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File consists of a publication to accompany the exhibition of work by semaja, titled 'light morning of the body'. The exhibition was organized by and presented at Dalhousie Art Gallery in 1974.

Item contains poetry and prose by the artist.

File consists of one record related to the 'Canadian Society of Graphic Art' travelling exhibition, loaned by Dalhousie University from the National Gallery of Canada in 1954.

Record consists of a pricelist for artworks included in the exhibition.

File consists of records relating to exhibitions held at Dalhousie University between 1960-1961.

Records relate to 'A Not Always Reverent Journey', 'UNESCO Reproductions of Water Colors', and 'Pastels and Watercolors by Alfred Whitehead'. Records consist of an artist statement and biography for Alfred Whitehead, artwork price lists, memorandums from Dr. Usmiami, exhibition loan agreements, packing lists, schedules, itineraries, newsletters announcing exhibition openings, and correspondence between Dr. Usmiami and Rosamond Campbell, Ruth Henderson, Alfred Whitehead, Grace Keddy, and Joseph Purcell, Esq..

File consists of records pertaining to exhibitions held in the Fine Arts Room between 1959-1960.

Records consist of a handwritten note to Dr. Mirko Usmiami (Chairman of the Dalhousie Art Committee) from Sandy Mowat regarding an artwork by Arthur Lismer; a letter from M. Simmons (National Gallery of Canada); two letters from Miss Marian A. Johnston (President, Recent Grads Group, University Women's Club); correspondence requesting exhibition loans from the National Gallery of Canada; and a handwritten exhibition schedule.

File consists of records relating to exhibitions held at the Dalhousie Art Gallery in 1958.

Records include a memo from Alex S. Mowat (Chairman of the Dalhousie Art Committee) calling for submissions for the fifth annual showcase of artworks by students, staff, and alumni of Dalhousie University, held in April 1958; and a list of names and prices of artworks shown in the Canadian Medical Association Annual Convention's 'Exhibition of Paintings by Nova Scotian Artists', hosted by Dalhousie University in June 1958.

File consists of exhibition records for 1962-1963.

Records include an exhibition catalogue for 'Paintings by the Group of Seven'; loan agreements, exhibition lists, and schedules for exhibitions loaned from the National Gallery, including 'Paul-Emile Borduas 1905-1960', 'Photography 1840-1915', 'Drawings of Leonardo da Vinci I', and 'Early Painting in Canada'; correspondence from Dr. Usmiami requesting loans of artworks for the Group of Seven exhibition; a list of works and artist biographies for Anthony Law and Jane B. Shaw; a portrait of Paul-Emille Borduas; a description of the lecture series 'The Sculptor's Vision', and press releases.

File consists of records related to exhibitions held at the Dalhousie Art Gallery from 1961-1962.

Records consist of a clipping of a review titled 'Paintings by Lola Mould'; floor plan and photograph, exhibition text, and bibliography to accompany 'Contemporary Canadian Painting', loaned from the National Gallery of Canada; exhibition texts, lists of artworks, loan agreements, packing lists, itineraries for 'The Campaign in Northwest Europe', 'Sculpture Reproductions', 'Polish Posters', 'Maritime Art Association Exhibition', 'Highlights of American Painting', 'Contemporary Canadian Painting', and 'Kodachrome Slide Project'; handwritten notes; an information booklet; and exhibition entry forms for the 'Dalhousie Atlantic Award Exhibition'.

File consists of records relating to the planned group exhibition of artworks by Sarah Jackson, Carol Fraser, and Aileen Meagher for 1964 which did not occur.

Records include price lists for artworks; and artist biographies and curriculum vitae for Jackson, Fraser, and Meagher.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1963-1964.

Records include correspondence between Mirko Usmiami and Jean-René Ostiguy (National Gallery of Canada), cancelling several exhibitions after damage to artworks from the Paul-Emile Borduas exhibition; packing lists; itineraries; lists of available exhibitions from the National Gallery; and an exhibition lending agreement.

File consists of exhibition records for the period of 1965-1966.

