United States Military Academy Band concert program
- MS-5-2, Box 5, Folder 1
- File
- January 26, 1941
Part of Ellen Ballon fonds
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United States Military Academy Band concert program
Part of Ellen Ballon fonds
Letter from Charles-Francois Gounod
Part of Ellen Ballon fonds
Letter from Frank Cyril James to Ellen Ballon
Part of Ellen Ballon fonds
Letter from Sir Wilfrid Laurier to Ellen Ballon
Part of Ellen Ballon fonds
Letter from Sir Wilfrid Laurier to Ellen Ballon
Part of Ellen Ballon fonds
Letter from Sir Wilfrid Laurier to Ellen Ballon
Part of Ellen Ballon fonds
Letter from Sir Wilfrid Laurier to Ellen Ballon
Part of Ellen Ballon fonds
Letter from Sir Wilfrid Laurier to Ellen Ballon
Part of Ellen Ballon fonds
Part of Ellen Ballon fonds
Transcription of a letter from Felix Mendelssohn Bartholdy to J.H. Kufferath
Part of Ellen Ballon fonds
Transcribed letter from Richard Wagner to his publisher
Part of Ellen Ballon fonds
Letters from Camille Saint-Saens
Part of Ellen Ballon fonds
Saint-Saens, Camille
Bachianas Brasileiras no. 3 para piano e orquestra : redução para dois pianos
Part of Ellen Ballon fonds
Villa-Lobos, Heitor
Bachianas Brasilieras no. 3 : [conductor's score]
Part of Ellen Ballon fonds
Villa-Lobos, Heitor
Concerto no. 5 for piano, opus 82 : [piano part]
Part of Ellen Ballon fonds
Concerto no. 5 for piano, opus 82 : flauto
Part of Ellen Ballon fonds
Concerto no. 5 for piano, opus 82 : corno secondo
Part of Ellen Ballon fonds
Part of Ellen Ballon fonds
Joseffy, Rafael
In the forest : four piano compositions, Op. 12
Part of Ellen Ballon fonds
Goldmark, Rubin
Part of Ellen Ballon fonds
Part of Ellen Ballon fonds
Jonàs, Alberto
L'oiseau de feu : contre dansé en 2 tableaux : [piano arrangement]
Part of Ellen Ballon fonds
Stravinsky, Igor
Marche funèbre, Op. 35 : exécutée aux funérailles de l'auteur
Part of Ellen Ballon fonds
Chopin, Fryderyk Franciszek
Polonaise, Op. 71, no. 2 : [piano score]
Part of Ellen Ballon fonds
Polonaise, Op. 71, no. 3 : [piano score]
Part of Ellen Ballon fonds
Ronde pour orchestre : reduction pour piano
Part of Ellen Ballon fonds
Lyadov, Anatoly
Serenade from "Don Juan" : [arranged for piano]
Part of Ellen Ballon fonds
Part of Ellen Ballon fonds
Willens, David
Song hits of the 30's : a collection of familiar hits
Part of Ellen Ballon fonds
Part of Ellen Ballon fonds
Chopin, Fryderyk Franciszek
Part of Ellen Ballon fonds
Barati, George
Part of Ellen Ballon fonds
Keep on hopin' : [sheet music]
Part of Ellen Ballon fonds
Heron-Maxwell, Kathleen
Part of Ellen Ballon fonds
Audio recordings by Marvin Burke on Negro Music in Nova Scotia
The model serves its master / University of the Air
Part of University of the Air
Ev'ry time I feel the spirit : [score]
Part of R. Graham Murray fonds
How blest are shepherds : [score]
Part of R. Graham Murray fonds
Part of R. Graham Murray fonds
The Upstream ensemble in concert with special guest Conrado Del Rosaria : [poster]
Part of Upstream Music Association fonds
The song project : a Love Upstream featuring Erin Costelo : [poster]
Part of Upstream Music Association fonds
Open waters / Upstream : a new music collective : [poster]
Part of Upstream Music Association fonds
Paul Cram's CONVOY HFX : [poster]
Part of Upstream Music Association fonds
My 20th century multimedia concert : music/video/theatre : [poster]
Part of Upstream Music Association fonds
Upstream Music season finale! : [poster]
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Nasca lines : part 3 : percussion, drums, synthesizer or accordion, guitar, and electric bass
Part of Upstream Music Association fonds
Guy, Barry
6 of one : performance instructions
Part of Upstream Music Association fonds
Adams, Norman
Part of Upstream Music Association fonds
Bauer, Bob
Part of Upstream Music Association fonds
Bauer, Bob