File contains one copy each of the 2002 Ottawa Pride guide, the 2009 Toronto Pride guide, the 2009 Halifax Pride guide, and the June 2009 issue of Index, Toronto's gay and lesbian business directory.
File contains materials relating to the closure of Safe Harbour Metropolitan Community Church. This includes correspondence dated 2012-2013; inventory lists documenting the church's materials as of the time of its closure in 2011; lists of members; minutes from the annual congregational meeting held August 31, 2011; pamphets; programs; and notes.
Item is a photograph of the 1914 Dalhousie Dramatic Club. The photograph shows the principals in the cast of "The College Widow". The portrait incudes C. R. Hawkins (as Tommy Parsons); R. St. C. Jones (as President Witherspoon); Jack MacDonald (as Billy Bolton); G. R. Smith (as Jimmie Hooper); D. A. Guildford (as Frank McAllister); T. A. Lebetter (as Copernicus Talbot); Harry Britton (as Silent Murphy); W. B. Coulter (as Hon. Elam Hicks); D. L. Dwyer (as Bub Hicks); J. S. Fraser (as Hiram Bolton); W. R. Auld (as Jack Larrabee); M. M. Currie (as Mrs. Primley Dalzelle); Hattie Boak (as Bessie Tanner); J. F. O'Connell (Director); Gladys Billman (as Jane Witherspoon); Emma Gillies (as Flora Cameron); R. D. Graham (as Stubby Talmadge); C. K. Fuller (as Matty MacGowan); M. Fraser (as L. Chubbs); Georgene Faulkner (as Flora Wiggins); Louise Power (as Bertha Lyson); and Mary Ross (as Josephine Borkley). The cast members are sitting or standing in four rows and wearing their costumes.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for a character named Wendla. The sketch shows two female figures wearing the costumes. Ribbon swatches are pinned to the photocopy.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Wendla. The sketch shows a female figure wearing the costume.
Item is a photocopy of two costume designs for Dalhousie Theatre's production of Spring Awakening. The costumes are for characters named Thea and Martha. There are fabric swatches pinned to the photocopy.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a sea captain. The photocopy has some of Doyle's notes about the costume written on it.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Olivia. The sketch has some of Doyle's notes about the costume written on it, including sketches of its construction.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Gabor. There are fabric swatches pinned to the photocopy.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Mrs. Bergman. There are two fabric swatches pinned to the photocopy.
Item is a photocopy of a costume design for Dalhousie Theatre's production of Spring Awakening. The costume is for a character named Ilse. There are three fabric swatches pinned to the photocopy.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for a character named Feste. The photocopy has Doyle's notes about the costume written on it in red.
Item is a photocopy of a watercolour sketch of a costume design for Dalhousie Theatre's production of Twelfth Night. The costume is for two officers. The photocopy has some of Doyle's notes about the costume written on it.
File contains two black and white photocopies of item 15, which is sketch of a costume design for Dalhousie Theatre's 1990 production of Shakespeare's Women. The costumes are for Kent and Malvolio.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
Series contains programs, advertisements, and reviews for concerts by the Halifax Camerata Singers, sometimes in collaboration with other musicians and ensembles.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for a scene (probably scene 2 or 11), "Only Some Can Take the Strain." The sketch shows one figure with a feathered cap and clear visor, another male figure pulling a cart, and a third female figure with spiky hair.
Item is the Nova Scotia Agricultural College centennial anniversary exhibit official opening program. “The Colchester Historical Society Museum salutes the Nova Scotia Agricultural College as it celebrates a century of service.” Has an insert which details some early and more recent NSAC yells.
Series contains records related to Novacon, a science fiction convention that took place in Halifax, Nova Scotia. Record types include programs, pamphlets and registration forms.
File contains planning materials for the Nova Scotia Rainbow Action Project's Big Gay Wedding Anniversary Gala Dinner, held on September 24th, 2005. Materials include one event program, one list of silent auction donors, one business cards for silent auction donors, correspondence regarding event planning, ticket invoices, and notes.
