File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.
File contains programs from the Vancouver Chamber Choir's performance in Fredericton, New Brunswick and that of Gregory MacLeod, sponsored by the Fredericton Committee of the Atlantic Symphony Orchestra and The New Brunswick Museum.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.
The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.
File includes a program for Ellen Ballon's concert with the Montreal Symphony Orchestra, conducted by Ernest Ansermet. The file also includes a catalogue Londoof London Records, including Ballon's recording of Heitor Villa-Lobos' Piano Concerto No. 1 with Ansermet.
File contains drafts of program notes, research notes, and programs for concerts containing music by Johann Sebastian Bach. The file is organized by type of music, including choral, instrumental, piano, solo violin and cello, concertos, and suites. Most of the program notes were written for concerts in Fredericton, with the exception of some notes from when Pugh was at Pembroke College in Cambridge, England. The file includes programs for performances at Christ Church Cathedral (Fredericton Chamber Players and Chamber Choir, directed by David Adams and Jeffrey Campbell); Wilmot United Church (Fredericton Choral Society and Chamber Orchestra, conducted by Douglas Hodgkinson); Edinburgh International Festival of Music and Drama (used for research, program notes not written by Pugh); and Memorial Hall, University of New Brunswick (Fredericton Chamber Orchestra conducted by Harrison Roper). The file also includes longer essays on the Saint Matthew Passion by Pugh.
File also contains correspondence, newspapers clippings, and a program for the Silver Anniversary Graduation Bridgetown Regional High School closing exercises, held June 21, 1976.
File contains research notes, newspaper clippings, and drafts of program notes by Anthony Pugh concerning the music of Benjamin Britten. The file includes programs collected by Pugh for his research and programs that he contributed to. The file also includes the libretto from "Saint Nicholas: A Cantata."
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Maurice Ravel, as well as a complete program from a concert at the Fredericton Playhouse (with notes by Pugh) and a program from the London Philharmonic Orchestra, which was used in Pugh's research.
File contains research notes and drafts of program notes by Anthony Pugh on Edward Elgar. The file also includes a newspaper clipping about Elgar , a letter from "Bill" concerning LP recordings, and programs gathered by Pugh for Elgar research, including one from a performance of Elgar's "The Apostles" by the Liverpool Philharmonic Orchestra and the Liverpool Welsh Choral Union, conducted by Sir Malcolm Sargent.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also includes a booklet of musical examples, handwritten by Pugh, with thematic extracts from works by Haydn; Pugh's research and analytical notes; and a program (with program notes by Pugh) for a concert by the Saint John String Quartet in Fredericton and Saint John New Brunswick.
File contains drafts of program notes and research notes for concerts containing works by Ludwig van Beethoven, including piano sonatas, symphonies, concertos, string quartets, piano trios, and overtures. Most of the program notes were written while Anthony Pugh was in Fredericton, New Brunswick, with the exception of those for Beethoven's Quartet in F major, op. 59 no. 1, which were written while he was at Pembroke College in Cambridge, England, and which include handwritten analytic excerpts from the quartet, written by Pugh. The file also includes Anthony Pugh's analysis of Beethoven's Piano Sonata in C minor, op. 111, for which he also wrote program notes, and programs (with notes by Anthony Pugh) for performances by the Atlantic Symphony Orchestra and Anton Kuerti (presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas). The file also includes extensive handwritten notes by Pugh on Beethoven's Fidelio and an analysis of one of its recitatives and duets by "Mark," which was sent to Pugh from Seaford, East Sussex, England.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn. The file also contains Pugh's analyses of various works, including annotated musical incipits for Haydn's string quartets. The file also includes two programs for concerts presented by the University of New Brunswick and Saint Thomas University Creative Arts society, with program notes by Anthony Pugh, featuring the Brunswick String Quartet and the Saint Laurence String Quartet. A program for a performance of "The Passion," by Haydn, performed by the Pembroke College Musical Society is also included as part of Pugh's research notes.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Felix Mendelssohn. The file includes a complete program with notes by Pugh for a performance by the Brunswick String Quartet and Arlene Nimmons Pach, and two programs used by Pugh in his research, from the Liverpool Philharmonic and Saison Musicale de Radio France.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart. The file includes a booklet with handwritten musical examples by Pugh of extracts from Mozart opera overtures. The file also includes two complete programs (with notes by Pugh) for the Cathedral Festival of the Arts (May 21-24, 1987) in Fredericton, New Brunswick and the Mozart Bicentennial Concerts at the University of New Brunswick., and a draft of a letter from Pugh to "Mr. Elliot" about a recent series of broadcasts on the Mozart Piano Concertos.
