File contains handwritten copies of various sea chanties collected by Frank Parker Day. Includes "Yankee Ship," "A la Claire Fontaine" (accompanied by musical notation), "Storm Along," "Shenandoah," and other untitled chanties.
Item is an autographed manuscript of the piano part for Heitor Villa Lobos's first piano concerto. File also contains a copy of the autographed manuscript.
Item also includes a memo, performance information, and a note regarding the composition's publication by Max Eschig. The score was copied by Henrique Martins and is dedicated to Arminda Neves d'Almeida (Mindinha).
Item is the second horn part of a first edition publication of Mozart's Piano Concerto No. 23. It is printed on the same piece of paper as the first horn part.
Item is a copy of the first edition of Igor Stravinsky's piano arrangement of his ballet, "The Firebird." The ballet was written for the Ballets Russes in Paris, under the direction of Sergei Diaghilev. The piano arrangement was published shortly after the premiere performance on June 25, 1910 at the Théâtre National de l'Opéra.
Item is a piano arrangement of one of the folk songs from "Huits Chants Populaires pour Orchestre" by Anatoly Lyadov (also spelled Liadov), which was originally written in 1905. The score is dated August 15, 1916 at San Sebastien and accompanied by a note from Scribner's publishing house that the score is an original manuscript of the composer's arrangement for pianoforte solo. However, Liadov died August 28, 1914. The publisher's note also indicates that it was previously part of the collection of Serge Diaghileff (Diaghilev).
Item is the graphic notation score used by the rhythm section for part 3 of Nasca Lines. The score was used by the drummer for the premiere performance. As the drums are tacet for the first page, this page is not included.
Item is the instructions for Norman Adams' improvisational composition, "6 of one," for performance by Adams (cello); Suzanne Lemieux (oboe); Jeff Reilly (bass clarinet and clarinet); and Paul Cram (tenor saxophone and clarinet). The composition has an approximate tonality of D and textual instructions regarding rhythm, entrances, intervallic relationships of parts, dynamics, range, and timbre.
Item is the score for a composition by Bauer. Bauer divided the instruments into three groups: (1) guitar, oboe, piano, violin; (2) violin, viola, cello, xylophone; and (3) bass clarinet, electric bass, and acoustic bass. The composition alternates between 3/8,4/8, 5/8, 6/8, 7/8, 8/8, 9/8, 10/8, and 12/8 at a tempo of 100 eighth-notes per minute. The score is printed on the back of Bauer's resume.
Item is the first seven measures of the score for Fred Frith's composition "Neither Fire nor Place" for flute, English horn, clarinet, bass clarinet, bassoon, alto saxophone, baritone saxophone, trumpet, piano, percussion, guitar, violin, viola, cello, and double bass.
Item is a coloured score for C instruments. The composition has three main sections and the third section is further subdivided into five sections, including a passacaglia. No performance instructions are included. The composition was funded by a SOCAN grant.
Item is a copy of Steve Tittle's "Mediterranean Eyes," originally commissioned in 1983 by the Atlantic Canada Trio (flute, piano, and double bass) and revised in 1996 for small orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, and strings).
Item is a manuscript of the third verse of an untitled song that begins "The town is decked flags today." The song is for solo voice and piano accompaniment in d minor. The first two verse of the song are missing. The author of the text is not indicated, but may have also been written by Archibald.
Item is a copy of a manuscript version of an adaptation of "Fill Every Glass" from "The Beggar's Opera" by John Gay (1728). The arrangement was made by "C.B.C." and "J.F.W" for the Arts and Letters Club of Toronto and is for solo voice (for the character of Matt of the Mint) and chorus.
Item is the manuscript for a hymn "Rest Christian Calmly," with words by Jessie P. MacKay and music by Addie MacKay. The music is for four-part chorus (soprano, alto, tenor, and bass) and is in F Major with four verses.
Item is a reduced piano score of the English version (translated by C.I. Kenney) of Verdi's Requiem, written in memory of Alessandro Manzoni. The flyleaf of the book was signed for J.D. Logan by the soloists of the Philharmonic Spring Musical Festival in Halifax, Nova Scotia: Grace Kerns (soprano), Judson House (tenor), Fred Patton (baritone), and Nevada Van der Veer (contralto). The file also includes a newspaper clipping of Logan's review of the concert from the Halifax Herald (April 26, 1922).
Item is a copy of "Three Nocturnes" for piano trio, dedicated to the New York Trio, by Ernest Bloch, with pencil annotations and analysis by Anthony Pugh.
Item is a copy of "Minstrel's Song" by Alexandre Glazunov for cello and piano, dedicated to Mr. A. Wierzbilowicz, with pencil annotations and analysis by Anthony Pugh.
Item is a published copy of Gordon Jacob's arrangement of "Brother James' Air," for voice and piano, with pencil annotations and analysis by Anthony Pugh.
Item is a copy of Ravel's "Gaspard de la nuit," three pieces for piano (including Ondine, Le Gibet, and Scarbo). The score is annotated in pencil by Anthony Pugh.
Item is a copy of the songs "Heilige Nacht" and "Der Traum" for voice and piano, from Zemlinsky's Lieder. The copies are annotated in pencil by Anthony Pugh.