File contains original set designs and a copy of the light plot design for Neptune Theatre's studio production of "Young Triffie's Been Made Away With," directed by Mary Walsh and designed by Stephen Osler (set) and Michael Fuller (lights).
File contains set and light designs for Neptune Theatre's production of "Yankee Notions," directed by James Roy and designed by Pat Flood (set) and Brian Pincott (lights).
File contains 11 pages of blueline prints of hand-drawn working designs for Killam Library furnishings, labelled F-100 though F-110, which include initial and revised plans (elevations and section drawings) for: cataloguer and bibliographer's work units; card catalogue units; consultation tables; newspaper storage units; display cases; atlas stands; file tubs; and dictionary stands. Annotations with dates include revisions based on requests by librarians.
File contains 2 pages of blackline prints of working designs for a display unit and book cases for the planned Kipling Room in the Killam Library. The drawings include elevations and section details, are stamped "preliminary," numbered S-8 and S-8, and dated 31 March 1969. The Kipling Room ended up remaining in the O.E. Smith wing of the Macdonald Library; it is possible that these furniture plans were used instead for the Morse Room, which was located behind the MacMechan Auditorium.
File contains set designs for Neptune Theatre's production of the "Wizard of Oz," directed by Ron Ulrich with designs by Art Penson. The file includes Penson's original drawings and annotated copies. File also includes two copied sheets of set designs for "Special Occasions," another Neptune Theatre production directed by Ulrich and designed by Penson (see MS-3-1, OS Folder 156).
File contains set designs for Neptune Theatre's production of "Who's Afraid of Virginia Woolf," directed by Robin Phillips and designed by Sue LePage. The file includes LePage's original drawings and annotated copies.
File contains set designs for Neptune Theatre's productions of "West Side Story" and "Romeo and Juliet," directed by Tom Kerr and S. MacDonald with designs by Robert Doyle. The file includes Doyle's original drawings and annotated copies of sheets 1 and 5.
File contains set designs for Neptune Theatre's production of "Welcome to the Planet," designed by S.. Degenstein. The file includes Degenstein's original drawings and annotated copies.
File contains correspondence with Gil Winham, Canadian External Affairs, and the Delegation of Suriname to United Nations Convention on the Law of the Sea (UNCLoS) III. File also includes a project proposal for "Science and Technology for Development and Disarmament," by Elisabeth Mann Borgese, and a report from the twenty-third United Nations General Assembly.
File contains original and annotated copies of set and prop designs for Neptune Theatre's lunchtime production of "Village Wooing," directed by D. Schurman and designed by L. Preston.
File contains correspondence with Jon Von Dyke, Zoran Vidaković, and J.H. Vandermeulin (of the Ministry of Fisheries and Oceans, Canada). Topics of discussion include a Third World training program, a publication of a book on the work of Jovan Djordjević, for which Elisabeth Mann Borgese contributed an essay, and a conference at the East-West Center. Also contains a list of contacts beginning with "V." See also MS-2-744, Box 285, Folder 10 for additional correspondence with Jon Van Dyke.
File contains correspondence with: Anton Vratusa of the ICPE (International Center for Public Enterprise in Developing Countries) on adovating for ratification of the United Nations Convention on the Law of the Sea (UNCLoS); Lojze Peterle (Slovenian Deputy Minister and Minister of Foreign Affairs, letter contains an appeal from Mann Borgese on why UNCLoS is important to Slovenia); Mark Wood (a journalist at "The Malta Independent"); Layachi Yaker (mainly on the Secreatary General Consultations, the boat paper, and the non-paper); and Günther Zade of the World Maritime University (the International Ocean Institute held a training programme with them in 1992).
File includes correspondence with the Treasury Board, the United Nations Conference on Trade and Development (on a shipping seminar), and Finance Minister Michael Wilson (with Robert R. de Cotret).
File contains correspondence with M.J. Anstee (Department of Technical Co-operation for Development) and K. Mushakoji (UN University - with "The United Nations University's Next Stage: Statement before the Sixteenth Session of the Council of the UN University on 1 December 1980"). File also includes handwritten notes by Elisabeth Mann Borgese for a United Nations Industrial Development Organization (UNIDO) talk (on the new industrial revolution and the oceans).