The fonds contains copies of programs for operas performed or hosted by the Nova Scotia Opera Association, as well as draft copies of those programs. It also contains business correspondence, annual reports and its notice of incorporation.
Series contains photographs, documents, flyers, scripts, and audio recordings of special events, celebrations, and workshops at the Nova Scotia Agricultural College. Records relate to Founders day, anniversaries, exhibitions, dramas, open houses, commencements, etc. between 1928-2006.
Item is a time capsule created by the Class of 2012, the last class of the Nova Scotia Agricultural College before its merger with Dalhousie University. The capsule contains approximately 50 articles deposited by graduating students, including pictures, a bottle of wine made at the college, frosh beanies, written memories, a synopsis of NSAC and banquet programs. The project was initiated by Matthew Lawless, co-chair of the graduating class, Jonathan Waugh and Jessica Dowe, and the capsule was built by NSAC engineering technician Chris Nelson.
Subseries contains records that were created and used in the partnership project with the Nova Scotia Agricultural College (NSAC) and the Universidad Francisco de Paula Santander (Columbia) in the development of a 'Training Program in Sustainable Agriculture' at UFPS for both the undergraduate and graduate levels. The program ran between 1997 and 2002. The Universidad Francisco de Paula Santander (UFPS) was asked to play a key role in “El Salto Social”, the social leap forward, in the Santander region of Colombia. New curricula was to be introduced at UFPS, faculty being upgraded and new extension and outreach programs being established with the assistance of NSAC through this project. Other project partners were the Universidad de la Republica Uruguay (URU) of Uruguay and Saint Mary’s University (SMU). This was an Association of Universities and Colleges of Canada (AUCC) University Program for Cooperation in Development (UPCD) Tier 2 project led by NSAC. NSAC Personnel involved were Norman Goodyear, Bonnie Waddell, Sam Asiedu, and Leanne French.
Collection contains Nova Scotia Agricultural College archival reference materials including books, calendars, journals, magazines, DVDs, pamphlets, and newspaper clippings published between 1830-2012.
Series contains minutes, financial records, correspondence, student lists, reports, banquet programs, and newspaper clippings from the Nova Scotia Agricultural College Alumni Association from 1905-1983.
File contains two programs (8.5 x 11 inches, folded in half) for the Nova Scotia Agricultural College Founding Day (Founder's Day) banquet dinner held on 12 February, 1988 at Jenkins Hall. Includes list of participants as follows: 1. Rev. D.I. MacEachern 2. N.S.A.C. Chorale 3. Dr. Bernard MacDonald, N.S.T.C. 4. Mr. Art Weatherby, Village Commission 5. Mr. J.E. Shuh , Professor Emeritus 6. Dr H.F. MacRae, Principal 7. Mr R.E. Morehouse, N.S., Deputy Minister of Agriculture and Marketing. 8. Mr Victor Saxon, Director 9. Mr Emery Legere, President, Students Union.
File contains three pages of notes about costume designs for Dalhousie Theatre's 1990 production of Shakespeare's Women. The notes are written on lined notebook paper. There are several small triangular fabric swatches taped to the notes. The notes are taped inside the cover of a pad of paper which contains all of Doyle's costume sketches from the production.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
File contains a program and newspaper clippings from a Nova Scotian concert tour by the Halifax Camerata Singers, which included performances in Truro, River Denys Mountain, Annapolis Royal, Amherst, New Glasgow, Liverpool, and Yarmouth.
Fonds primarily consists of documentation related to publicity, personnel, equity, and the Canada Council for the Arts as well as scripts, production-based records, administrative files, correspondence, PACT files, contracts, annual meeting notes, ROADies records, financial statements and information, board meeting notes, brochures, audio tapes, photographs, and production posters.