File contains the original set designs for Neptune Theatre's production of "Much Ado about Nothing," directed by Denise Coffey with set designs by Robert Doyle.
File contains draft manuscripts "Reducing uncertainty in the estimation of extinction probabilities by meta-analysis of data from many populations" by Ransom Myers and Mike Bradford; "Density-dependent mortality, formation of year-class strength, and survey accuracy of walleye in Mille Lacs" by Ransom Myers and notes on steepness and Myers initial slope.
Item is the program for Munro Day on Tuesday March 14, 1939 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item is the program for Munro Day on Thursday March 14, 1935 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item is the program for Munro Day on Wednesday March 11, 1936 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item is the program for Munro Day on Thursday March 18, 1937 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item is the program for Munro Day on March 14, 1950 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item is the program for Munro Day on March 13, 1951 at Dalhousie University. The program featured sporting events, announcements and presentations, music, and an evening dance.
Item consists of an offprint from the July 1928 Dalhousie University Bulletin's Munro Day number, containing the text of a speech delivered by Arthur Stanley MacKenzie on the history of Munro Day on March 9, 1928.
File contains an autographed photograph of Muriel Dundas, personalized to Ellen Ballon. The photograph was taken at the Ira J. Hill Studio in New York.
Item is a video recording of the Dalhousie Department of Theatre production of Museum , performed 31 January 1999. The production was produced by Dalhousie Theatre Productions.
Item is a typed document entitled "Museum Assistance Programmes" from the National Museums of Canada organization based in Ottawa. The report lists the different methods an institution can qualify to receive funding.
File contains an essay by Elisabeth Mann Borgese on the influence of the oceans have inspired art, and an argument about how music is the art form that is the closest to nature (and, thus, the oceans). States on the front, in pencil, that it was sent to Eberhard Goerner.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with the Symphony Nova Scotia Chorus. The concert included the world premiere of the Young Composer Competition and took place at St. Patrick's Church in Halifax, Nova Scotia.
File contains a poster for the Musique Saint Bernard concert series, held in Saint-Bernard, Nova Scotia. The series included a concert by the Halifax Camerata Singers on June 2, 2002, as well as The Three Sopranos (Sung-Ha Shin-Bouey, Paula Rockwell, and Sally Dibblee) on June 16, 2002; Patricia Creigton (flute) and Peter Allen (piano) on June 23, 2002; The Canadian Chamber Choir directed by Iwan Edwards on August 11, 2002; Novus on September 8, 2002; David MacDonald (organ) on September 15, 2002; and Symphony Nova Scotia with Lara St. John on September 22, 2002.
Item is a poster for a Bradyworks ensemble concert featuring Tim Brady (music and texts), Stephané Zarov (stage direction), and Martin Messier and Oana Suteu (video). The concert was held in the CBC Radio Room on Thursday, October 22, 2009, one of nine concerts in a Canadian tour.
File contains a reel-to-reel recording of Barbara Hinds telling a story about an Inuit woman named Emily who she met during her trip to Killiniq Island.
Item consists of the transcript of an interview between Ronald St. John Macdonald and Myres S. McDougal, conducted on August 7, 1995 in New Haven, Connecticut.
File includes correspondence to R.A. Ness (of the Ambassador Trading Company) and Satya Nanden (of the United Nations). Topics discussed include the Law of the Sea and Micronesia, and the Preparatory Commission for the International Sea-Bed Authority and for the International Tribunal for the Law of the Sea.
File contains correspondence with: Dr. R. Natarajan; Constantin Nielson; Joachim Neubauer; Dr. Roland Nagel; Dolliver Nelson; Michael M. Novac; Hiroyuki Nakahara; Dr. David A. Munro (of the International Union for Conservation of Nature (IUCN), contains comments by Elisabeth Mann Borgese on a draft work on sustainability); Papa Ndiaye (attached is an agenda for Pacem in Maribus (PIM) XVII); and Pete Nagel (concerning oil spills and PIM XVII). Some correspondence may be personal.
Item is an audio recording of a practice session recorded in March 1980. The recording is on side A of audio cassette. Tape label reads "Nanny, mum + Sheila, Dorothy, Cat, Andy. Mar/80"
File contains the original set designs for Neptune Theatre's production of "Narnia," directed by Jennette White and designed by D'Arcy Poultney. The file also includes the light plot design by Philip Cygan.
Item contains excerpts from texts by the Scottish painter Alan Davie (1920-2014) selected by Barry Guy for use in Parts 3A and 5 of the composition. The excerpts are taken from opuses D. 2 (June 1994); D.4 (June 1994); D. 15 (September 1994); D. 16 (June 1996); D. 24a (June 1996); D. 29 (May 1996); and D. 107 (1990). Davie's artwork is also one of the sources of inspiration for the graphic notation in Guy's composition.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.
Item is a black and white copy of the full score for Nasca Lines in graphic notation. The score includes representations of flashcards used by the conductor in this part, including VETO A, B, and C and flashcards indicating different improvisational styles.