This folder consists 2 programmes; Finian's Rainbow, February 27-March 1,1958 and Paint your wagon, February 25-28, 1959. This are musical that were performed the the Dalhousie Glee and Dramatic Society.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Leoš Janáček. The file includes four programs used by Pugh in his research and a copy of an excerpt from a score for Janáček's String Quartet No. 2 "Intimate Letters".
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Jean Sibelius. The file also includes a Toronto Symphony Orchestra program that Pugh used in his research.
File contains a program for the 1962-1963 season of the Canadian Opera Company. Alan Lund was the choreographer for the company's production of Rigoletto by Giuseppe Verdi, October 15-26, 1962.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Ambroise Thomas, Viktor Ullman, Henri Vieuxtemps, Henryk Wieniawski, Peter Warlock, Lubomir Zelezny, Anton Webern, and Alexander von Zemlinsky. The file also includes three programs: "The Emperor of Atlantis," presented by the Terezin Studio Project in Halifax, Wolfville, Fredericton, Charlottetown, and Antigonish;"The Passion" by Raymond Warren at The Queen's University of Belfast; and the Walter Baker Memorial Concert with the Canadian Chamber Ensemble at the Fredericton Playhouse.
File contains drafts of program notes and research by Anthony Pugh concerning music by Frederic Chopin. The file includes the booklet from a record of Chopin's Waltzes by Arthur Rubenstein, presumably used by Pugh in his research, and a partial program from a concert at the University of New Brunswick as part of the annual Walter Baker concert series.
File contains programs for Dalhousie's 4th annual High School Invitational Basketball Tournament; Dalhousie 's athletic awards dinner; and a Saint Thomas vs Dalhousie Tigers game.
File contains programs for exhibitions and events held at Dalhousie Art Gallery between September 1965 and December 1971. Information includes exhibition schedules, art film programmes, lectures, and gallery hours.
File contains a program for a centennial concert celebration at McGill University, featuring the McGill Symphony Orchestra and John McKay on piano. Ellen Ballon is cited in the introduction as one of McGill's notable graduates.
File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series and Evening Series film screenings produced by the Dalhousie Art Gallery during the period of 1968-1969.
Records consist mainly of publicity notes including the date and times of each screening, the film, a short description, and list of coinciding exhibitions open at the gallery. Additional records consist of correspondence of Evelyn Holmes (Acting Curator, Dalhousie Art Gallery).
File consists of records related to the organizing, planning, and presenting of the Lunch Hour Series film screenings produced by the Dalhousie Art Gallery during the period of 1969-1970.
Records consist mainly of publicity notes including the date and times of each screening, the film title, a short description, and list of coinciding exhibitions open at the gallery.
File contains drafts of program notes by Anthony Pugh pertaining to operas by Wolfgang Amadeus Mozart, "Le nozze di Figaro" and "Die Zauberflöte," and a program from a concert by the Brunswick String Quartet at the University of New Brunswick.
File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.
File contains draft copies of lunch hour screening schedules produced by the Dalhousie Art Gallery from 1970-1971. Also includes newspaper clipping, billing to Art Gallery, and time report from technical manager.
