File contains set designs for Neptune Theatre's production of "Guys and Dolls," directed by B. Ainslie and John Neville with set designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.
File contains original and annotated copies of set designs for Neptune Theatre's Studio production of "Gideon's Blues," directed by Richard Donat and designed by Stephen Osler. The file also contains a copy of the light plot design for this production, drawn by Leigh Ann Vardy.
File contains correspondence with Frederick Grassli (Woods Hole Oceanographic Institution), Maria Eduarda Gonçalves, Henrietta Gilpin, Global Education Associates, John F Godfrey (of the University of King's College), Anil Gayan, and GEO magazine.
File contains "Synopsis of Objective" for talks on the Law of the Sea, as well as correspondence with H. Gajentaan, A. Gacia Robles, F. Galindo, G.H. Gottlieb, and M.E. Galey.
Files contains Frank McMahon's registration tickets for the Halifax Medical College (Dalhousie College and University Medical Faculty) and his attendance/examination cards for Anatomy, Materia Medica, Practical Anatomy, Histology, Physiology, Botany, and Chemistry. The cards are printed on coloured heavy card and are held in a small black leather-bound folder. Cards are variously signed by John Forrest, A.W.H. Lindsay, D.A. Campbell, Arthur Morrow, John Somers, George L. Sinclair, and others. The back of one card contains a note from A.W.H. Lindsay about dissections.
File contains set designs for Neptune Theatre's production of "The Four Poster," directed by John Neville with designs by Arturo Penson. File also contains templates for the construction of a cupboard and bureau as part of the set.
File contains set designs for Neptune Theatre's production of "Fire," directed by Bryden MacDonald and designed by Stephen Osler (set) and Brian Pincott (lights). The file includes original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Filthy Rich," designed by Roy Robitschek. The file includes Robitschek's original drawings and annotated copies of pages 1, 3 and 4.
File contains set and light rigging designs for Neptune Theatre's production of "Fiddler on the Roof," directed by Linda Moore and designed by J. Cameron.
File contains correspondence from Brian Flemming, Association International Futuribles (regarding an introduction Mann Borgese was to write for a collection), "Frankfurter Allgemeinen Zeitung" (FAZ), and the Ford Foundation. File also includes lists of names.
File contains correspondence with German Ambassador Per Fischer and two letters from Elisabeth Mann Borgese to Timo Lahelma (of the Ministry of Foreign Affairs, Finland), on the subject of manganese nodules in the EEZ (Exclusive Economic Zone) of Chile. File contains a duplicate letter, which has not been digitized.
File contains correspondence regarding conference attendance. Correspondents include Leona S. Forman; P. Paolo Fulci; International Sea-bed Authority; Stjepan Keckes.
File contains correspondence. Correspondents include Valerie Facey; Carl-August Fleischhauer, Legal Counsel to the United Nations Secretariat (and address Part XI of the Convention,); Patrik Garnier (attached is an editorial Elisabeth Mann Borgese wrote for the "New York Times" on the Convention); Mate Granić (Croatian Minister of Foreign Affairs), which deal with the reasons for Croatia to ratify the Convention; Tom Harris; Bohdan Hawrylyshyn; Louis Henkin; and Charles Higginson of the Council on Ocean Law. See MS-2-744, Box 274, Folder 3 and MS-2-744, Box 279, Folder 8 for additional correspondence with the Council on Ocean Law.
File contains meeting minutes from the Board of Directors of Eye Level Gallery and general meetings of the gallery that took place between 1984 and 1987. File also contains correspondence, notes, proposals, and other material that accompany the meeting minutes.
File contains records collected by Nelson Pratt while he was a medical student at Halifax Medical College and Dalhousie University's Medical Faculty. Records include registration receipts; medical examination certificates; certificates of class attendance; certificates from the Provincial Medical Board; and other letters and certificates certifying that Pratt completed aspects of his medical training. There are also letters and receipts related to purchases made by Pratt.
File contains set designs for Neptune Theatre's production of "Ever Loving," directed by Tom Kerr with set designs by Ted Roberts. File includes Roberts's original drawings and annotated copies. File also contains copies of wartime posters that were used in the production.
