Dalhousie University brochures and reports
- Subseries
Dalhousie University brochures and reports
Dalhousie University Faculty of Law yearbooks: Dalhousie Law School and Amicus Curia
Dalhousie University Library ledgers, inventories and catalogues
Dalhousie University. School of Education
Dalhousie University School of Physiotherapy yearbooks
Dalhousie University yearbooks
Dalhousie University's Medical Science Building
Part of Facilities Management
Delphine Caroline (Wallace) Maclellan's records
Part of James H. Morrison fonds
Educational materials and resources about AIDS and spirituality
Part of Larry Baxter fonds
Edward Kirkpatrick Maclellan's records
Faculty of Arts and Social Sciences newsletters
Faculty of Engineering calendars
Part of Rock Meets Bone fonds
Part of Eyelevel Gallery fonds
Part of Bob Fougere fonds
Gilbert and Sullivan Society : The Pirates of Penzance
Part of Robert Doyle fonds
Part of Ronald St. John Macdonald fonds
Halifax Rainbow Health Project
Part of Bob Fougere fonds
Helen Stewart (Mackay) Maclellan's records
Part of Ronald St. John Macdonald fonds
Part of Brian Hall fonds
Part of Facilities Management
Margaret Jane (Mackenzie) Maclellan's records
Morton House property deeds and operating documents
Part of Larry Baxter fonds
Mr. Atlantic Canada Leather [MACLeather] financial records and meeting minutes
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] posters and promotional material
Part of Nathaniel Smith fonds
Mr. Atlantic Canada Leather [MACLeather] programs and ephemera
Part of Nathaniel Smith fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Neptune Theatre : A Doll's House
Part of Robert Doyle fonds
Neptune Theatre : Angels in America
Part of Robert Doyle fonds
Neptune Theatre : Anything Goes
Part of Robert Doyle fonds
Neptune Theatre : Arms and the Man
Part of Robert Doyle fonds
Neptune Theatre : Colour the Flesh the Colour of Dust
Part of Robert Doyle fonds
Neptune Theatre : Debut/Encore
Part of Robert Doyle fonds
Neptune Theatre : Guys and Dolls
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Lend Me a Tenor
Part of Robert Doyle fonds
Neptune Theatre : Much Ado About Nothing
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Party of the Century
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Neptune Theatre : Romeo and Juliet
Part of Robert Doyle fonds
Neptune Theatre : Servant of Two Masters
Part of Robert Doyle fonds
Neptune Theatre : The Black Bonspiel of Wullie McCrimmon
Part of Robert Doyle fonds
Neptune Theatre : The Mousetrap
Part of Robert Doyle fonds
Neptune Theatre : The Sea Gull
Part of Robert Doyle fonds
Neptune Theatre : The Taming of the Shrew 1967
Part of Robert Doyle fonds
Neptune Theatre : The Taming of the Shrew 1980
Part of Robert Doyle fonds
Neptune Theatre : The Torch-Bearers
Part of Robert Doyle fonds