File contains correspondence with the University of Rhode Island, a USSR publishing house (regarding the Russian version of "The Drama of the Oceans"), and Henry Usborne. Also includes the introduction to "The Drama of the Oceans" for the Russian translation.
File contains set designs for Neptune Theatre's production of "Twelfth Night," directed by Tom Kerr with designs by S.J. Degenstein. The file includes Degenstein's original drawings and two annotated copies of the lighting design.
File contains the original set designs for Neptune Theatre's production of "Tonight at 8:30" directed by John Neville with designs by Robert Doyle for "Still Life" and "Hands Across the Sea".
File contains set designs for Neptune Theatre's production of "The Winslow Boy," directed by Linda Moore and designed by Nigel Scott. The file includes Scott's original drawings and a copy of the lighting plot, also by Scott.
File contains a brochure created in 1920 by the Dalhousie Campaign Committee. The brochure presents architect Andrew Cobb's campus master plan known as the "vision of Dalhousie." The brochure presents the original Dalhousie College building on Grand Parade as the "First Dalhousie" and the newly constructed Forrest Building as the "Second Dalhousie."
File contains set designs for Neptune Theatre's production of "The Stone Angel," directed by James Roy and designed by Brian Perchaluk. The file includes Perchaluk's original drawings, annotated copies of pages 1 and 2, and a copy of the light design plot by John Munro.
File contains original set and light designs for Neptune Theatre's production of "The Search for Signs of Intelligent Life in the Universe," directed by Miles Potter and designed by Warren Carrie, assisted by Ian Rye. The file includes drawings for Neptune Theatre and for The Belfry Theatre (Victoria, British Columbia).
File contains the set and lighting designs for Neptune Theatre's production of "The Real Thing," directed by Linda Moore and designed by Brian Perchaluk (set) and Brian Pincott (lights).
File contains set designs for Neptune Theatre's production of "The Mystery if the Oak Island Treasure," directed by Bob Paisly and designed by Andrew Murray and S.J. Degenstein. The file includes their original drawings and annotated copies.
File contains set and light designs for Neptune Theatre's production of "The Mousetrap," directed by Linda Moore and designed by Robert Doyle (set) and Bonnie Beecher (lights). The file includes Doyle's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Little Shop of Horrors," directed by Alan MacGuinnes and designed by Patrick Clark. The file includes Clark's original drawings, a coloured annotated copy of the ground plan and an annotated copy of the Masking Elevators.
File contains original set designs for Neptune Theatre's production of "The Glace Bay Miner's Museum," directed by Mary Vingoe and designed by Stephen Osler. Scott Miller was the technical director. The file includes designs for Neptune Theatre as well as the Centaur Theatre (Montreal, Quebec) and the Manitoba Theatre Centre.
File contains original and annotated copies of set designs for Neptune Theatre's lunchtime production of "The End of the Beginning," directed by Denise Coffey and designed by Trevor Parsons.
File contains set designs by Robert Doyle for a Shaw Festival production of "The Devil's Disciple." File includes original drawings and annotated copies.
File contains a copy of the report "A Canadian-Chinese Prorgamme in International & Comparative Law" drafted by the College of Law at Peking University and the Faculty of Law at Dalhousie University. File also contains correspondence between Ronald St. John Macdonald, Paul Brennan, Marc Dolgin, Peter Hoffman, W. Andrew Mackay, H.L. O'Brien, Alasdair Sinclair, and Wang Tieya.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle.
File contains set designs for Neptune Theatre's production of "The Black Bonspiel of Wullie MacCrimmon," directed by Glen Carnes and designed by Robert Doyle. The file includes Doyle's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "The Apple Cart" drawn by Andrew Murray. The file includes original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Tartuffe," directed by Richard Ouzounian and designed by David B. Ingraham. The file includes Ingraham's original drawings and annotated copies.
File contains the set designs for the Neptune Theatre production of "Taming of the Shrew," directed by D. Coffey with set designs by Robert Doyle. The file includes Doyle's original drawings as well as an annotated copy of Sheet A.
File contains set designs for Neptune Theatre's production of "Take Twelve," directed by Richard O. and designed by Andrew M. The file also contains copies of costume and prop designs for the production.
File contains two student's tickets from the Victoria General Hospital, admitting Nelson Pratt to the hospital during the visiting hour of the attending physician or surgeon.