File includes a copy of Budge Wilson's response to the grade three class at Westmore Academy in Liverpool, Nova Scotia, and four drawings by the children of scenes from Wilson's books.
File contains cartoon on LGBT subjects collected by Ross Boutilier. Materials include one photocopy of the article "For better or worse, we're on this planet together" by Joe Murray; cartoons from the series For Better or For Worse, Dilbert, and Doonsbury; and a political cartoon by Bruce MacKinnon for the Chronicle Herald.
File consists of several newspaper articles collected by Ross Boutilier about Nova Scotia Member of Parliament Roseanne Skoke and her controversial remarks regarding homosexuality. File also contains political cartoons by Bruce Mackinnon for the Chronicle Herald and Theo Moudakis for the Daily News.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
File contains correspondence regarding Budge Wilson's book "Harold and Harold," between Wilson and various people involved in its publication, including Lesley Choyce of Pottersfield Press, Terry Roscoe, the editor (including sketches of possible illustrations), and Sheila Dalton, Wilson's copy editor. The file includes incoming correspondence and copies of Wilson's outgoing correspondence.
File contains a photograph of the illustration for the front cover of "Cassandra's Driftwood" (illustrate by Terry Roscoe), a photocopy of the proposed front cover, and an envelope addressed to Lesley Choyce.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File contains thank you cards hand drawn and written by students, given to Budge Wilson on her school tours, including those from the Lady Eaton School in Omemee, Ontario.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork includes thank you cards and drawings related to her books, including Mr. John Bertrand Nijinsky and Charlie," and "The Best/Worst Christmas Present Ever." The file also includes thank you letters from elementary school classes, including from the Lady Eaton School in Omemee, Ontario, and a class list for an unidentified class and school.
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork relates to her books, including "Manfred the Unmanageable Monster," the Lorinda Dauphinee book series, "The Long Wait," "Mystery Lights at Blue Harbour," "A House far from Home," and "The Worst Christmas Present Ever."
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
File contains two typed drafts of Budge Wilson's book and a sketch of Mr. John Bertrand Nijinsky by Wilson, which was not used in the published version of the book.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and layout of the Studley and Carleton Campuses. Records include topographical maps and layouts.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
Fonds contains correspondence, musical scores (piano and orchestral), photographs, a sketch, harmony notebooks, fliers, programs, newspaper clippings, academic journals, a press book, scrapbooks, and letters of composers. The musical scores include several first edition copies and autograph manuscripts. All personal correspondence is incoming correspondence; no outgoing correspondence is included in this fonds.
File is a reproduction of a sketch from The Nova Scotia Museum Centennial Collection. Inscription: The Medical Warehouse, built about 1850, was situated at the corner of Granville and George Streets. The site is now occupied by the Canadian Imperial Bank of Commerce. After a photograph courtesy of The Nova Scotia Museum.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
File contains 1 copy of the sketch of the University mace drawn by Professor R. L. de C. H. Saunders, 1 copy of a newspaper article regarding the mace and the dedication from the convocation program in 1950.
File contains 15 drawings of the ceremonial mace designed in 1949 by Chasteney Holbourne Saunders, former head of the Department of Anatomy. The mace was carved in oak, decorated with silver and enamel, and measured 1.4 metres in length. First used in the 1950 convocation, the mace was retired in 1919 when the university introduced the "New Dawn Staff of Place and Belonging" as its ceremonial object.
There is one full-scale drawing in ink and three reduced reproductions mounted on board. The remainder are rough sketches and detail drawings in pencil of the emblems and figures that Saunders employed to represent maritime traditions and the historical significance of Dalhousie’s service to the Atlantic provinces.
Item consists of a facsimile of a pencil sketch by D.C. Mackay from the early 1940s of an officer dressing down an insubordinate sailor. The perspective appears to be from the corner of George Street and Brunswick Street in Halifax. An accompanying caption reads: "Like he said -- / 'Never salute an officer / with a cig in your mouth"
Item consists of a charcoal and pencil drawing made by D.C. Mackay sometime in the early 1940s, depicting two sailors performing maintenance work amidships a Canadian Corvette while stationed in Nanoose Bay, near Nanaimo, British Columbia.
File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.
Item consists of a charcoal and pencil drawing by D.C. Mackay in the early 1940s depicting a downtown Halifax street scene. Possibly looking from near Province House, corner of Prince and Granville Streets.
Item consists of a pencil and ink drawing by D.C. Mackay on November 3, 1943, showing the destroyer HMCS Iroquois docked at the Dartmouth Marine Slips. Drawing shows the ship's port side.
Item consists of a pencil and ink drawing by D.C. Mackay on November 3, 1943, of the destroyer HMCS Iroquois, docked at the Dartmouth Marine Slips. This drawing shows the ship's starboard side.
Item consists of a pencil and charcoal drawing by D.C. Mackay dated December 15, 1943, showing a Canadian sailor performing sentry duty on Jetty #4 on the Halifax waterfront.
Item consists of an engraving of the interior of the Nova Scotia College of Art on Coburg Road, drawn in 1934 by J. Macintyre, and collected by D.C. Mackay.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design, construction and renovations/additions to an arts building at Dalhousie, which the administration called the Law (Temporarily Arts) Building. It was occupied by arts faculty until 1952, when it did briefly house the law school; in 1967 it became the Faculty Club, which is now known as the University Club. The third building on Studley Campus, it was a part of the original campus plan drawn up by Toronto architect Frank Darling in collaboration with Halifax-based architect Andrew R. Cobb and Dalhousie's governors. The subseries also includes drawings for a later building planned as an Arts Building, which was never constructed.
Item is a print of the drawings of the fireplace and gable at Province House and the ship's bell at Government House. See MS-2-82, Box 43, Folder 33 and 34.
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