- MS-3-46, 1980-014C
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- 1980
Showing 1198 results
Archival DescriptionBroadcasting for reels no. 1 : radio as folk art
- MS-3-46.2018-014, Box 122, Item 84
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- September 22, 1993
Battaglia, Noreen
- MS-3-46, 1985-022
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- 1985
Dic, Ronald
- MS-3-46, 1981-007
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- 1981
Canadian housing federation : Annual general meeting
- MS-3-46, 1987-005
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- 1987
Gerold, Ron
1/4 Moon, How long have you known Barbara?, Still of Eric Cameron's "Edwin's Egg"
- MS-3-46, 1987-007
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- 1987
Askevold, David
7th Annual Audio by Artists Festival
- MS-3-46, 1986-019
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- 1986
Lander, Dan
David Askevold compilation tape selections 1969-1986
- MS-3-46, 1989-008
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- 1989
Askevold, David
Alzheimer disease : portrait of an illness
- MS-3-46, 1992-014
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- 1992
- MS-3-46, 1984-005A
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- 1984
- MS-3-46, 1988-008
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- 1988
Brousseau, Dean
- MS-3-46, 1987-022
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- 1987
Calvert, Melodie, 1961-
- MS-3-46, 1991-011A & 011B
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- 1991
- MS-3-46, 1990-13B
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- 1990
Porter, Doug
- MS-3-46, 1990-013
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- 1990
Porter, Doug
- MS-3-46, 1991-002
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- 1991
- MS-3-46, 1990-011
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- 1990
Maycock, Bryan
- MS-3-46, 1990-007
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- 1990
Comeau, Steve
Black women : we're still standing
- MS-3-46, 1990-010
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- 1990
Jamaica Women's Exchange Project
- MS-3-46, 1989-018
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- 1989
Semple, Jeff
- MS-3-46, 1989-012
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- 1989
Montalvo, John
- MS-3-46, 1989-010
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- 1989
Burger, Tom
- MS-3-46, 1989-016
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- 1989
MacSwain, Jim
- MS-3-46, 1987-015
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- 1987
MacSwain, Jim
Catie, Centre for Art Tapes promo, Dance Nova Scotia promo
- MS-3-46, 1986-010D
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- 1986
Brousseau, Dean
- MS-3-46, 1992-016B
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- 1992
Clark, David
- MS-3-46, 1992-000
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- 1992
Porter, Doug
Terrorism : is it a justifiable force?
- MS-3-46, 1992-013
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- 1992
MacDonald, Quinn
- MS-3-46, 1991-0015
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- 1991
Porter, Doug
- MS-3-46, 1991-018
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- 1991
Askevold, David
- MS-3-46, 1991-017
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- 1991
Verrall, Ann
- MS-3-46, 1991-016
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- 1991
Fitzgerald, Thom
- MS-3-46, 1991-014
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- 1991
Gibson, Beth
- MS-3-46, 1991-012
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- 1991
Askevold, David
- MS-3-46, 1991-003
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- 1991
Porter, Cathy
Documentation of Steve Tittle performance
- MS-3-46, 1985-004
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- 1985
Centre for Art Tapes compilation
- MS-3-46, 1985-001B
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- 1986
MacDougall, Liz
Centre for Art Tapes compilation
- MS-3-46, 1985-001A
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- 1985
Description of the video prepared by Centre for Art Tapes is as follows: CFAT Promo: ad that was played every other year on Halloween. Catie: In this video the audience experiences a one-on-one encounter with another human being, seemingly without intervention of medium used. The person in question is an Acadian woman in her mid-70’s, whom the viewer meets at home. Catie relates numerous aspects of her life in an unabashed manner, revealing her as someone who has survived hard times with grace and dignity. Brousseau explains at the beginning how this video is one of a pair (the other being ‘Mother’s Days’) which explore the shifts in moral outlook from generation to generation. By dealing with his relatives, Brousseau and camera are able to capture a particularly candid and entrusting view of the subjects, giving insight into personal aspects of their lives, at the same time showing some of their more universally shared qualities.Crossing the 49th: “It has been arranged by the intermales and underdykes of the U.S.A. and Canada, to unite in the union of the World’s first totally gay nation. Come on now, cross the 49th.” Crossing the 49th is a narrative fantasy dealing with the notion that the total population of Canada could be swapped with the entire American gay population. The tape uses several methods to address this fantasy: blue American and red Canadian lips share ideas; keyed text in the guise of airport codes and clauses float across the screen; sections of slow-moving, bleached-out shots help create a dreamy effect that runs the entire length of the tape. Debert Bunker: By Invitation Only: The occasion of this tape was a military coordinated rehearsal of emergency measure in the event of a nuclear war. This dry-run, which had officials (mostly men) seeking shelter from fall-out that the underground bunker at Debert, NS might provide, became the focus of non-violent collective activism from several maritime-based affinity groups (mostly women). The narrative alternates action footage with commentary from group representatives. The intention was that of describing and documenting the processes and symbolic gestures employed by each group. Women from the action had not previously used video made important contributions to production. The tape uses interviews inter cut with live dramatic performance, live ritual, live footage. as well as stills and medical clips. Voice-over and live sound are both used.
Calvert, Melodie, 1961-
- MS-3-46, 1984-025
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- 1984
Unedited footage from Hockey Night in Canada
- MS-3-46, 1984-023
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- 1984
- MS-3-46, 1984-022
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- 1984
Short, David
- MS-3-46, 1984-008
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- 1984
- MS-3-46, 1984-024
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- 1984
Short, David
- MS-3-46, 1984-021B
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- 1984
- MS-3-46, 1984-013
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- 1984
- MS-3-46, 1984-027
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- 1984
Saunders, Joyan
- MS-3-46, 1984-026
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- 1984
Short, David
- MS-3-46, 1984-007
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- 1984
- MS-3-46, 1984-006
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- 1984
- MS-3-46, 1996-006
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- 1996
Trobak, Del