File contains unsorted correspondence with different individuals, including Franklin Berman, Hebert Petzold, Wilbur F. Bowker, Jianming Shen, Timothy T. Daley, Charlotte Ku, Ian M. MacKeigan, Ivan L. Head, John E. Read, John K. Akpalu, Emile K.M. Yakpo, Bozidar Bakotic, Donald S. MacDonald, W. Andrew MacKay, Eileen Janzen, B.A. Pollard, W.A. Charles, Ganshof van der Meersch, J. King Gordon, Kurt Herndl, Pierre Elliot Trudeau, Horace E. Read, C. Trevor Anderson, Thomas R. Berger, Dawn Russel, Arnold W. Zeman, C. Rhodes Smith, Susan Mann, Wang Tieya, Niki Tobi, Sienho Yee, A. Kolodkin, Frank Milligan, M.L. Friedland, Brian Dickson, George C. van Roggen, D.H.N. Johnson, Lun S. Wong, Allan J. MacEachen, J. Zourek, Pierre Charpentier, John E.C. Brierley, Henry D. Hicks, Sandra Liebel, Marcel Cadieux, Alfred E. von Overbeck, Philip Girard, T.H.B. Symons, Edward McWhinney, Philip C. Jessup, Edward.G. Lee, E.E. Appiah, M. Jean Houston, David L. Johnston, John J. Quinn, Charles B. Bourne, L. Ferrari Bravo, John M. Davison, Edgar Gold, James C. Gervais, Ko Swan Sik, D.P. Verma, G.A. Klassen, Kathleen Fisher, Peter Malanczuk, Michael D. Harris, Alexander Marschik, Manfred Lachs, Thea E. Smith, J.S. Castel, Paul E. Martin, R.M. Warren, Hideo Takabayshi, and others, regarding a wide range of topics. File includes a transcript of an interview with Innis Christie in 1988, the Halifax Club pamphlet, a United Nations Economic and Social Council report of 1991, the British Institute of International and Comparative Law director's report for 1989, the Africa Society of International and Comparative Law supplement to the application for funding submitted to the Canadian International Development Agency of June 1988, the Africa Society of International and Comparative Law annual report of 1989, University of Western Ontario Faculty of Law newsletter vol. 1, no. 2, of May 1977, and vol. 5, no.1, of January 1981, Osgoode Hall Law School Continuum periodical, vol. 2, no. 1, of 1974, the American Society of International Law newsletter vol. 21, issue 4, of August/ October 2005, the World Academy of Art and Science newsletter of winter/spring 1999, the International Ocean Institute Across the Oceans newsletter, vol. 1, issue 1, of January 1982, Cyprus Bulletin, vol. 34, no. 23 and 24, of November 1996, University of Toronto Nexus periodical of February 1991, Dalhousie University Hearsay of January 1976, Amnesty International bulletin, vol. 1, no. 1, of January 1974, McGill University Quid Novi periodical, vol. 4, no. 9, of November 1983, Dalhousie Faculty Association Dialogue, vol. 3, no. 8, of March 1990, Dalhousie Law School programme for indigenous, blacks, and Mi'kmaqs of January 1994, Dalhousie University Marine Affairs Program, Dalhousie University Faculty of Graduate Studies meeting minutes, Dalhousie University Faculty of Law special meeting minute of January 1973, Council of Europe 67th plenary administrative session meeting minute of March 1989, Lester B. Pearson College Board of Trustees meeting minute of February 1979, Council of Europe report on the functioning of the organs of the European Convention on Human Rights of 1984, the editor's agreement between Koninklijke Brill NV., Douglas M. Johnson, and Ronald St. John Macdonald regarding the book "towards world constitutionalism: issues in the legal ordering of the world community" of 2003, photograph of John E.C.B. in front of Killam Memorial Library in 1985, a photograph of John Peters Humphrey possibly in 1995, two photographs of Ronald St. John Macdonald with a group of unidentified individuals in Calgary in 1974, a photograph of Ronald St. John Macdonald with Bozidar Bakotic and an unidentified man possibly in the late 1970s, a photograph of Charles B. Bourne in 1995, three photographs of Dalhousie University Law School Students of 1982-1983, a drawing of an unidentified man - possibly a judge, a transcript of an interview with Myres S. McDougal in 1994, a transcript of an interview with Charles B. Bourne in 1992, annotated typescripts, handwritten notes, newspaper clippings, and other materials. File includes a letter from Bozidar Bakotic to Ronald St. John Macdonald reporting that censorship forbade him to contribute to the development of one of Ronald St. John Macdonald's book.
Documents include programs, ephemera, correspondence, magazine clippings, and newspaper clippings related to Black Focus magazine, Linda Carvery receiving an honourary degree at Saint Mary's University in 1998, Halifax Festival of the Arts, Halifax Jazz Festival, East Coast Music Association awards, Neptune Theatre productions, Ladies in Blue concerts, Martin Luther King concerts with the Nova Scotia Mass Choir, Linda Carvery’s appointment to citizenship judge, the album release for “Yesterday / Today”, election campaign material, and others.
The file contains draft copies of exhibition schedules and descriptions, newspaper clippings, a list of paintings, a list of works in permanent collection, and course descriptions for African studies.
File contains programs for The Banff School of Fine Arts (Hansel and Gretel and The Festival Orchestra, 1970) and for the Atlantic Symphony Orchestra Choral Concert Series, 1970/71.