File contains original and annotated copies of set and light designs for Neptune Theatre's studio production of "Entertaining Mr. Sloane," directed by Bryden MacDonald and designed by Nigel Scott.
File contains set designs for the Neptune Theatre production of "Endgame" by Samuel Beckett, directed by Peter Froehlich and designed by Roy Robitschek. File includes Robitschek's original drawings and annotated copies of the originals.
File contains correspondence with Gerald Ewing (concerning appointments to the ICOD Board of Directors); Arthur Hanson; Wendy Harrington; Frank Iacobucci; and Peter Serracino Inglott (attached is a copy of a paper, "Peace and Security in the Maritime Environment: Questions and Prospects" by Nancy E. Wright, presented at Pacem in Maribus (PIM) XV).
File contains correspondence to individuals with last names between E and G. Correspondence concerns the Independent World Commission on the Oceans' Study Group on the Economic Uses of the Ocean, of which Elisabeth Mann Borgese was a member. Correspondents include Paul Ekins, and Orio Giarini (includes Elisabeth Mann Borgese's thoughts on economics).
File contains correspondence with APPA (association des pêcheurs professionnels acadiens, Inc.), the "Canadian Journal of African Studies," and the Fisheries and Oceans Research Advisory Council. Correspondents include Gerald Ewing and Serge Genest.
File contains original and annotated copies of the set designs for Neptune Theatre's lunchtime production of the "Dumbwaiter," directed by John Neville and designed by Lesley Preston.
File contains set and light plot designs for Neptune Theatre's production of "Driving Miss. Daisy," directed by Francis Hyland and designed by Shawn Kerwin (set) and Brian Pincott (lights).
File contains set and light designs for Neptune Theatre's production of "Dracula," directed by Linda Moore and designed by Brian Perchaluk. The set designs are drawn to the scale of 1/2" = 1'. For this production, Scott Miller was the technical director and Alan Brodie did the lighting design.
File contains set designs for Neptune Theatre's production of "Dracula," directed by Richard Ouzounian and designed by Janice Lindsay. The file includes Lindsay's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Don Messr Jubilee," directed by Tom Kerr with designs by S.J. Degenstein. The file includes original drawings by Degenstein and annotated copies.
File contains set designs for Neptune Theatre's production of "Doc," directed by Sharon Pollock and designed by S.J. Degenstein. The file includes original drawings and annotated copies.
File contains 2 copies of a directory of graduates and former students of Dalhousie University published in September 1937. The directory is an update of a similar directory published by the Dalhousie Alumni Association in 1925.
File contains a selection of dinner invitations for events hosted by the Red Hat Snow Shoe Club. Includes the 35th, 37th, 75th, 80th, and 88th anniversaries.
File contains original and annotated copies of the set designs and annotated copies of the light plot design for Neptune Theatre's production of "The Devil's Disciple," directed by C. Newton and designed by David Boechler (set) and Leigh Ann Vardy (lights).
File contains set designs for Neptune Theatre's production of "Dear Liar," directed by Tom Kerr and designed by Patrick Clark. The file includes Clark's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Dancing at Loughnasa," directed by Linda Moore and designed by Brian Perchaluk. The file includes Perchaluk's original drawings and copies of the lighting plot by Bonnie Beecher. The file also contains an annotated copy of the first page of Perchaluk's set design.
File contains two tickets and 13 dance cards from dances at Dalhousie University, the Waegwoltic Club, and Pine Hill. Most of the dance cards have been filled in with the names of her dance partners.
File contains three copies of a piece of sheet music called "Dalhousie, Dalhousie!" The music was written by Douglas Clarke and the words were written by an anonymous author. The score is written for voice and piano.
File contains two copies of a booklet called Dalhousie University, which was produced by the Dalhousie Million Committee as promotional literature supporting the university's 1920 Million Dollar Campaign. The booklet, subtitled "Dalhousie, past, present and the future," outlines the university's accomplishments and plans and spells out the financial costs of fulfilling its vision. The booklet's illustrations of historic and contemporary Dalhousie people and buildings were drawn by Arthur Lismer and commissioned for a commemorative history of of the university published the same year.
One copy of the booklet contains a newspaper clipping about Frank Darling.