File contains a photograph of the cast of the Dalhousie Drama Club's production of "The President's Daughter" in 1908-1909. The photograph shows Jack Reid; Archie Sutherland; Helen Crichton; Grace Tupper; Marguerite H. L. Silver; Dorothy Constance Gorham; W. C. Ross; Frank Archibald; Jamie MacLeod; Stewart Mavor; Evan MacKenzie Forbes; and J. P. MacIntosh sitting or standing in several rows.
File contains a series of prints of paintings and photographs of the English actor Johnston Forbes-Robertson (1853-1937) in and out of costume. One of the prints is autographed by the actor.
File contains two autographed photographs of the English actor John Martin-Harvey, signed for John Daniel Logan following a performance in Halifax on May 19, 1921. One of the photographs shows him in costume for a role.
Series contains autographs, autograph letters, and autographed photographs. The letters were purchased by John Daniel Logan and were predominantly written by composers, including Giuseppe Verdi and Jacques Offenbach. Many of the autographs are signed on concert programs, presumably from concerts that Logan attended. The photographs are of musicians and actors, including several of the English actor Johnston Forbes-Robertson, and were sent to or obtained by Logan for his personal collection and in his capacity as a music critic and journalist.
Subseries contains photographs of famous musicians, composers, and actors, many of which are autographed. The photographs were obtained by John Daniel Logan in his capacity as a concert reviewer and for his personal collection. Many of the photographs were sent by the musicians and actors at his request, as evidenced by his correspondence with them.
The fonds contains photographs of singers and musical groups, theatrical paraphernelia, and documents regarding the construction of Ward's home on Beaufort Avenue in Halifax, Nova Scotia, as well as other printed material.
File includes a picture of students and teachers at St. George's School in Paradise River, Newfoundland and the script for a play "To be or not to be," performed at the school.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
Fonds contains records pertaining to Jenny Munday's career as a playwright, actor, director, dramaturge and arts administrator. Materials include manuscript drafts; professional contracts; production reviews; grant applications; and correspondence. The fonds also contains records related to Munday's time as a Crake Fellow in Drama at Mount Allison University.
The fonds consists of records related to Richard Perkyns' research undertaken in writing The Neptune Story: Twenty-Five Years in the Life of a Leading Canadian Theatre and editing Major Plays of the Canadian Theatre 1934-1984 . The fonds also includes a copy of his doctoral thesis, The Impact of the Expressionists Movements on British and American Drama and Theatre Practice (1968) and records which pertain to his involvement with the Halifax Independent Theatre. Records include correspondence, minutes from meetings, research notes, drafts, newspaper clippings, reviews, manuscripts, photographs, and interviews recorded on audio cassettes. The fonds has been arranged in four series: The Neptune Story, Major Plays of the Canadian Theatre, Doctoral Thesis, and Halifax Independent Theatre.
Accession consists of miscellaneous records relating to David Renton's acting and directing career, and includes publicity and performance photographs, correspondence, contracts, appointment calendars and diaries. There are also publicity photographs of Karine Renton's father announcing the CHNS radio program Now it Can Be Told.
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.
Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
File contains two contact sheet of photographs featuring Mary-Colin Chisholm, Chuck Campbell, Philip Shepherd, Iain Hill, Eileen Peddle and Joe Rutten.
File contains a draft submission to Canadian Theatre Review and correspondence between Mary Vingoe and Deborah Cottreau, guest editor. The publication solicited a 1,500 word article on the Eastern Front Theatre's recent and past work in the areas of dramaturgy in the Maritimes. Vingoe wrote an article that describes her personal approach to dramaturgy. File also includes a b&w promotional photograph of Mary Vingoe.
File contains photographs of Walter Borden printed onto 8.5 x 11 in. pieces of paper. Photographs feature Walter Borden in the productions, The Epistle of Tightrope Time and Driving Miss Daisy.
File contains photographs related to the African Nova Scotian Music Association. Photographs feature the cast of "Elephant's Graveyard," a theatrical production by the Dartmouth Players. Written by George Brant. Directed by Tamara Smith.
Item is a photograph of director Juanita Peters and the cast of the play, "Settling Africville," in 2014. The play was written by George Elliott Clark.
Photographs feature Novelee Buchan, Drew O'Hara, Jacob Sampson, Naomi-Joy Blackhall, John O'Keefe, and others.
Item is a photograph of Jackie Richardson and Dutch Robertson dated to October 4, 2016. The photograph was used in a Local Xpress article: "Travelling with the Green Book in Juanita Peters' newest play."
File contains photographs of Jeremiah Sparks performing as Louis Armstrong in Eastern Front Theatre's production of "The Satchmo Suite" in 2008. The play was written by Hans Böggild and Doug Innis.
File contains photographs related to Eastern Front Theatre and the National Arts Centre's theatrical production, "Whylah Falls," in 2000. The play was written by George Elliot Clark.
Photographs feature Linda Carvery, Novelee Buchan, and others.
Fonds contains photographs taken by Lionel Simmons during the 1970s, primarily of Neptune Theatre productions, rehearsals and people. The photographic format is overwhelmingly black-and-white negative film, but also includes contact sheets, prints and slides.
Fonds contains materials documenting Catherine Banks' professional playwrighting career beginning with her first published play, Eula's Offer. Records include research notes and manuscripts (handwritten and typed), correspondence, contracts, production and publicity materials, a videocassette, a DVD, photographs, sketches, and a small selection of personal papers.