Records consist of correspondence from Dr. Usmiami, exhibition schedules, a catalogue for 'Canadian Artist Series VIII: Cowley Bobak', organized by the National Gallery of Canada, and handwritten notes for exhibition plans for the Dalhousie Art Gallery.

File consists of records related to the exhibition 'Works by John Miller and Helmut Becker' presented at the Dalhousie Art Gallery in March 1965 as part of the Know Your Artist exhibition series.

Records include an invitation, exhibition pamphlets, a Dalhousie news release, biographies and curricula vitae of John Miller and Helmut Becker; and a poster for the lecture 'Henry Moore, his life and work' presented by Helmut Becker on February 12, 1964 in the James Dunn Building of Dalhousie University.

File consists of exhibition records of the Dalhousie Art Gallery for 1964-1965.

Records include correspondence from Dr. Usmiami (Curator); lists; exhibition text for 'Four Masters – Pellan, Borduas, Riopelle, Dumouchel', 'Norwegian Stave Churches', 'Building a Nation', and 'Romanesque Paintings from Spain', loaned from the National Gallery of Canada; an artist biography of Goodrich Robert for the exhibition 'Goodrich Robert's War Sketches'; and an exhibition schedule.

File consists of records related to exhibitions planned for the Dalhousie Art Gallery between 1967-1968.

Records consist of notes and drafts for exhibitions schedules, lists of circulating exhibitions available through the National Gallery of Canada and the Maritime Arts Association, correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), loan agreements, Dalhousie newsletters, and a programme brochure draft,

Files consist of records relating to exhibition planning for the period of 1966-1967.

Records consist mainly of correspondence between Evelyn Holmes (Acting curator, Dalhousie Art Gallery) and staff of the National Gallery of Canada, The National Film Board, Louis Rombout (Acting Curator, Mount Allison University), Bruno Bobak, Carol Fraser, and others. Records also include an exhibition schedule for the Nova Scotia College of Art, and a list of exhibitions available for loan from the National Gallery.

File consists of records related to planning to present Tony Keck's exhibition of paintings 'Musicmaniamovement'. The exhibition was presented at the Dalhousie Art Gallery in January 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Keck, photocopies of exhibition reviews for the show both at Dalhousie and previous galleries, a list of artworks, and an insurance certificate.

File contains documents related to Symphony Nova Scotia stage manager Jimmy Tasco, Sue Taylor, Johnny Theodore, Luvina Thomas, musical group Touch of Hope, Up on the Roof, Helen Vaughan, Pat Watson, Angels of Lightning, Gerry White, Cecily Williams, musical group The Williams Sisters, Eastern Front Theatre's production of Whylah Falls, Anne Marie Woods, David Woods, Woody Woods, and Carolann Wright-Parks.

Documents include programs, ephemera, magazine clippings, and newspaper clippings related to Halifax Comedy Festival, Theatre Art Guild's "Accidental Death of an Anarchist," various Nova Scotia Mass Choir performances and concerts, Natal Day festivals, the Atlantic Fringe Festival, Halifax Public Libraries' African Heritage Month, Eastern Front Theatre's "Whylah Falls," the Prismatic Arts Festival, the Art Gallery of Nova Scotia's exhibit "Mary Lee Blendolph, Gee's Bend Quilts and Beyond," and Black Artists Network of Nova Scotia's exhibit "The Secret Codes: Contemporary African Nova Scotian Narrative and Picture Quilts."

File contains documents related to Karl Falkenham, Jim Faraday, Shelley Fashan, Four the Moment musical group, Four Walls of Blue, Carolyn Fowler, Isaac Fraser, Rosie Fraser, Freedom Festival , Suzy Gangoo Hansen, Marsha Gannon, Neptune Theatre, the Gospel Heirs musical group, Adrien Gough, Judith Virginia Grace, Belinda Grant, and Glen Grant.

Documents include newspaper clippings, posters, programs, and ephemera related to the art exhibit "Mommay's Patches: Traditions and Superstitions" by Letitia Fraser, Four the Moment's final performance, the Gospel Heirs performances, Neptune Theatre's productions of "The Gospel at Colonus" and "To Kill a Mockingbird," and others.