagni (1863-1945), an Italian opera composer. The postcard has various signatures on the front, including Francesco Marconi (1855-1916, operatic tenor from Rome) and four other illegible signatures. The postcard is addressed to Frau Dr. Lehnsern(?) of Berlin.

Mascagni, Pietro

Letter from Edvard Grieg

Letter from Edvard Grieg

Item is a letter from Edvard Grieg to an unidentifed person. Grieg wrote the letter at his Troldhaugen residence in Bergen Norway on February 10, 1902. It reads: "Dear Sir! Permit me, in bad English, to thank you for your songs & for your essay on my musical work. Both has [sic] given me much pleasure. I also congratulate you to your reputation in America as teacher and composer and beg you kindly to receive from me and my wife our best compliments. Yours faithfully, Edvard Grieg."

Grieg, Edvard, 1843-1907

Letters from Felix Mendelssohn-Bartholdy

File contains two letters from Felix Mendelssohn-Bartholdy (dated 1839) accompanied by one transcription and one translation of other original letters not in the collection (dated 1840).

Mendelssohn, Felix

Letters from William Somerset Maugham to Ellen Ballon

File contains letters to Ellen Ballon from William Somerset Maugham concerning gifts, performances, visits, friends, and books. Some of the letters are also addressed to Sally "Tammie" Ryan and Ralph Gustafson.

Somerset Maugham, William

No. 5 des six grands concertos pour le Piano-Forté

File contains a first edition publication of Mozart's Piano Concerto No. 23, including the solo piano part and parts for each orchestral instrument (violins, horn, viola, cello, double bass, bassoon, flute, clarinet). The edition was published by J. André of Offenbach.

Mozart, Wolfgang Amadeus

Märchen (Ritterzug), Op. 14, no. 2

Märchen (Ritterzug), Op. 14, no. 2

Item is a copy of the second tale in Medtner's Two Tales, Op. 14, for piano. It was published by P. Jurgenson and distributed in Leipzig by Robert Forberg in 1907 and includes an inscription to Ellen Ballon from Alfred La Liberté.

Medtner, Nikolay

La paimpolaise : chanson du pêcheurs d'Islande

Item is a vocal score with the melody and lyrics for "La Paimpolaise" by the French singer-songwriter Théodore Botrel (1868-1925). The score and lyrics were handwritten by L. Coyteux Preouèl(?) in Ottawa on April 29, 1908.

Botrel, Théodore

Notenbüchlein für Anna Magdalena Bach

File contains a copy of the 1906 publication of Anna Magdalena's 1725 Notebook with various short piano compositions, edited by Dr. Richard Batka. The book is inscribed to Ellen Ballon by Clara Lichtenstein, her teacher at McGill Conservatorium of Music, and dated April 7, 1910 in Montreal.

Trois Polonaises, Op. 71 : [piano scores]

File contains each of the three Op. 71 polonaises by Frédéric Chopin, published posthumously under the guidance of Julian Fontana. Each Polonaise includes a note from Fontana regarding their publication (dated May 1855, in Paris).

Chopin, Fryderyk Franciszek

Dear old London : [sheet music]

File contains the sheet music for "Dear Old London" with words by D. Eardley-Wilmot and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June, 1935. The score was published in two keys, B minor and D minor. This version is in D minor.

Heron-Maxwell, Kathleen

Prints of Venice

File consists of a catalogue which unfolds into a poster for the exhibition 'Prints of Venice', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from October 15 to November 15 1971.

Eric Freifield

File consists of a catalogue for the exhibition 'Eric Freifield', arranged by Bruno Bobak of the University of New Brunswick Art Center and toured through the Atlantic Provinces Art Circuit. The exhibition was presented at Dalhousie Art Gallery in April 1972.

Catalogue contains a list of artworks in the exhibition, the exhibition itinerary, two essays by Tom Lapierre and Doris Shadbolt, and a C.V. for Freifield.

Peter Bell : the green-house and after

File consists of three catalogues for the exhibition 'Peter Bell: The Greenhouse & After' organized and presented by Dalhousie Art Gallery in May 1972.

Catalogues contain a list of works in the exhibition, a biography of Bell, and an artist statement.

Augustus John

File consists of catalogues for the exhibition 'Augustus John', organized by Dalhousie Art Gallery for circulation by the National Gallery of Canada for the period of 1972-1973. The exhibition was presented at Dalhousie in November 1972.

Catalogues contain an essay by Dalhousie Art Gallery Director, Ernest W. Smith, 32 p. of b&w image plates, a catalogue of works in the exhibition, a biographical chronology of Augustus John, an a select bibliography. All text is included in English and French.

Louis de Niverville retrospective

Item is a catalogue for a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, and edited by Joan Murray, Meg Hardman, and Jennifer C. Watson. Th exhibition was presented at Dalhousie Art Gallery from December 18, 1978 to January 12, 1979.

Catalogue contains a list of lenders to he exhibition, acknowledgements and an essay by Joan Murray, an exhibition itinerary, an essay by Gary Michael Dault, an essay and commentary by Louis de Niverville, b&w and colour images, and a bibliography.

Bernard Chaudron

File consists of records related to the exhibition 'objets d'art' by Bernard Chaudron, presented at the Dalhousie Art Gallery in October 1969 as part of the Atlantic Provinces Art Circuit.

Records consist of a list of artworks and prices, a list of purchased works including a note about a stolen piece, a condition report, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Ghislain Clermont (Curator, Art Gallery of the University of Moncton), and a handwritten transcription of Chaudron's biographical notes.

Fritz Brandtner 1896-1969

File consists of records related to presenting the exhibition 'Fritz Brandtner 1896-1969: A Retrospective Exhibition', sponsored by Sir George Williams University, Montreal. The exhibition was presented at Dalhousie Art Gallery in February 1972, through circulation in the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report and handwritten condition notes, an essay on Brandtner's work, an itinerary, and correspondence between Dalhousie Art Gallery and other APAC member galleries.

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